Search | The Pew Center for Arts & Heritage

Pew Center for Arts and Heritage

Main page contents

Filter results by

Ted Passon, 2014 Pew Fellow. Photo by Ryan Collerd.

Questions of Practice

Fellows Friday: Q&A with Ted Passon

Installation view of Temple Contemporary's reFORM, in collaboration with Pew Fellow Pepón Osorio. Photo by Constance Mensh. Courtesy of Temple Contemporary.

Questions of Practice

Inside Temple Contemporary: with Rob Blackson

Lê Thi Diem Thúy.

Questions of Practice

Questions of Practice: Lê Thi Diem Thúy

Visiting scholar Kristy Edmunds in conversation with Limor Tomer at The Pew Center for Arts & Heritage on May 28, 2014.

Questions of Practice

On Performance Spaces and the Benefits of Failure

J.C. Todd, 2014 Pew Fellow. Photo by Ryan Collerd.

Questions of Practice

Fellows Friday: Q&A with J.C. Todd

Sueyeun Juliette Lee, 2013 Pew Fellow. Photo by Colin Lenton.

Questions of Practice

Questions of Practice: Pew Fellow Sueyeun Juliette Lee on Audiences and Points of Access

Available Light at the Museum of Contemporary Art, Los Angeles, 1983. Photo by Tom Vinetz. Performers: Lucinda Childs, Nan Friedman, Meg Harper, Janet Kaufman, Priscilla Newell, Steve Bromer, Michael Ing, Erin Matthiessen, Daniel McCusker, Ande Peck, and Garry Reigenborn.

Questions of Practice

Again, In Another Time and Space

Frank Sherlock, 2013 Pew Fellow. Photo by Colin Lenton.

Questions of Practice

Questions of Practice: Pew Fellow Frank Sherlock on Giving Voice

Rally Under the Bridge, a 3-hour rally directed by Claire Tancons and Delaney Martin for New Orleans Airlift, New Orleans, April 5, 2014. Featured: 504 Boyz Horse Riding Club. Courtesy of New Orleans Airlift.

Questions of Practice

Questions of Practice with Kristy Edmunds & Claire Tancons: How Do You Establish Trust in a Community?

Video

Jenn McCreary, 2013 Pew Fellow. Photo by Colin Lenton.

Questions of Practice

Questions of Practice: Jenn McCreary on Finding Form

Katharina Grosse, psychylustro, 2014, site 3 (Drama Wall), Benjamin Moore acrylic indoor paint. Photo by Steve Weinik for the City of Philadelphia Mural Arts Program.

Questions of Practice

Two Perspectives on psychylustro

Katharina Grosse, psychylustro, 2014, site 6 (Warehouse). Benjamin Moore acrylic indoor paint. Photo by Steve Weinik for Philadelphia Mural Arts Program.

Questions of Practice

Approaching psychylustro

Essay

Katharina Grosse, psychylustro, 2014, site 3 (Drama Wall), Benjamin Moore acrylic indoor paint. Photo by Steve Weinik for the City of Philadelphia Mural Arts Program.

Questions of Practice

Learning to See psychylustro

Essay

Emily Abendroth, 2013 Pew Fellow. Photo by Colin Lenton.

Questions of Practice

Questions of Practice: Emily Abendroth on Integrity and Discomfort

Tacita Dean, JG, 2013. Color and black and white anamorphic 35mm film with optical sound, 26 ½ minutes. ©Tacita Dean courtesy Frith Street Gallery, London/Marian Goodman Gallery, New York/Paris.

Questions of Practice

Questions of Practice: Arcadia University's Richard Torchia on Curatorial Integrity

Score for Lucinda Childs' Melody Excerpt. This score represented all the possible pathways that each dancer may traverse during the course of performing Melody Excerpt, along with stage measurements in feet. Each dancer is represented by a discrete color. Courtesy of Lucinda Childs.

Questions of Practice

From "An Art of Refusal: Lucinda Childs' Dances in Silence, 1973–78"

Essay

Example 1: 12th-century Beneventan staff. All images courtesy of the author.

Questions of Practice

Unsettling the Score: Experiments in Notation, Part I

Essay

Alex Torra in Pig Iron Theatre Company's Zero Cost House by Toshiki Okada. Photo by Jacques-Jean Tiziou.

Questions of Practice

Culture Shock on the Stage: Pig Iron's Alex Torra on Performing Zero Cost House in Japan

San Francisco Ballet performing William Forsythe's Artifact Suite. Photo by Erik Tomasson.

Questions of Practice

Every Copy an Original: William Forsythe on Restaging His Ballets

Essay