Pew Center for Arts and Heritage

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Camas Root as depicted in Edwards's Botanical Register v.18, London, 1832. Image courtesy of the Academy of Natural Sciences. 
Artist El Anatsui signing prints made with Brandywine Workshop and Archives staff and affiliated master printer Alexis Nutini. Brandywine’s PrintLab supports eight artists in a creative residency to explore emerging printmaking techniques and technologies. Photo by Gustavo Garcia.
Grant

PrintLab

Michelle Lopez, Ballast & Barricades solo exhibition, installation view, 2019–20, Institute of Contemporary Art, University of Pennsylvania. Lopez is creating new works for Moore College of Art & Design’s Michelle Lopez: Pandemonium. Photo by Constance Mensh, courtesy of the artist. 
Arturo O’Farrill in performance. Photo by David Garten.
Grant

Mending Wall

Barbara Earl Thomas, A Joyful Noise, 2022, paper cut with hand-printed color. Photo by Spike Mafford / Zocalo Studios, courtesy of Claire Oliver Gallery, New York, and the artist. 
A display of wax models showing various eye conditions used to train physicians at the Mütter Museum. Photo by Constance Mensh.
Mikael Owunna, Infinite Essence: Uche, 2019. Image courtesy of the artist. Owunna is a collaborating artist on University City Science Center’s Futures Without Guns.
Composer Fred Wesley. Photo courtesy of the artist.
Abak, the giant puppet who loves to hug, created by Papermoon Puppet Theatre. Photo courtesy of Papermoon Puppet Theatre.
Grant

Ramayana

The Wilma Theater, The Cherry Orchard workshop, 2021. Pictured: Krista Apple (center) with the Wilma HotHouse Company. Photo by Johanna Austin. 
Raja Feather Kelly, Wednesday, 2021, presented by the feath3r theory, New York Live Arts. Photo by Kate Enman.
Orchestra 2001 at Cherry Street Pier. Photo by Bill DiCecca.
Carmen Arteaga demonstrates the intricate bobbin lace-making technique called mundillo, or “little world.” Guatemalan and Puerto Rican designers are leading textile workshops for Taller Puertorriqueño’s Tramando. Photo by Xavier Garcia, courtesy of Taller Puertorriqueño.
Grant

Tramando

A hot mid-morning lunch in school, Ashwood Plantations, South Carolina, 1939. Science History Institute’s Lunchtime examines the history and contemporary implications of the US School Lunch Program. Photo from the Library of Congress Prints and Photographs Division.
Atwater Kent Collection material on display at the Philadelphia History Museum, c. 2018. Drexel University’s Reshaping Historical Narratives through the Atwater Kent Collection presents overlooked artifacts and narratives from the collection. Photo courtesy of Drexel University.
Jūshin Satō and Takahiko Iimura at Filmmakers Cooperative. Photographer unknown, courtesy of Japan America Society for Greater Philadelphia.
She Summers in Vienna, 2022. Music by Emily Bate and John Jarboe. Photo credit: Christopher Ash., courtesy of The Bearded Ladies Cabaret. The Fabric Workshop and Museum presents a new installation of the work.
Soprano Kiera Duffy in Breaking the Waves, 2016, composed by Missy Mazzoli and produced by Opera Philadelphia. Photo by Dominic M. Mercier.
"Design With Nature Now," Ian McHarg on the Mike Douglas show discussing his book, "Design With Nature," 1969. Photo courtesy of The Architectural Archives, University of Pennsylvania. 
Painted Bride, Blood Baby: Carpet Womb. Photo by Erin Johnson.
Grant

Blood Baby

Garrick Vaughan and Dwayne Alistair Thomas in Hymn, 2023, Inis Nua Theatre Company. Photo by Ashley Smith of Wide Eyed Studios. 
Pepón Osorio, My Beating Heart/Mi corazón latiente, 2023, installation view, New Museum,New York. Photo by Liz Ligon, courtesy of New Museum.  
The Nichos Project collaborators Calo Rosa, Ximena Violante, and Tanaquil Márquez in South Philly.
We Have Gone As Far As We Can Together artists, work in process, October 2023. Photo by Malick Welli.