Pew Center for Arts and Heritage

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Artist El Anatsui signing prints made with Brandywine Workshop and Archives staff and affiliated master printer Alexis Nutini. Brandywine’s PrintLab supports eight artists in a creative residency to explore emerging printmaking techniques and technologies. Photo by Gustavo Garcia.
Atwater Kent Collection material on display at the Philadelphia History Museum, c. 2018. Drexel University’s Reshaping Historical Narratives through the Atwater Kent Collection presents overlooked artifacts and narratives from the collection. Photo courtesy of Drexel University.
Organization

Drexel University

Enrique Bostelmann, Autoretrato: Mi Ceguera (My Blindness), 2000.
Science History Institute, Downstream, 2022, installation view, Hach Gallery, Philadelphia, PA. Photo courtesy of the Science History Institute.
Carmen Arteaga demonstrates the intricate bobbin lace-making technique called mundillo, or “little world.” Guatemalan and Puerto Rican designers are leading textile workshops for Taller Puertorriqueño’s Tramando. Photo by Xavier Garcia, courtesy of Taller Puertorriqueño.
Organization

Taller Puertorriqueño

Woodmere Art Museum (Exterior View). Photo by Darryl W. Moran Photography, courtesy of Woodmere Art Museum.  
Organization

Woodmere Art Museum

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Shayla-Vie Jenkins, lead artist for Christ Church Preservation Trust’s On Buried Ground. Photo by Anna M. Maynard.
Garrick Vaughan and Dwayne Alistair Thomas in Hymn, 2023, Inis Nua Theatre Company. Photo by Ashley Smith of Wide Eyed Studios. 
Photography related to this content
Painted Bride, Blood Baby: Carpet Womb. Photo by Erin Johnson.
Grant

Blood Baby

Rennie Harris Puremovement company, American Street Dancer, 2025. Photo courtesy of Rennie Harris Puremovement. 
Music director Madeline Benson and composer Daniel Lazour at a developmental workshop for Night Side Songs, Northwestern University. 
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TOWN, 2022, Theatre Horizon, Norristown, PA. Pictured: Cassidy Gabrielle-Elise Peay. Photo by John C. Hawthorne.
Barbara Earl Thomas, A Joyful Noise, 2022, paper cut with hand-printed color. Photo by Spike Mafford / Zocalo Studios, courtesy of Claire Oliver Gallery, New York, and the artist. 
Pew Fellow Adebunmi Gbadebo works in her studio at The Clay Studio.
Grant

Clay as Care

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Atwater Kent Collection material on display at the Philadelphia History Museum, c. 2018. Drexel University’s Reshaping Historical Narratives through the Atwater Kent Collection presents overlooked artifacts and narratives from the collection. Photo courtesy of Drexel University.
Shad nets used by workers to catch shad as they swam in from the Atlantic Ocean to their breeding ground in the Upper Delaware. Courtesy of Independence Seaport Museum.
Michelle Lopez: Pandemonium work in progress. Image courtesy of the artist.
Enrique Bostelmann, Autoretrato: Mi Ceguera (My Blindness), 2000.
Artist Guadalupe Maravilla. Photo courtesy of RAIR.
Pew Fellow Jos Duncan Asé (right) and cinematographer Marie Hinson behind the scenes on set of Queen Mother: Falaka Fattah & The House of Umoja film shoot. Photo by Tezarah Wilkins.