Yves Aupetitallot on Pour vivre heureux vivons cachés (1984) and Project Unité (1993) against a French intellectual, art world, and economic backdrop
Mary Jane Jacob on Places with a Past (1991) at the Spoleto Festival USA, her interactions with the artists, and the contrasts between her approach and those of Nigel Redden and Gian Carlo Menotti
Lu Jie on The Long March: A Walking Visual Display (2002) and the complex and nuanced history behind its concept
Raimundas Malašauskas on Hypnotic Show (2008), first exhibited at Jessica Silverman Gallery in San Francisco, and its unlikely path to realization
Alan W. Moore on The Real Estate Show (1980), exhibited in a vacant city-owned building in Manhattan, and artist group Colab’s interest in both poststructuralism and direct action
Seth Siegelaub in conversation with Teresa Gleadowe on his shows at Bradford and Wyndham Colleges (1968); The Xerox Book (1968); and the January, March and July, August, September shows (1969)
Jennifer (Licht) Winkworth on Spaces (1970) at the Museum of Modern Art, the institution at the time, and the show’s reception and aftermath
With an introduction from Bruce Altshuler, director of New York University’s program in museum studies
Edited by Paula Marincola, executive director of The Pew Center for Arts & Heritage