Questions of Practice: Choreographer Faustin Linyekula on Theater and Civic Life
Congolese choreographer and dancer Faustin Linyekula discusses why he believes that theater is "a lab for how we live as citizens."
How are audience expectations and public participation changing?
Congolese choreographer and dancer Faustin Linyekula discusses why he believes that theater is "a lab for how we live as citizens."
Composer Vijay Iyer and librettist Mike Ladd on creating "multi-voiced" performance projects that draw on veterans' personal narratives.
White Columns' Matthew Higgs and Lisa Sonneborn of the Institute on Disabilities at Temple University discuss the responsibilities of working with the disabilities community.
We asked Kemi Ilesanmi of New York’s Laundromat Project how her organization’s values impact the work her staff does to serve various communities.
Institute of Contemporary Art Director Amy Sadao on the impact of audience feedback on curatorial and programmatic decision-making.
Evaluation consultants Randi Korn and Kamella Tate on impact.
“You have to get inside the music, rather than hearing it as something that has a progression,” - Christoph Cox
During a recent conversation at the Center, our visiting scholar Kristy Edmunds and Philip Bither, Senior Curator at the Walker Art Center, discussed the role audiences play in conserving performance works—what Edmunds describes as "art forms which we can't collect, and preserve, or own."
We asked Philadelphia multidisciplinary theater artist Aaron Cromie to comment on the artistic responsibilities he considers as a director. "I think it's the director's job to create an environment and a world," Cromie responded. "The director is an arbiter of great ideas."
David Devan, director of Opera Philadelphia, on whether or not excellence and accessibility are mutually exclusive.