Opera Philadelphia Director David Devan on Going Digital and “Inclusive and Equitable Artistic Practice”

Site Read: Seven Curators on Their Landmark Exhibitions

Pew Fellow of the Week: An Interview with Dancer and Choreographer Dinita Clark

Site Read: Seth Siegelaub in Conversation with Teresa Gleadowe

Linda Earle and the Visiting Scholar Program

Pew Fellow of the Week: An Interview with Visual Artist Lisa Marie Patzer

Questions of Practice: Museum Director Robert Hicks and Artist Matt Adams on the Relevance of Pandemic History

David Gordon Reads Two Artist Statements from The Sentient Archive

Questions of Practice: Poet Sonia Sanchez Discusses Her Creative Life and Legacy with Major Jackson [Full Interview]

Questions of Practice: Technologist Dr. Suse Anderson on the Cultural Implications of Digital Technology

Questions of Practice: Art Historian Kristina Van Dyke on How Technology Can Introduce New Perspectives to Ancient Artifacts

Questions of Practice: Artist Yael Bartana on Participating in Politics Through Art

Questions of Practice: Philadelphia Orchestra Music Director Yannick Nézet-Séguin on Contextualizing Classical Works

Questions of Practice: Farm for the City Participants on What Urban Farming Can Do for a Community

Inside the National Constitution Center: Q&A with Director of Theatre Programs Nora Quinn

Questions of Practice: Ernesto Pujol on Pursuing Aesthetics

Questions of Practice: Bisi Silva on the Contemporary Curatorial Practice in Africa

Questions of Practice: Visual Artist Trenton Doyle Hancock on the Social Connotations of Dolls

Questions of Practice: Music Director Yannick Nézet-Séguin on Leadership

Questions of Practice: Guitarist Nels Cline on Virtuosity

Questions of Practice: Poet and Performer Tracie Morris on Preserving a “Feeling of Liveness” in a Museum Setting

Questions of Practice: Curator Koyo Kouoh on Politics and Socially Engaged Practice

Questions of Practice: Choreographer Maria Hassabi on Dancing in Museum Spaces

Pew Fellow of the Week: An Interview with Filmmaker Jonathan Olshefski

Pew Fellow of the Week: An Interview With Visual Artist Michelle Angela Ortiz

Questions of Practice: Photographer Zanele Muholi on Museum Accessibility

Pew Fellow of the Week: An Interview With Visual Artist Ken Lum

Ain Gordon, 2018-19 Visiting Artist

Excerpt from The Sentient Archive: Artist Sarah Crowner on Painting and Dancing

Questions of Practice: Choreographer Boris Charmatz on How “The Museum Is The Body” In Dance

Questions of Practice: Choreographer and Dancer taisha paggett on the Relationship Between Art and Politics

Pew Fellow of the Week: An Interview with Visual Artist Wilmer Wilson IV

Questions of Practice: Guitarist Nels Cline on Creating Lovers (for Philadelphia)

Pew Fellow of the Week: An Interview with Filmmaker Moon Molson

Pew Fellows of the Week: An Interview with Landscape Architects Anuradha Mathur & Dilip da Cunha

On Frank Zappa’s “Relentless Pursuit of Interesting Sounds:” An Interview with Orchestra 2001’s Jayce Ogren and Zappa Expert Joseph Klein

Pew Fellows of the Week: An Interview with Interdisciplinary Artists Camae Ayewa & Rasheedah Phillips

Pew Fellow of the Week: An Interview with Choreographer and Performer Annie Wilson

Pew Fellow of the Week: An Interview with Poet Julia Bloch

Pew Fellow of the Week: An Interview with Writer and Cultural Scholar Brenda Dixon Gottschild

Questions of Practice: Artist Cai Guo-Qiang on Public Art and Ephemerality

Questions of Practice: Pew Fellow Hellmut Gottschild on a Life of Dance, with Tania Isaac

Questions of Practice: Visual Artist Jeanne van Heeswijk on the City as Subject

Questions of Practice: Ernesto Pujol on Reciprocal Relationships with Communities

Questions of Practice: Choreographer Boris Charmatz on Creating a Museum of Dance

Questions of Practice: Artist Cai Guo-Qiang on Audience Participation in Public Art

Questions of Practice: Choreographer and Performer Nora Chipaumire on Connecting with Her Audience

Questions of Practice: Artist Michael Rakowitz on Threading Disparate Sources into a Cohesive Whole

Contemplating the Museum as Score

Questions of Practice: Visual Artist Ann Hamilton on the Relationship between Production and Consumption

Questions of Practice: Pew Fellows Sonia Sanchez and Major Jackson on Legacy and the Joys of Teaching

Questions of Practice: Pew Fellow Sonia Sanchez Reads 10 Haikus for Max Roach

Questions of Practice: Choreographer and Performer Nora Chipaumire on Art and Advocacy

Fellows Friday: Q&A with Electronic Musician King Britt

Questions of Practice: Multi-media Artist Mariam Ghani on the Tensions between Private and Public Narratives

Fellows Friday: Q&A with Visual Artist Annabeth Rosen

Fellows Friday: Q&A with Choreographer and Movement Artist Lela Aisha Jones

25 Years of Pew Fellowships in the Arts: Looking Back, Looking Forward

Fellows Friday: Q&A with Theater Artist Jennifer Kidwell

Fellows Friday: Q&A with Saxophonist and Composer Matthew Levy

Pew Fellowships in the Arts at 25

Fellows Friday: Q&A with Poet Ryan Eckes

Fellows Friday: Q&A with Visual Artist and Filmmaker Tiona McClodden

Fellows Friday: Q&A with Vocalist and Composer Tokay Tomah

In Terms of Performance, A Keywords Anthology

Fellows Friday: Q&A with Sound Designer & Composer Christopher Colucci

Questions of Practice: Artist Hank Willis Thomas on Photography and Framing

Questions of Practice: Curator Lee Tusman on Curating Performance

Questions of Practice: Choreographers Reggie Wilson and Faustin Linyekula on the Concept of Place

On Urban Parks and Civic Life: Insights from Leaders at PA Horticultural Society, Trust for Public Land, High Line, Philadelphia Parks and Recreation

Translating Film to the Stage: Composer Missy Mazzoli and Librettist Royce Vavrek on Breaking the Waves

Questions of Practice: Composer Jace Clayton and Barnes Director Thom Collins on the Making of Room 21

Mind, Movement, and Memory: Douglas Crimp and Peter Eleey on Choreographer Trisha Brown

Inside Historic Germantown: Q&A with Trapeta B. Mayson

Questions of Practice: Choreographer Stephen Petronio on Performance and Ephemerality

Questions of Practice: Writer and Dancer Wendy Perron on the Meaning of "Contemporary"

On Telling the Stories of the Disabilities Community: Artist Teresa Jaynes, Playwright Suli Holum, Writer Terry Galloway, and Art-Reach's John Orr

Questions of Practice: Choreographer Faustin Linyekula on Creating Accessible Art

Inside The Philadelphia Museum of Art: Q&A with Timothy Rub

Questions of Practice: Composer and Pianist Vijay Iyer and Librettist Mike Ladd on Improvisation

Fellows Friday: Q&A with Filmmaker Rea Tajiri

Questions of Practice: The Village of Arts and Humanities' Aviva Kapust on Local Messages with Global Impact

Fellows Friday: Q&A with Visual Artist Benjamin Volta

"Sometimes We Need to Get Uncomfortable:" On Working with Artists in the Disabilities Community

Fellows Friday: Q&A with Choreographer Merián Soto

Fellows Friday: Q&A with Visual Artist Micah Danges

Questions of Practice: Artist Ken Lum on Creating Art that Emanates from "the Local"

Fellows Friday: Q&A with Filmmaker David Scott Kessler

Questions of Practice: Musician Bhob Rainey on Improvisation

Questions of Practice: Elevator Repair Service’s John Collins on Process in Theater-Making

Questions of Practice: Cohabitation Strategies on the Role of the Arts in Fostering Social Change

Kristy Edmunds and the Visiting Scholar Program

Questions of Practice: Musician Bhob Rainey on Finding Meaning in Noise

Fellows Friday: Q&A with Klezmer Musician Susan Lankin-Watts

Inside The Galleries at Moore: Q&A with Director and Chief Curator Kaytie Johnson

Fellows Friday: Q&A with Playwright James Ijames

Questions of Practice: Evaluation Consultants Randi Korn and Kamella Tate on Impact

Fellows Friday: Q&A with Poet Brian Teare

Inside WXPN: Q&A with Roger LaMay

Questions of Practice: Cinnamon Catlin-Legutko of the Abbe Museum on Audience Dialogue

Questions of Practice: Wilma Theater's Blanka Zizka on Risk in Theater-Making

Questions of Practice: Choreographer Ralph Lemon on Ephemerality

Questions of Practice: FringeArts' Nick Stuccio on Curating Performance

Questions of Practice: Arts Leader Sam Miller on Risk and Artistic Process

Inside Temple Contemporary: Q&A with Rob Blackson

Questions of Practice: Visiting Scholar Kristy Edmunds on the Role of Audiences in Preserving Performance

A Barbara Kasten-Inspired Disruption

God Must be a Dancer

Questions of Practice: Artist Bob and Roberta Smith on Virtuosity

A Return to Simple Movement: Lucinda Childs and Judy Hussie-Taylor in Conversation

Questions of Practice: Dance Critic Claudia La Rocco on Dancing in Museums

Questions of Practice: Graphic Artist Marian Bantjes on Textual Embellishment

Just Say It or Think It and It Is So

Marginal and Contemporary

Questions of Practice with Kristy Edmunds & Claire Tancons: How Do You Establish Trust in a Community?

"Whose Passion Are We Hearing?:" On Mendelssohn's Revival of the St. Matthew Passion

"Pictures and Props:" An Excerpt from Barbara Kasten: Stages

Questions of Practice: Mary Tuomanen on "Timefulness"

Questions of Practice: Louis Massiah on Technology and Storytelling

Act IV: The Layover by Jay Kirk

Susan Bernofsky on Artists as Translators

Questions of Practice: Pew Fellow Tania Isaac on Audience Expectations

"The Home Going Celebration": An Excerpt from Funeral for a Home

Questions of Practice: Arcadia University's Richard Torchia on Curatorial Integrity

Learning to See psychylustro

Two Perspectives on psychylustro

Again, In Another Time and Space

Questions of Practice: Pew Fellow Sueyeun Juliette Lee on Audiences and Points of Access

On Performance Spaces and the Benefits of Failure

Questions of Practice: Lê Thi Diem Thúy

Embodying History: Conversation and Reflections

That There Might Be Queer Sound by Ashon Crawley

Questions of Practice: "What is Reenactment?"

Fellows Friday: Q&A with Matt Saunders

Fellows Friday: Q&A with Thomas Devaney

Act III: THE ACT III MANiFESTO by Jay Kirk

Fellows Friday: Q&A with Mary Lattimore

Questions of Practice: MoMA's Thomas Lax on Dance in Museums

Fellows Friday: Q&A with CAConrad

Fellows Friday: Q&A with Greg Osby

Keynote Essay by George E. Lewis: What Is a Co-author?

Theatricality and Amateurism with Catherine Wood and Jérôme Bel: Part II

Theatricality and Amateurism with Catherine Wood and Jérôme Bel: Part I

Fellows Friday: Q&A with Matthew Mitchell

Questions of Practice with Ken Vandermark: Is Jazz Dead?

Act II: Misguided Machines by Jay Kirk

An Experiment in Five Acts

An Introduction to Co-Authorship

Pew Fellow Poetry: Emily Abendroth

Questions of Practice with Kristy Edmunds: Why Do You Do What You Do?

Pew Fellow Poetry: Sueyeun Juliette Lee

Fellows Friday: Q&A with Toshi Makihara

From the Archives: "Sanford and Sun" by Otabenga Jones and Associates

Questions of Practice: Theater Artist Romeo Castellucci On His Relationship To Audiences

Fellows Friday: Q&A with Paul Swenbeck

Fellows Friday: Q&A with Bhob Rainey

Questions of Practice: Lisa Bielawa, Composer and Vocalist

Questions of Practice: Simon Dove of the Crossing the Line Festival

Fellows Friday: Q&A with Raphael Xavier

Fellows Friday: Q&A with Karen M'Closkey & Keith VanDerSys

Questions of Practice: Estelle Parsons on Artistic Practice

Fellows Friday: Q&A with Frank Sherlock

Questions of Practice: Cynthia Ling Lee, Choreographer and Dance Scholar

Questions of Practice: Thomas DeFrantz, Choreographer and Dance Scholar

Fellows Friday: Q&A with Jenn McCreary

Questions of Practice: HowlRound's Polly Carl on Excellence and Accessibility

Our Dreams Motivate Our Realities: A Conversation with Center Visiting Scholar Kristy Edmunds

American Impresario

Questions of Practice: Artist Song ErRui on Collaboration

Shelf Life

Pigeons on the Grass, Alas: Contemporary Curators Talk About the Field

Gray Area: Provocations on the Future of Preservation

Unsettling the Score: Experiments in Notation, Part II

Unsettling the Score: Experiments in Notation, Part I

Every Copy an Original: William Forsythe on Restaging His Ballets

The Many Arms of Group Sound

Questions of Practice: Curator Paul Schimmel on Curating and Theater

Changing Expectations: An Interview with Andrea Clearfield

Kathleen McLean and Mark Beasley on Creativity in Cultural Practice

Questions of Practice: Curator Helen Molesworth on Authorship

Culture Shock on the Stage: Pig Iron's Alex Torra on Performing Zero Cost House in Japan

American Impresario: Claire Chase

Considering the Alternatives: Talking with Andrew Suggs of Vox Populi

The Curator and the Historian: Helen Molesworth and Paul Schimmel

Paula Vogel on A Civil War Christmas and Interpreting History for the Stage

J-Sette and the Collaborative Process Behind Jumatatu Poe's Private Places

Electronic Music 2012

Push Me, Pull You: Questions of Co-authorship

Pigeons on the Grass, Alas: MoMA PS1's Peter Eleey

Pigeons on the Grass, Alas: Nato Thompson

Merian Soto on Site, Improvisation, and Embodiment in SoMoS

Push Me, Pull You: MiJin Hong

Push Me, Pull You: Nate Wooley

Push Me, Pull You: Kristin Van Loon and Arwen Wilder of HIJACK

Push Me, Pull You: Krithika Rajagopalan

Push Me, Pull You: Roxane Gay

Push Me, Pull You: Kenneth Goldsmith

White Box Residencies: Anthony Campuzano

"Measuring Intrinsic Impact" with WolfBrown and Theatre Bay Area

The Further Adventures of the Wooster Group's Kate Valk

Pigeons on the Grass, Alas: Dan Byers

White Box Residencies: Tania Isaac

Pigeons on the Grass, Alas: Astria Suparak

Anna Deavere Smith on Let Me Down Easy

Museum Director Nina Simon on Inspiring Visitor Participation

The Museum Educator in the Expanded Field with Eungie Joo and Pablo Helguera

A Curatorial Roundtable on Audience Engagement with Mark Allen & Adam Lerner

Painting and Its Exhibitions: Talking with Thomas Nozkowski and Robert Storr

Document(s): Gusmiati Suid & Gumarang Sakti: Moving Forward with Tradition

danceworkbook: Belonging and Solo: Roko Kawai

Document(s): Patricia Ruanne: A Conversation With a Ballet Répétiteur

Document(s): As Seen Through the Windshield (And Other Perspectives on Making Dance)

Document(s): Digging up the past: Some thoughts about preserving or reconstructing dance works

What Makes a Great Exhibition?