How are audience expectations and public participation changing?
As she prepares for future showings of her Center-supported project Pandemonium and her other solo work, multimedia artist and Pew Fellow Michelle Lopez took time to answer questions about the project, its relationship with the forces it critiques, and her creative practice.
Dr. Suse Anderson offers her perspective on why there is more to embrace than to fear from these technologies and unpacks some of the ethical considerations for employing them.
Adriel Luis, curator of digital and emerging media at the Smithsonian Asian Pacific American Center, considers it part of his job to demonstrate how the digital and non-digital worlds are interconnected, and he shares his approach in these interview excerpts.
Kristina Van Dyke talks about how computer science and CAT scans can uncover clues about the history and use of some ancient artifacts.
Katharina Grosse's epic psychylustro—a five-mile-long "painting" sprayed intermittently along a stretch of train tracks in northeast Philadelphia—challenges a number of assumptions about the role of both painting and public art. Here, urbanist Randy Mason offers his perspective.
We ask DeFrantz how changes in technology are impacting the ways in which artists produce narrative.
Electronic Music 2012, presented by The Pew Center for Arts & Heritage on December 13, 2012, investigated the evolving American electronic musical experience and how it relates now to cultural expectations.