Inside the National Constitution Center: Q&A with Director of Theatre Programs Nora Quinn

Questions of Practice: Ernesto Pujol on Pursuing Aesthetics

Questions of Practice: Bisi Silva on the Contemporary Curatorial Practice in Africa

Questions of Practice: Visual Artist Trenton Doyle Hancock on the Social Connotations of Dolls

Questions of Practice: Music Director Yannick Nézet-Séguin on Leadership

Questions of Practice: Guitarist Nels Cline on Virtuosity

Questions of Practice: Poet and Performer Tracie Morris on Preserving a “Feeling of Liveness” in a Museum Setting

Questions of Practice: Curator Koyo Kouoh on Politics and Socially Engaged Practice

Questions of Practice: Choreographer Maria Hassabi on Dancing in Museum Spaces

Pew Fellow of the Week: An Interview with Filmmaker Jonathan Olshefski

Pew Fellow of the Week: An Interview With Visual Artist Michelle Angela Ortiz

Questions of Practice: Photographer Zanele Muholi on Museum Accessibility

Pew Fellow of the Week: An Interview With Visual Artist Ken Lum

Ain Gordon, 2018-19 Visiting Artist

Excerpt from The Sentient Archive: Artist Sarah Crowner on Painting and Dancing

Questions of Practice: Choreographer Boris Charmatz on How “The Museum Is The Body” In Dance

Questions of Practice: Choreographer and Dancer taisha paggett on the Relationship Between Art and Politics

Pew Fellow of the Week: An Interview with Visual Artist Wilmer Wilson IV

Questions of Practice: Guitarist Nels Cline on Creating Lovers (for Philadelphia)

Pew Fellow of the Week: An Interview with Filmmaker Moon Molson

Pew Fellows of the Week: An Interview with Landscape Architects Anuradha Mathur & Dilip da Cunha

On Frank Zappa’s “Relentless Pursuit of Interesting Sounds:” An Interview with Orchestra 2001’s Jayce Ogren and Zappa Expert Joseph Klein

Pew Fellows of the Week: An Interview with Interdisciplinary Artists Camae Ayewa & Rasheedah Phillips

Pew Fellow of the Week: An Interview with Choreographer and Performer Annie Wilson

Pew Fellow of the Week: An Interview with Poet Julia Bloch

Pew Fellow of the Week: An Interview with Writer and Cultural Scholar Brenda Dixon Gottschild

Questions of Practice: Artist Cai Guo-Qiang on Public Art and Ephemerality

Questions of Practice: Pew Fellow Hellmut Gottschild on a Life of Dance, with Tania Isaac

Questions of Practice: Visual Artist Jeanne van Heeswijk on the City as Subject

Questions of Practice: Ernesto Pujol on Reciprocal Relationships with Communities

Questions of Practice: Choreographer Boris Charmatz on Creating a Museum of Dance

Questions of Practice: Bisi Silva on considering “the Local” and “the Global” in Curatorial Practice

Inside Opera Philadelphia: Q&A with David Devan, General Director & President

Questions of Practice: Artist Michael Rakowitz on the Live Experience of Radio

Inside Pennsylvania Humanities Council: Q&A with Executive Director Laurie Zierer

What if an Art Collection Were Treated Like a Choreographic or Musical Score?

Questions of Practice: Choreographer Boris Charmatz on “Re-Enchanting” Public Space Through Dance

Questions of Practice: Pew Fellow Major Jackson Reads Urban Renewal

Questions of Practice: Performing Arts Producer Jenny Gersten on Art as an “Agent of Hope”

Grantee Spotlight: Q&A with Curator Daniel Tucker

Fellows Friday: Q&A with Visual Artist Sharon Hayes

Fellows Friday: Q&A with Filmmaker Mark Kendall

Questions of Practice: Visual Artist Jeanne van Heeswijk on Collective Authorship

Fellows Friday: Q&A with Visual Artist Eileen Neff

Inside The Wilma Theater: Q&A with Blanka Zizka, Founding Artistic Director

Questions of Practice: Francis Kéré on Architecture and Community Collaboration

Fellows Friday: Q&A with Composer Andrea Clearfield

Questions of Practice: Barnes Foundation’s Thom Collins on Unpacking the Museum’s Collection Through Performance

Questions of Practice: Curator Ruth Estévez on Why Some Performances Should Remain in the Past

Fellows Friday: Q&A with Bassist and Composer Jymie Merritt

Questions of Practice: Visual Artist Ann Hamilton on the Social Connotations of Cloth

Questions of Practice: Choreographer Jawole Willa Jo Zollar on Art and Social Justice

Questions of Practice: Phoenix Art Museum's Amada Cruz on Engaging Bilingual Communities in Museums

Fellows Friday: Q&A with Filmmaker Heidi Saman

Questions of Practice: Choreographer Jawole Willa Jo Zollar on Artistic Evolution and Risk

Questions of Practice: Artists Martha McDonald and Billy Dufala on Ephemerality

Questions of Practice: Choreographer Faustin Linyekula on Theater and Civic Life

Inside Philadelphia Photo Arts Center: Q&A with Sarah Stolfa

Questions of Practice: Cohabitation Strategies and Anthony Smyrski on Design in Contemporary Culture

Who Gets to Be Contemporary? Brooklyn Museum's Catherine Morris and Arcadia Gallery's Richard Torchia on Pati Hill

Questions of Practice: Composer and Pianist Vijay Iyer on Musical Lineage

Questions of Practice: Cliveden's Libbie Hawes on Historical Interpretation for Contemporary Audiences

Questions of Practice: Visiting Scholar Kristy Edmunds on Philadelphia's Collaborative Arts Ecology

Questions of Practice: Choreographer Stephen Petronio and Artist Janine Antoni on Performance in a Museum Setting

Questions of Practice: Writer and Dancer Wendy Perron on Trisha Brown and the Body

Interpreting History When the Record is Incomplete: Playwright Ain Gordon and the Historical Society of Pennsylvania

Questions of Practice: Composer and Pianist Vijay Iyer and Librettist Mike Ladd on Multivocality

Questions of Practice: Centrala's Michał Zadara and Barbara Wysocka on Classical Works and the Avant-Garde

Inside Cliveden of the National Trust: Q&A with Executive Director David Young

Questions of Practice: Cohabitation Strategies on Authorship and Community Engagement

Questions of Practice: Artist Pepón Osorio on the Role of the Arts in Expanding Dialogue Beyond the "Local"

Questions of Practice: Conductor Donald Nally and Violinist Hanna Khoury on Blending Musical Traditions

Questions of Practice: Centrala's Michał Zadara and Barbara Wysocka on Intersecting Contemporary Theater and Classical Music in Performance

Fellows Friday: Q&A with Ceramist Lauren Mabry

Questions of Practice: Kemi Ilesanmi of The Laundromat Project on the Impact of Organizational Values on Community Practice

Fellows Friday: Q&A with Visual Artist Caroline Lathan-Stiefel

Questions of Practice: Institute of Contemporary Art Director Amy Sadao on How Audience Feedback Impacts Curatorial Choices

Kristy Edmunds and the Visiting Scholar Program

Fellows Friday: Q&A with Poet Yolanda Wisher

Inside Al-Bustan Seeds of Culture: Q&A with Hazami Sayed

Questions of Practice: Visiting Scholar Kristy Edmunds on Why We Should Look Beyond the Local

Questions of Practice: Choreographer Germaine Ingram on the Responsibilities of Creating Socially Engaged Art

Grantee Spotlight: Q&A with Carnatic Musician Kiranavali Vidyasankar

Questions of Practice: Dancer Raphael Xavier on Street vs. Stage Performance

Questions of Practice: Mural Arts' Jane Golden on Seeing Creative Opportunity

Questions of Practice: Kemi Ilesanmi of The Laundromat Project on the Role of Artists in Community Development

Inside the Institute of Contemporary Art: Q&A with Amy Sadao

Questions of Practice: Walker Art Center's Philip Bither on Curatorial Choices

Questions of Practice: Performance Curator Kristy Edmunds on Risk

Questions of Practice: Philosopher Christoph Cox on Approaching Noise Music

Inside FringeArts: Q&A with Nick Stuccio

Questions of Practice: Musician & Curator Argeo Ascani on Experimentation

An Experiment in Five Acts in Review: A Conversation with Ain Gordon

Questions of Practice: Theater Artist Aaron Cromie on Artistic Responsibility

Act V: A Final Report: The Archive of Gestures by Jay Kirk

Questions of Practice: Theater Artist Mary Tuomanen on Character

Transmitting Dance Across Generations: On the Making of A Steady Pulse: Restaging Lucinda Childs, 1963–78

Questions of Practice: Artist Bob and Roberta Smith on Art as Advocacy

Text Made Visible in the Works of Self-Taught Artists

When Are We Contemporary?

Questions of Practice: Claire Tancons, Independent Curator, On Resistance and Artistic Practice

Questions of Practice: Opera Philadelphia's David Devan on Excellence and Accessibility

Fellows Friday: Q&A with Jumatatu Poe

Fellows Friday: Q&A with Catie Rosemurgy

Fellows Friday: Q&A with Tim Portlock

Fellows Friday: Q&A with Chris Forsyth

Questions of Practice: Whit MacLaughlin on Responsibility

danceworkbook: A Steady Pulse: Restaging Lucinda Childs, 1963–78

In Perpetual Motion: An Excerpt from Jason Rhoades, Four Roads

From "An Art of Refusal: Lucinda Childs' Dances in Silence, 1973–78"

Questions of Practice: Emily Abendroth on Integrity and Discomfort

Approaching psychylustro

Questions of Practice: Jenn McCreary on Finding Form

Questions of Practice: Pew Fellow Frank Sherlock on Giving Voice

Fellows Friday: Q&A with J.C. Todd

An Introduction to Restaging & Reconstruction

Fellows Friday: Q&A with Ted Passon

Fellows Friday: Q&A with Travis Macdonald

Fellows Friday: Q&A with Laynie Browne

Questions of Practice: "What is Reconstruction?"

Fellows Friday: Q&A with Michael Djupstrom

Questions of Practice: MoMA's Thomas Lax on Technology in Museums

Questions of Practice: Composer Judd Greenstein on Audience Expectations

Fighting Like a Man: A Conversation with Civil War Reenactor Wendy Ramsburg

Fellows Friday: Q&A with Brent Wahl

Questions of Practice: Interview with Theater Artist Romeo Castellucci

Fellows Friday: Q&A with Lori Waselchuk

Fellows Friday: Q&A with Kevin Varrone

Fellows Friday: Q&A with Dan Murphy

Questions of Practice: Avital Ronell on the Philosophy of Movement

Fellows Friday: Q&A with Joy Feasley

Pew Fellow Poetry: Jenn McCreary

Act II: Misguided Machines by Jay Kirk

An Introduction to Co-Authorship

Taking Inspiration from the Barnes Foundation Art Collection

Fellows Friday: Q&A with Deron Albright

Funeral for a Home: Excerpts from a Conversation with Robert Blackson

Questions of Practice: Flamenco Master Israel Galván on Reinvigorating Tradition

Fellows Friday: Q&A with Kinan Abou-afach

Fellows Friday: Q&A with Emily Abendroth

Questions of Practice: Composer Julia Wolfe on the Transformation of Research into Art

Architects Tod Williams and Billie Tsien on Paul Evans

Miranda July on Riot Grrrl

Fellows Friday: Q&A with Sueyeun Juliette Lee

Excavating Real Estate: Alan W. Moore on The Real Estate Show (1980)

Questions of Practice: Lisa Yancey, Independent Consultant

Questions of Practice: Estelle Parsons on Artistic Practice

Questions of Practice: Choreographer Cynthia Oliver on Dancing in Museums

David Gordon: How many ways there are (1995)

Fellows Friday: Q&A with Hafez Javier Kotain

Fellows Friday: Q&A with J. Louise Makary

"Scientific and Artistic Models in the New Work of Sarah Sze" by Arthur C. Danto

Second Preface for The History of Madness

Questions of Practice: Seth Siegelaub in Conversation with Teresa Gleadowe

No Idea Is Too Ridiculous

Repetition Island

Putting Jason Back Together Again

Skipping and Slipping Through Time with Lucinda Childs

Re-Substantiating the Dance: William Forsythe's Synchronous Objects

Ain Gordon and the Visiting Artist Program

Prototype for a Re-installation: Imagine Africa @ Penn Museum

Programs at the Center: White Box Residencies

White Box Residencies: Dan Blacksberg & David Gutkin

Bill T. Jones & Susan Rethorst: A Conversation in Five Parts

Talking with Data Garden: Co-Composing with Plants

Talking Exhibitions with Marnie Burke de Guzman

Pigeons on the Grass, Alas: Valerie Cassel Oliver

Overcoming Roadblocks: The Visiting Artist As Collaborator

Noise from the 18th Floor

Breaking Down Invisible Walls: The Visiting Artist As Dramaturge

Going Outside the White Box: The Visiting Artist As Conduit

Tacita Dean: On JG and the Medium of Time

On the Making of JG

danceworkbook: Susan Foster! Susan Foster! Three Performed Lectures

Suli Holum and David Bradley on Food Court and Disability in Performance

Thaddeus Phillips & Catie Rosemurgy on Integrating History with Art-making

Rabbit Suits & Revolutions: Dito van Reigersberg on Pig Iron's Zero Cost House

Push Me, Pull You: Ain Gordon

American Impresario: Helene and Robert Browning

Push Me, Pull You: Dorothy Noyes

Push Me, Pull You: Jerry Yoshitomi

Push Me, Pull You: Cassie Chinn

Push Me, Pull You: Michael Rohd

Jenny Sabin's Greenhouse at the American Philosophical Society

Document(s): Communities of Consciousness and the Begetting of Deborah Hay

American Impresario: George Wein

Document(s): Capturing the tone, celebrating the work: A conversation with Wendy Rogers and Sara Rudner

Jan Ramirez on the National September 11 Memorial & Museum

American Impresario: David Harrington

American Impresario: John Schaefer

Letting Go? Sharing Historical Authority in a User-Generated World

Studio Visits with Dancers, Not Sculptors

Document(s): If the System Isn't Right, Why Can't We Change It? An Interview with Danny Yung

Václav Havel on Leaving, Playwriting, and Politics

Václav Havel on Theater-Making

Document(s): Reinventing Tradition: New Dance in Indonesia

Document(s): Commence to Dancing

Document(s): Georgina Parkinson: A Dancer in Her Time / Making the Blueprint

Document(s): The Dancer and Cambodian History

danceworkbook: Braiding / Unbraiding / Rebraiding with Headlong Dance Theater and Tere O'Connor