González creates performances and time-based media that consider memory, duration, and site, employing dance as a means for "worldbuilding" in locations such as museums, theaters, churches, gardens, parking lots, and street corners. As a choreographer, artist, writer, and scholar, they fuse rigorous research and historical excavation—particularly around Black cultural narratives—with elements of movement, sound, video, and text in immersive environments where artists and audiences can share moments of collective action. Recent and forthcoming projects include Swerve Fatigue, a large-scale ensemble work developed with New York’s The Kitchen; new commissions for the 2026 Whitney Biennial and the 59th Carnegie International; and the book Ways to Move: Black Insurgent Grammars (Ugly Duckling Presse, 2025). González’s work has been recognized with a Herb Alpert Award, three Bessie Awards, and a Robert Rauschenberg fellowship, among other honors. They hold an MFA in dance from Sarah Lawrence College and a BA in theater and dance from Trinity College.
