Composer Ari Benjamin Meyers on Authorship, Collaboration, and Rehearsing Philadelphia
Rehearsing Philadelphia, created and composed by Ari Benjamin Meyers, brought musical performances to public spaces throughout Philadelphia in the spring of 2022.
How are audience expectations and public participation changing?
Rehearsing Philadelphia, created and composed by Ari Benjamin Meyers, brought musical performances to public spaces throughout Philadelphia in the spring of 2022.
In this installment, three artists—filmmaker Shatara Michelle Ford, visual artist Karyn Olivier, and theater artist Brett Ashley Robinson—discuss the works that catalyzed their own creative pursuits, how audience considerations shape their practices, and the possibilities that lie in their chosen disciplines.
Yuval Sharon discusses his approach to storytelling and explained why he thinks even the most ostentatious technical gimmicks should take a backseat to the story itself.
Yannick Nézet-Séguin explains the source of live music’s inherent joyfulness and makes the case for why music should be “experienced together as a community event.”
Taylor Mac talks about how the unpredictability of this mode of theater can subvert the familiar and “kick people out of their 40-hour work week.
Social choreographer Ernesto Pujol on creating group performances based on reciprocal relationships with communities.
Contemporary artist Cai Guo-Qiang describes the role of audience participation in his large-scale public art installation for Philadelphia’s Benjamin Franklin Parkway.
Supported by a Center Advancement grant, the Philadelphia Museum of Art presented Chipaumire’s portrait of myself as my father in the fall of 2016.
Jenny Gersten on Art as an “Agent of Hope”
Amada Cruz on how her Hispanic heritage informs her approach to audience engagement in bilingual communities.