Questions of Practice: Dancer Raphael Xavier on Street vs. Stage Performance
Hip-hop dancer and Pew Fellow Raphael Xavier talks about how performing on the street differs from performing on stage.
Fellows Friday: Q&A with Poet Brian Teare
A former NEA Fellow in Literature, Brian Teare has been a resident at Headlands Center for the Arts and the MacDowell Colony, and a recipient of the Ruth Lilly Fellowship and the Wallace E. Stegner Fellowship.
Questions of Practice: Wilma Theater's Blanka Zizka on Risk in Theater-Making
Blanka Zizka, Wilma Theater's Artistic Director, on risk in theater-making.
Questions of Practice: Walker Art Center's Philip Bither on Curatorial Choices
During a recent conversation at The Pew Center for Arts & Heritage, our visiting scholar Kristy Edmunds asked Philip Bither about making curatorial choices that lead to dynamic artistic experiences for audiences.
Questions of Practice: Choreographer Ralph Lemon on Ephemerality
Choreographer Ralph Lemon talks about ephemerality in relationship to his work in the dance field, and the complexity of memory.
Questions of Practice: Performance Curator Kristy Edmunds on Risk
Visiting scholar and performance curator Kristy Edmunds describes how she approaches risk in the context of her curatorial work.
Questions of Practice: FringeArts' Nick Stuccio on Curating Performance
Nick Stuccio, President and Producing Director at FringeArts, on how curation in performance might differ from curation in the visual arts.
Questions of Practice: Arts Leader Sam Miller on Risk and Artistic Process
In 2015, we spoke with Sam Miller about the relationship between risk and artistic process.
Questions of Practice: Musician & Curator Argeo Ascani on Experimentation
How can a curator approach artistic risk? Argeo Ascani, Curator for Music at EMPAC, Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute, prefers to use the term “experimentation”.
An Experiment in Five Acts in Review: A Conversation with Ain Gordon
Playwright and director Ain Gordon reflects on An Experiment in Five Acts, a critical feedback program for mid-career artists of his own design. Here, he speaks candidly about the project's impact, what worked and what didn't.