Fellow to Fellow: Candice Iloh and Armando Veve Find Inspiration in Each Other’s Mediums
Pew Fellows Candice Iloh and Armando Veve both know a thing or two about conjuring worlds that resonate with young and old alike.
Artist Terence Nance on Presenting Film in a Gallery Space
Nance discusses how he approached the presentation of his work in a new context.
Poet Ross Gay on Sport and the Act of Looking
Ross Gay discusses the parallels between artistic and athletic practices.
What if an Art Collection Were Treated Like a Choreographic or Musical Score?
What if an art collection were treated like a musical or choreographic score—existing both as a historical document and as the material for an interpretive performance that could be played at any moment?
Contemplating the Museum as Score
In September 2016, the Philadelphia Museum of Art presented the eighth annual Anne d’Harnoncourt Symposium, “Museum as Score.”
Embodying History: Conversation and Reflections
Bissell, the Center's Performance director, and Adair, director of Exhibitions & Public Interpretation, discuss the origins and learnings of a Center interdisciplinary research project between dancers and historians that explored alternative ways of interpreting historic sites. Participants in the project reflect on its outcomes and implications.
Studio Visits with Dancers, Not Sculptors
While Jens Hoffmann was in Philadelphia to lecture at the Center in 2011, he made a few "studio" visits with local dance companies and described the experience to us.