Questions of Practice: FringeArts' Nick Stuccio on Curating Performance
Nick Stuccio, President and Producing Director at FringeArts, on how curation in performance might differ from curation in the visual arts.
What drives cultural practitioners to experiment, discover, and create?
Nick Stuccio, President and Producing Director at FringeArts, on how curation in performance might differ from curation in the visual arts.
In 2015, we spoke with Sam Miller about the relationship between risk and artistic process.
How can a curator approach artistic risk? Argeo Ascani, Curator for Music at EMPAC, Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute, prefers to use the term “experimentation”.
Nonfiction writer and 2005 Pew Fellow Jay Kirk, "creative documentarian" of critical feedback program An Experiment in Five Acts, reports on the events of the Act V session, the final installment of this series.
Artist Bob and Roberta Smith creates work in what he calls the "communicative realm," from hand-painted slogans to social media campaigns.
"I conceive of character as my responsibility within the piece," says Philadelphia theater artist Mary Tuomanen.
At the February launch of the Center's new multimedia online publication, A Steady Pulse: Restaging Lucinda Childs, 1963–78, Lucinda Childs and Judy Hussie-Taylor, executive director of Danspace Project, discussed Childs' career and artistic influences.
Claudia La Rocco addresses the question “should we dance in museums?”
Jumatatu Poe’s work as a choreographer focuses on exploring bodies and selves that are physical, emotional, representational, and spiritual.
We spoke to poet Catie Rosemurgy, whose wry and sharply imagined poems investigate the layered natures of identity, history, and narrative.