Kathleen McLean and Mark Beasley on Creativity in Cultural Practice
We asked our 2013 No Idea Is Too Ridiculous project facilitators, Kathleen McLean and Mark Beasley, to reflect on where they see constraints to doing creative work.
Overcoming Roadblocks: The Visiting Artist As Collaborator
In the third and final segment of our three-part conversation with Center Visiting Artist Ain Gordon, he gives us a glimpse of how he has entered into conversations at the Center and proposed alternative possibilities for our approach to our work.
Going Outside the White Box: The Visiting Artist As Conduit
In the first segment of a three-part conversation between Center Visiting Artist Ain Gordon and Center Executive Director Paula Marincola, they discuss Gordon's role as a conduit between the Center and its grantees.
Tacita Dean: On JG and the Medium of Time
Tacita Dean speaks about time's myriad forms, from the geological and the celestial to the biological or the structural.
On the Making of JG
Tacita Dean shares her thoughts about the making of her film JG in advance of its international debut at Arcadia University Art Gallery.
Merian Soto on Site, Improvisation, and Embodiment in SoMoS
Ain Gordon, the Center's 2011–13 Visiting Artist, spoke with choreographer and director Merián Soto about her Center-supported piece, *SoMoS*.
Jenny Sabin's Greenhouse at the American Philosophical Society
Jenny Sabin writes about designing a "Greenhouse for the Future," part of the American Philosophical Society's Center-funded Greenhouse Projects.
White Box Residencies: Anthony Campuzano
Campuzano, a visual artist and 2009 Pew Fellow, spent an entire night in the Center office, with only the staff's belongings for company. He used the experience as inspiration for a new set of drawings.
White Box Residencies: Tania Isaac
Isaac, a 2011 Pew Fellow in dance and choreography, peppered the walls of the Center with blank pages for writing and sharing ideas, in an evolving project called "The Notebook."
American Impresario: David Harrington
The second article in the American Impresario series features Harrington, founder and artistic director of the Kronos Quartet. Through almost four decades of work, Harrington has had a major impact on contemporary music.