How are audience expectations and public participation changing?
Song ErRui, the daughter of artists Song Dong and Yin Xiuzhen, talks about her contribution to her parents' exhibition, "The Way of Chopsticks," her life as a young artist, and artistic collaboration.
Performance Senior Specialist Jeff Arnal looks to Philadelphia experimental trio Many Arms as he explores how musical groups form collective sounds.
Blacksberg, a trombonist, composer, and 2012 Pew Fellow and Gutkin, a historical musicologist, sought to "sonify" the everyday environment of an office space and conducted various musical experiments.
Data Garden co-founders Alex Tyson and Joe Patitucci answer our questions about co-composing music with plants.
Marketing specialist Marnie Burke de Guzman sat down with us in early 2013 to discuss exhibitions as platforms for audience engagement.
Helen Molesworth, now chief curator of the Museum of Contemporary Art, Los Angeles, explains what authorship and co-authorship mean to her.
Pig Iron Theatre Company member Alex Torra talks about the experience of performing for Japanese audiences after premiering *Zero Cost House* in the United States.
In the second segment of our three-part conversation with Center Visiting Artist Ain Gordon, he discusses his work throughout his residency period, including his role in the Center's *Push Me, Pull You* project.
A conversation with Pew Fellow Jumatatu Poe, Donte Beacham, and LaKendrick Davis on the underground dance style of J-Sette and how Poe drew on its legacy for *Private Places*, a new Center-funded work.
Electronic Music 2012, presented by The Pew Center for Arts & Heritage on December 13, 2012, investigated the evolving American electronic musical experience and how it relates now to cultural expectations.