How are audience expectations and public participation changing?
A conversation with Pew Fellow Jumatatu Poe, Donte Beacham, and LaKendrick Davis on the underground dance style of J-Sette and how Poe drew on its legacy for *Private Places*, a new Center-funded work.
Electronic Music 2012, presented by The Pew Center for Arts & Heritage on December 13, 2012, investigated the evolving American electronic musical experience and how it relates now to cultural expectations.
This project investigated various issues surrounding (co-)authorship in cultural production, asking questions around definitions of authorship, collaboration, audience participation, the influence of marketplace, and other concepts.
Pig Iron member Dito van Reigersberg ruminates on past and present artistic influences for the production *Zero Cost House*.
For the conclusion of Act I of our Push Me, Pull You series, we posed some remaining questions about (co-)authorship to Gordon, the 2011–13 Visiting Artist at The Pew Center for Arts & Heritage.
Hong, director of academic affairs and program development at the Getty Leadership Institute at Claremont Graduate University, looks at the opportunities presented by co-authorship through the lens of entrepreneurship.
Wooley's rigorous study and extensive performance of a wide variety of musical scores offers us an expert musical perspective, as well as unique insight, into our questions of (co-)authorship.
Noyes, director of the Center for Folklore Studies at Ohio State University, shines light on many issues of authorship within folk practices, including notions of conservatism vs. freedom of expression.
Van Loon and Wilder chronicle their individual remembered experiences during the making of their collaborative dance piece Eulogy for John Kerry.
Yoshitomi, chief knowledge officer of MeaningMatters, LLC, responds to a few questions around "Pro-Am" and how cultural organizations engage with their communities and potential audiences.