Philadelphia Orchestra's Yannick Nézet-Séguin on the Joy Inherent in Live Music
Yannick Nézet-Séguin explains the source of live music’s inherent joyfulness and makes the case for why music should be “experienced together as a community event.”
How are audience expectations and public participation changing?
Yannick Nézet-Séguin explains the source of live music’s inherent joyfulness and makes the case for why music should be “experienced together as a community event.”
Taylor Mac talks about how the unpredictability of this mode of theater can subvert the familiar and “kick people out of their 40-hour work week.
Social choreographer Ernesto Pujol on creating group performances based on reciprocal relationships with communities.
Contemporary artist Cai Guo-Qiang describes the role of audience participation in his large-scale public art installation for Philadelphia’s Benjamin Franklin Parkway.
Supported by a Center Advancement grant, the Philadelphia Museum of Art presented Chipaumire’s portrait of myself as my father in the fall of 2016.
Jenny Gersten on Art as an “Agent of Hope”
Visual Artist Jeanne van Heeswijk on Collective Authorship
Francis Kéré on why every architecture project is “a product of collaboration.”
Amada Cruz on how her Hispanic heritage informs her approach to audience engagement in bilingual communities.
We invited leaders in the field to discuss the significance of urban parks in contemporary culture and the audience engagement opportunities these spaces can offer.