| 2013 | Free to Love: The Cinema of the Sexual Revolution
| Lightbox Film Center at International House Philadelphia | Exhibitions & Public Interpretation |
| 2013 | The Welling Project
| Brandywine Conservancy and Brandywine River Museum | Exhibitions & Public Interpretation |
| 2013 | Barbara Kasten
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2013 | Consumption: A Project on Pearl Street conceived by Rick Lowe
| Asian Arts Initiative | Exhibitions & Public Interpretation |
| 2013 | Tragédie et Comédie
| Tempesta di Mare – Philadelphia Baroque Orchestra | Performance |
| 2013 | OutBeat: A Queer Jazz Festival
| William Way LGBT Community Center | Performance |
| 2013 | Music for Saxophones: Heritage/Evolution
| PRISM Quartet | Performance |
| 2013 | So Percussion's Where (we) Live
| FringeArts | Performance |
| 2013 | Then and Now: Jazz Cubano
| Montgomery County Community College | Performance |
| 2013 | Philadelphia Freedom Festival
| Mann Center for the Performing Arts | Performance |
| 2013 | New Paths Festival
| Ars Nova Workshop | Performance |
| 2013 | bb/he and dg/together again
| Susan Hess Modern Dance | Performance |
| 2013 | Malavika Sarukkai in The Eternal River—A Journey in Bharatanatyam
| Sruti, the India Music and Dance Society | Performance |
| 2013 | The Dance Apocalypse
| Gabrielle Revlock | Performance |
| 2013 | Bad Blood
| Philadanco | Performance |
| 2013 | Available Light
| FringeArts | Performance |
| 2013 | Nuevo Flamenco: The Galván Legacy
| Pasión y Arte | Performance |
| 2013 | Midway Avenue
| Nichole Canuso Dance Company | Performance |
| 2013 | Exploration of Voice and Choreography with Pauline Oliveros
| Leah Stein Dance Company | Performance |
| 2013 | open notebook: crazy beautiful
| Tania Isaac | Performance |
| 2012 | Don Juan Comes Home from Iraq
| The Wilma Theater | Performance |
| 2012 | The Body Lautrec
| Mary Tuomanen and Aaron Cromie | Performance |
| 2012 | The Object Lesson
| Geoff Sobelle | Performance |
| 2012 | Wide Awake: A Civil War Cabaret
| Kimmel Center for the Performing Arts | Performance |
| 2012 | Three Sisters
| Arden Theatre Company | Performance |
| 2012 | red black & GREEN: a blues
| Annenberg Center Live | Performance |
| 2012 | Research and Planning for New Institutional Partnerships
| Wagner Free Institute of Science | Management |
| 2012 | The Winter's Tale
| People's Light | Performance |
| 2012 | New Internal Fundraising Structure
| Nichole Canuso Dance Company | Management |
| 2012 | METER Program
| Musicopia | Management |
| 2012 | Community Engagement Strategies: First Research, Now Action
| Fleisher Art Memorial | Management |
| 2012 | Community Engagement Program
| Curtis Institute of Music | Management |
| 2012 | Strategic Planning
| The Clay Studio | Management |
| 2012 | Public Funding Platform
| The Conservation Center for Art & Historic Artifacts | Management |
| 2012 | Urban Equilibrium—Planning for New Environmental Art
| Schuylkill Center for Environmental Education | Exhibitions & Public Interpretation |
| 2012 | Demetrius Oliver: Canicular
| The Print Center | Exhibitions & Public Interpretation |
| 2012 | Dancing around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2012 | Song Dong and Yin Xiuzhen: The Way of Chopsticks
| Philadelphia Art Alliance | Exhibitions & Public Interpretation |
| 2012 | Paul Evans: Crossing Boundaries and Crafting Modernism
| James A. Michener Art Museum | Exhibitions & Public Interpretation |
| 2012 | Jason Rhoades, Four Roads
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2012 | Han Bennink and Peter Brötzmann: Drawings, Paintings & Objects
| Ars Nova Workshop | Exhibitions & Public Interpretation |
| 2012 | Exploration of Public Performance for Dialogue Around Disability Issues
| Institute on Disabilities at Temple University | Exhibitions & Public Interpretation |
| 2012 | Muslim Voices of Philadelphia
| Scribe Video Center | Exhibitions & Public Interpretation |
| 2012 | Programming at the John Coltrane House
| Preservation Alliance for Greater Philadelphia | Exhibitions & Public Interpretation |
| 2012 | Structure and Surface
| Mural Arts Philadelphia | Exhibitions & Public Interpretation |
| 2012 | Playing with the Past: A Digital History Toolkit
| Drexel University College of Medicine Legacy Center Archives | Exhibitions & Public Interpretation |
| 2012 | Conflicts in Chemistry: The Case of Plastics
| Chemical Heritage Foundation | Exhibitions & Public Interpretation |
| 2012 | Mississippi Blues Project
| WXPN, University of Pennsylvania | Performance |
| 2012 | Sounds of India: Influences and Integration of Folk Melodies in Carnatic Music
| Sruti, the India Music and Dance Society | Performance |
| 2012 | Silent Night
| Opera Philadelphia | Performance |
| 2012 | The Harbison Project
| Network for New Music | Performance |
| 2012 | Julia Wolfe's Anthracite Fields
| Mendelssohn Club of Philadelphia | Performance |
| 2012 | Raga Samay Festival
| Crossroads Music | Performance |
| 2012 | Cage: Beyond Silence
| Bowerbird | Performance |
| 2012 | Arab Music Concert Series
| Al-Bustan Seeds of Culture | Performance |
| 2012 | The Unofficial Guide to Audience Watching Performance
| Raphael Xavier | Performance |
| 2012 | Massenet's Don Quichotte
| Academy of Vocal Arts | Performance |
| 2012 | Mash-Up Body Lab
| Kate Watson-Wallace | Performance |
| 2012 | SoMoS
| Merián Soto | Performance |
| 2012 | 3x3: Movement Voices for a Bharatanatyam Dancer
| Viji Rao | Performance |
| 2012 | Private Places
| jumatatu m. poe | Performance |
| 2012 | Artifact Suite
| Pennsylvania Ballet | Performance |
| 2012 | Body Against Body
| Painted Bride Art Center | Performance |
| 2012 | Yatran Choreography; Recovery and Restaging
| Taras Lewyckyj | Performance |
| 2012 | Exploring the Intersection of Traditional and Contemporary Practice
| Kulu Mele African Dance and Drum Ensemble | Performance |
| 2012 | New Work by Susan Rethorst
| Group Motion Dance Company | Performance |
| 2012 | "Rhythmning" & Improvising History
| Germaine Ingram | Performance |
| 2012 | Susan Rethorst: Inquiring Mind/Choreographic Mind
| Bryn Mawr College | Performance |
| 2011 | Elephant Room
| Geoff Sobelle | Performance |
| 2011 | Red-Eye to Havre de Grace
| Thaddeus Phillips | Performance |
| 2011 | Exploring Female Sexuality and Desire Through Clown
| Charlotte Ford | Performance |
| 2011 | Our Class
| The Wilma Theater | Performance |
| 2011 | Zero Cost House
| Pig Iron Theatre Company | Performance |
| 2016 | (Dis)placed: Expressions of Identity in Transition
| Al-Bustan Seeds of Culture | Exhibitions & Public Interpretation |
| 2011 | Food Court
| FringeArts | Performance |
| 2011 | Fallow
| People's Light | Performance |
| 2011 | In This Place... and If She Stood
| Painted Bride Art Center | Performance |
| 2011 | The News with Dan Hoyle
| First Person Arts | Performance |
| 2011 | It's My Party: The Women and Comedy Project
| 1812 Productions | Performance |
| 2011 | Five-Year Strategic Plan
| Preservation Alliance for Greater Philadelphia | Management |
| 2011 | Visiting Curators Initiative
| Mural Arts Philadelphia | Management |
| 2011 | Visual Arts Program
| FringeArts | Management |
| 2011 | Strategic Plan and Leadership Transition
| Philadelphia Folklore Project | Management |
| 2011 | FRAME
| New Paradise Laboratories | Performance |
| 2011 | METER Planning Process
| Musicopia | Management |
| 2011 | Strategic Business Planning
| InterAct Theatre Company | Management |
| 2011 | Social Media and New Technology Strategies
| Association for Public Art | Management |
| 2011 | Nursery Manager and New Public Programs
| Bartram's Garden | Management |
| 2011 | The Writers' Room
| Arden Theatre Company | Management |
| 2011 | New Staffing and Operations
| Asian Arts Initiative | Management |
| 2011 | Muhal Meets the Wonderful Sound
| Warriors of the Wonderful Sound | Performance |
| 2011 | The Confluence of Hindustani and Carnatic Music
| Sruti, the India Music and Dance Society | Performance |
| 2011 | Music in New Spain
| Piffaro, the Renaissance Band | Performance |
| 2011 | Rodin Commission Project
| Philadelphia Museum of Art | Performance |
| 2011 | Irish Traditional Music: Influences from the West of Ireland
| Philadelphia Ceili Group | Performance |
| 2011 | Africa, the Call and Response
| Montgomery County Community College | Performance |
| 2011 | Skins & Songs
| Painted Bride Art Center | Performance |
| 2011 | Sonic Arts Union
| Lightbox Film Center at International House Philadelphia | Performance |
| 2011 | The Gulf (between you and me)
| The Crossing | Performance |
| 2011 | Inspired by the Spiritual
| Astral Artists | Performance |
| 2011 | Self-Organized Spaces on Their Own Terms
| Vox Populi | Exhibitions & Public Interpretation |
| 2011 | Mixplace Studio
| Slought Foundation | Exhibitions & Public Interpretation |
| 2011 | Doing Time/Depth of Surface
| Philagrafika | Exhibitions & Public Interpretation |
| 2011 | Zoe Strauss: Ten Years
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2011 | Lighting and Electrical System Improvement
| Wagner Free Institute of Science | Exhibitions & Public Interpretation |
| 2011 | Centennial Building Preservation
| Shofuso, Friends of the Japanese House and Garden | Exhibitions & Public Interpretation |
| 2011 | War Stories: Hard Earned. Unforgettably Told.
| The Rosenbach of the Free Library of Philadelphia | Exhibitions & Public Interpretation |
| 2011 | Imagine Africa @ Penn Museum
| Penn Museum, University of Pennsylvania | Exhibitions & Public Interpretation |
| 2011 | Emancipating Cliveden
| Cliveden of the National Trust | Exhibitions & Public Interpretation |
| 2011 | The Greenhouse Projects
| American Philosophical Society Museum | Exhibitions & Public Interpretation |
| 2009 | Financial Software Upgrade
| The Academy of Natural Sciences of Drexel University | Management |
| 2010 | Preservation of the Catholic Chaplain's Office and Its Murals
| Eastern State Penitentiary | Exhibitions & Public Interpretation |
| 2011 | Mobile Publication Studio
| Megawords | Exhibitions & Public Interpretation |
| 2011 | Five Acts: Chronicles of Dissent
| David Dempewolf / Yuka Yokoyama (a.k.a. Marginal Utility) | Exhibitions & Public Interpretation |
| 2011 | Stefan Sagmeister: The Happy Show
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2011 | Artist Residency with Sarah Sze
| The Fabric Workshop and Museum | Exhibitions & Public Interpretation |
| 2011 | Social Practice Lab Series
| Asian Arts Initiative | Exhibitions & Public Interpretation |
| 2011 | John Jasperse's Fort Blossom
| Bryn Mawr College | Performance |
| 2010 | WHaLE OPTICS
| Thaddeus Phillips | Performance |
| 2010 | Macbeth
| The Wilma Theater | Performance |
| 2010 | The Lieutenant of Inishmore
| Theatre Exile | Performance |
| 2010 | Ruined
| Philadelphia Theatre Company | Performance |
| 2010 | The Devil and Mister Punch
| FringeArts | Performance |
| 2010 | Dividing the Estate
| People's Light | Performance |
| 2010 | Extremely Public Displays of Privacy
| New Paradise Laboratories | Performance |
| 2010 | Dublin by Lamplight
| Inis Nua Theatre Company | Performance |
| 2010 | The Flea and the Professor
| Arden Theatre Company | Performance |
| 2010 | The Cripple of Inishmaan
| Annenberg Center Live | Performance |
| 2010 | The Pride of Parnell Street
| Act II Playhouse | Performance |
| 2010 | Our Show of Shows and Laughter on the 23rd Floor
| 1812 Productions | Performance |
| 2010 | Branding and Marketing Plan
| Wyck Association | Management |
| 2010 | Wilma Vision Fund
| The Wilma Theater | Management |
| 2010 | New Strategic Plan
| Wagner Free Institute of Science | Management |
| 2010 | Three-Year Strategic Plan
| Tempesta di Mare – Philadelphia Baroque Orchestra | Management |
| 2010 | Pig Iron School for Advanced Performance Training
| Pig Iron Theatre Company | Management |
| 2010 | Integrating Art and Education Into Future Programming
| People's Light | Management |
| 2010 | Research and Development for New Program Ideas
| Opera Philadelphia | Management |
| 2010 | Communications and Branding Consultant
| Greater Philadelphia Cultural Alliance | Management |
| 2010 | Restructuring the nEW Festival
| Melanie Stewart Dance Theatre | Management |
| 2010 | Operating Plan for Multi-Tenant Art Facility
| Asian Arts Initiative | Management |
| 2010 | Paul Evans Retrospective Planning
| James A. Michener Art Museum | Exhibitions & Public Interpretation |
| 2010 | Planning for Jason Rhoades, Four Roads
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2010 | Quadruple-Consciousness
| Vox Populi | Exhibitions & Public Interpretation |
| 2010 | Wharton Esherick and the Birth of the American Modern
| University of Pennsylvania Libraries | Exhibitions & Public Interpretation |
| 2010 | John Cage: How to Get Started
| Slought Foundation | Exhibitions & Public Interpretation |
| 2010 | Michelangelo Pistoletto: From One to Many, 1956–1974
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2010 | Let Me Tell You About a Dream I Had: The Miss Rockaway Armada
| Philadelphia Art Alliance | Exhibitions & Public Interpretation |
| 2010 | Pop Cinema: Art and Film in the UK and US, 1950s – 1970s
| Lightbox Film Center at International House Philadelphia | Exhibitions & Public Interpretation |
| 2010 | The Quay Brothers' Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum)
| The College of Physicians/Mütter Museum | Exhibitions & Public Interpretation |
| 2010 | Tacita Dean: JG
| Arcadia Exhibitions | Exhibitions & Public Interpretation |
| 2010 | Johann Friedrich Fasch Premieres
| Tempesta di Mare – Philadelphia Baroque Orchestra | Performance |
| 2010 | A Royal Christening
| Piffaro, the Renaissance Band | Performance |
| 2010 | Bang on a Can Marathon
| FringeArts | Performance |
| 2010 | New Commissions Based on Ellsworth Kelly's Seine
| Philadelphia Museum of Art | Performance |
| 2010 | The Case of Chen Shimei, The Wild Boar Forest, and The Jade Bracelet
| Philadelphia Chinese Opera Society | Performance |
| 2010 | Trade Winds: New Music Explores Asia
| Network for New Music | Performance |
| 2010 | Phaedra
| Opera Philadelphia | Performance |
| 2010 | Dave Holland Big Band
| Painted Bride Art Center | Performance |
| 2010 | Next Generation Project
| Philadelphia Chamber Music Society | Performance |
| 2010 | Mahler 100/Schoenberg 60
| Dolce Suono Chamber Music Concert Series | Performance |
| 2010 | Angel's Bone
| Mann Center for the Performing Arts | Performance |
| 2010 | Blues at the Crossroads
| Montgomery County Community College | Performance |
| 2010 | A Composer's Portrait
| Chamber Orchestra of Philadelphia | Performance |
| 2010 | Seneca Sounds
| The Crossing | Performance |
| 2010 | The Cunning Little Vixen
| Curtis Institute of Music | Performance |
| 2010 | American Sublime
| Bowerbird | Performance |
| 2010 | Great Black Music
| Ars Nova Workshop | Performance |
| 2010 | Planning for Muslim Voices of Philadelphia
| Scribe Video Center | Exhibitions & Public Interpretation |
| 2010 | Planning for Fighting for Democracy
| National Constitution Center | Exhibitions & Public Interpretation |
| 2010 | Developing Digital Programming on the History of Women in Medicine
| Drexel University College of Medicine Legacy Center Archives | Exhibitions & Public Interpretation |
| 2010 | Constituent-Based Preservation Planning
| Historical Society of Pennsylvania | Exhibitions & Public Interpretation |
| 2010 | Prototyping the First Person Museum
| First Person Arts | Exhibitions & Public Interpretation |
| 2010 | Interpretation of the Chew Family's History
| Cliveden of the National Trust | Exhibitions & Public Interpretation |
| 2010 | Community-Based Preservation Planning
| Bartram's Garden | Exhibitions & Public Interpretation |
| 2010 | Preservation of a National Historic Landmark Synagogue
| Beth Sholom Synagogue Preservation Foundation | Exhibitions & Public Interpretation |
| 2010 | Restaging Dances for Tour
| Voloshky Ukrainian Dance Ensemble | Performance |
| 2010 | Flatland 2010
| jumatatu m. poe | Performance |
| 2010 | 2011 Latin Roots & Rhythms Festival
| Raices Culturales LatinoAmericanas | Performance |
| 2010 | New Work with Collaborators Todd Reynolds and Luke Dubois
| Meredith Rainey | Performance |
| 2010 | Choreographers Project and Masters Exchange with Ralph Lemon
| Susan Hess Modern Dance | Performance |
| 2010 | Lucinda Childs' Dance
| FringeArts | Performance |
| 2010 | TAKES
| Nichole Canuso Dance Company | Performance |
| 2010 | Presentation of Fly: Five First Ladies of Dance
| Painted Bride Art Center | Performance |
| 2010 | Roland Petit's Carmen
| Pennsylvania Ballet | Performance |
| 2010 | Company Training Project
| Kun-Yang Lin/Dancers | Performance |
| 2010 | Choreographic Research with Sophiline Cheam Shapiro
| Amanda Miller | Performance |
| 2010 | Acquisition of Choreography by Dianne McIntyre
| Eleone Dance Theatre | Performance |
| 2010 | Parallel Destinies
| Germaine Ingram | Performance |
| 2010 | The Lives of Giants by the Khmer Arts Ensemble
| Bryn Mawr College | Performance |
| 2010 | Basil Twist's Petrushka
| Annenberg Center Live | Performance |
| 2010 | American Premiere of More Mouvements für Lachenmann
| Bowerbird | Performance |
| 2007 | Assistant Director of Development
| Eastern State Penitentiary | |
| 2011 | Directing My Dancers/Directing Myself
| Nichole Canuso Dance Company | Performance |
| 2011 | This Town Is a Mystery
| Headlong | Performance |
| 2011 | Cómplices by Rosario Toledo of Sevilla, Spain
| Pasión y Arte | Performance |
| 2011 | Sidi Larbi's Play and Shantala Shivalingappa's Namasya
| FringeArts | Performance |
| 2011 | Carnival, a New Work by Mark Morris
| Voloshky Ukrainian Dance Ensemble | Performance |
| 2011 | The Flight Attendants
| jumatatu m. poe | Performance |
| 2011 | Joan Myers Brown & the Audacious Hope of the Black Ballerina: A Biohistory of American Performance
| Brenda Dixon Gottschild | Performance |
| 2009 | Branch Dance Series
| Merián Soto | Performance |
| 2009 | Costuming and Re-Orchestration of the Carpathian Dances
| Voloshky Ukrainian Dance Ensemble | Performance |
| 2009 | Everywhere
| Kate Watson-Wallace | Performance |
| 2009 | The Farewell
| Janet Pilla | Performance |
| 2009 | Chunky Move's Mortal Engine
| FringeArts | Performance |
| 2009 | Collaboration Between Germaine Ingram, Bobby Zankel, and John Dowell
| Philadelphia Folklore Project | Performance |
| 2009 | Local Dance History Project
| Philadelphia Dance Projects | Performance |
| 2009 | In the middle, somewhat elevated
| Pennsylvania Ballet | Performance |
| 2009 | Rigidigidim De Bamba De: Ruptured Calypso
| Painted Bride Art Center | Performance |
| 2009 | TAKES Discovery Grant
| Nichole Canuso Dance Company | Performance |
| 2009 | nEW 2009
| Melanie Stewart Dance Theatre | Performance |
| 2009 | AXIS Dance Company Residency and Performance
| Montgomery County Community College | Performance |
| 2009 | Battle Hymns
| Leah Stein Dance Company | Performance |
| 2009 | Company Training with Hsu-Hui Huang of Cloud Gate Dance Theater
| Kun-Yang Lin/Dancers | Performance |
| 2009 | An Expectation of Violence
| Jaamil Kosoko | Performance |
| 2009 | Ohad Naharin's Passomezzo
| Koresh Dance Company | Performance |
| 2009 | Red Thread
| Lisa Kraus | Performance |
| 2009 | Presentation of Gathering Clouds by Black Grace
| Kimmel Center for the Performing Arts | Performance |
| 2009 | Improvisation Lab
| Headlong | Performance |
| 2009 | Americana
| Eleone Dance Theatre | Performance |
| 2009 | New Edge Artists Service Program and Performance Series
| Community Education Center | Performance |
| 2009 | Les escailles de la memoire (The Scales of Memory)
| Bryn Mawr College | Performance |
| 2009 | Decadere
| Marianela Boan | Performance |
| 2009 | New Work with the 2nd Generation Silver Belles
| Jaye Allison | Performance |
| 2007 | Eurydice
| | Performance |
| 2007 | Unbuckled, Uncensored and Flashpoints/Unbreakable Objects
| Asian Arts Initiative | Performance |
| 2006 | Bearing Witness
| The Village of Arts and Humanities | |
| 2008 | Corporate Membership Manager
| Philadelphia Theatre Company | |
| 2009 | Greater Philadelphia Cultural Alliance--New Controller Position
| Greater Philadelphia Cultural Alliance | Management |
| 2008 | Business Manager Support
| Pig Iron Theatre Company | |
| 2009 | Expanding Audience-Based Initiatives
| People's Light | Management |
| 2009 | New Director of Legal Services Position
| Arts & Business Council of Greater Philadelphia | Management |
| 2009 | Executive Director Transition
| Settlement Music School | Management |
| 2009 | New Director of Strategic Planning and Partnerships
| Mural Arts Philadelphia | Management |
| 2009 | Major Gifts Initiative
| FringeArts | Management |
| 2009 | New Managing Director Position
| Bristol Riverside Theatre | Management |
| 2011 | thINKingDANCE.net
| Lisa Kraus | Performance |
| 2009 | Microworld(s)
| Thaddeus Phillips | Performance |
| 2009 | The AI Project
| Karen Getz | Performance |
| 2009 | Meanwhile...
| Madi Distefano | Performance |
| 2009 | A Queer Divine
| Sara Felder | Performance |
| 2009 | Chicken
| Charlotte Ford | Performance |
| 2009 | Leaving
| The Wilma Theater | Performance |
| 2009 | Twelfth Night, or What You Will
| Pig Iron Theatre Company | Performance |
| 2009 | The Select (The Sun Also Rises)
| FringeArts | Performance |
| 2009 | Golden Age
| Philadelphia Theatre Company | Performance |
| 2009 | Spalding Gray: Stories Left to Tell
| Painted Bride Art Center | Performance |
| 2009 | Freedom Club
| New Paradise Laboratories | Performance |
| 2009 | August: Osage County
| Kimmel Center for the Performing Arts | Performance |
| 2009 | The Elaborate Entrance of Chad Deity
| InterAct Theatre Company | Performance |
| 2009 | The First Day of School
| 1812 Productions | Performance |
| 2009 | Sunday in the Park with George
| Arden Theatre Company | Performance |
| 2009 | Multidisciplinary Interpretive Plan
| Wyck Association | Exhibitions & Public Interpretation |
| 2009 | Collaborative Capacity Building for African-American Historic Sites
| Preservation Alliance for Greater Philadelphia | Exhibitions & Public Interpretation |
| 2009 | Journeys South
| Mural Arts Philadelphia | Exhibitions & Public Interpretation |
| 2009 | Community Documentation Workshop
| Philadelphia Folklore Project | Exhibitions & Public Interpretation |
| 2009 | Germantown Works
| Historic Germantown | Exhibitions & Public Interpretation |
| 2009 | Museum Without Walls: AUDIO
| Association for Public Art | Exhibitions & Public Interpretation |
| 2009 | Adaptive Re-Use of Upsala
| Cliveden of the National Trust | Exhibitions & Public Interpretation |
| 2006 | The Galileo Project
| | |
| 2006 | Chekhov Lizardbrain
| Pig Iron Theatre Company | |
| 2006 | The Happiness Lecture
| Philadelphia Theatre Company | |
| 2006 | BATCH: An American Bachelor/ette Party Spectacle
| New Paradise Laboratories | Performance |
| 2006 | Animal Farm
| | Performance |
| 2009 | Let Me Tell You About a Dream I Had: The Miss Rockaway Armada Discovery Grant
| Philadelphia Art Alliance | Exhibitions & Public Interpretation |
| 2008 | Love Letter by Steve Powers
| Mural Arts Philadelphia | Exhibitions & Public Interpretation |
| 2009 | The Graphic Unconscious
| Philagrafika | Exhibitions & Public Interpretation |
| 2009 | Dead Flowers
| Vox Populi | Exhibitions & Public Interpretation |
| 2009 | Arshile Gorky: A Retrospective
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2009 | Bill Morrison and Vijay Iyer: Release
| Eastern State Penitentiary | Exhibitions & Public Interpretation |
| 2009 | Sheila Hicks: 50 Years
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2009 | Barkley L. Hendricks: Birth of the Cool
| Pennsylvania Academy of the Fine Arts | Exhibitions & Public Interpretation |
| 2009 | Plausible Artworlds
| Basekamp | Exhibitions & Public Interpretation |
| 2009 | Ai Weiwei: Dropping the Urn
| Arcadia Exhibitions | Exhibitions & Public Interpretation |
| 2008 | Cell Block: Stories of the Eastern State Penitentiary
| Chamber Music Now | Performance |
| 2008 | Operetta
| FringeArts | Performance |
| 2009 | The Wizards of the Saxophone Meet the Warriors of the Wonderful Sound: Creating a 21st-Century Jazz Vocabulary
| Warriors of the Wonderful Sound | Performance |
| 2009 | Jan Dismas Zelenka's Lamentations for Holy Week
| Tempesta di Mare – Philadelphia Baroque Orchestra | Performance |
| 2009 | Instrumental Maestros of Indian Classical Music
| Sruti, the India Music and Dance Society | Performance |
| 2009 | Music from a Golden Era: 17th Century Portugal and Spain
| Piffaro, the Renaissance Band | Performance |
| 2009 | Glass Persephone and Reich Variations
| The Philadelphia Singers | Performance |
| 2009 | Philadelphia Firsts
| The Philadelphia Orchestra | Performance |
| 2009 | Wayne Shorter Commission Project
| Philadelphia Museum of Art | Performance |
| 2009 | Engage 2.0 Premiere Project
| Philadelphia Chamber Music Society | Performance |
| 2009 | Three Premieres!
| Orchestra 2001 | Performance |
| 2009 | Tan Dun's Tea: A Mirror of Soul
| Opera Philadelphia | Performance |
| 2009 | Sabor Latino: A Caribbean Journey
| Montgomery County Community College | Performance |
| 2009 | Roberto Sierra's Missa Latina
| Mendelssohn Club of Philadelphia | Performance |
| 2009 | Fresh Ink 2009–10 Season
| Kimmel Center for the Performing Arts | Performance |
| 2009 | Anti-Jazz: The New Thing Revisited
| Lightbox Film Center at International House Philadelphia | Performance |
| 2009 | Samuel Barber's Antony and Cleopatra
| Curtis Institute of Music | Performance |
| 2009 | Month of Moderns
| The Crossing | Performance |
| 2009 | The Mystical Experience
| Choral Arts Philadelphia | Performance |
| 2009 | Free/Form: Composer Portraits
| Ars Nova Workshop | Performance |
| 2009 | Aaron Jay Kernis Residency
| Astral Artists | Performance |
| 2013 | Katharina Grosse: psychylustro
| Mural Arts Philadelphia | Exhibitions & Public Interpretation |
| 2013 | Yinka Shonibare: Magic Ladders
| The Barnes Foundation | Exhibitions & Public Interpretation |
| 2013 | Planning for Strange Currencies
| Moore College of Art & Design | Exhibitions & Public Interpretation |
| 2013 | Alien She
| Vox Populi | Exhibitions & Public Interpretation |
| 2013 | Philly ReACTS
| First Person Arts | Exhibitions & Public Interpretation |
| 2013 | Restoration of Historic Pedestrian Entrance
| Friends of Laurel Hill Cemetery | Exhibitions & Public Interpretation |
| 2013 | Preservation Work to Address Water Infiltration
| Johnson House Historic Site | Exhibitions & Public Interpretation |
| 2013 | Science and Race: History, Use, and Abuse
| Penn Museum, University of Pennsylvania | Exhibitions & Public Interpretation |
| 2013 | Developing the Chorus for Change
| Philadelphia Folklore Project | Exhibitions & Public Interpretation |
| 2013 | Funeral for a Home
| Temple Contemporary | Exhibitions & Public Interpretation |
| 2013 | Gray Area 3—Negotiating Between Contemporary Design and Historic Preservation
| University of the Arts | Exhibitions & Public Interpretation |
| 2013 | Specimen Stories: Experiments in Historical Interpretation
| Wagner Free Institute of Science | Exhibitions & Public Interpretation |
| 2013 | Reassessing the In-Facility Program
| Art-Reach | Management |
| 2013 | Reinvention Plan
| Headlong | Management |
| 2013 | Creative Place-making Plan for the Adrienne
| InterAct Theatre Company | Management |
| 2013 | American Repertoire Council
| Opera Philadelphia | Management |
| 2013 | Restructuring Plan and Folklore Congress
| Philadelphia Folklore Project | Management |
| 2013 | Restoration and Stewardship Program
| Mural Arts Philadelphia | Management |
| 2013 | The Contemporary Caucus
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2013 | Virtual Learning Platform Planning
| Philadelphia Young Playwrights | Performance |
| 2013 | Advanced Performance Training Evaluation
| Pig Iron Theatre Company | Management |
| 2013 | Asset Maps and Community Advocates
| Settlement Music School | Management |
| 2013 | Fundraising Strategies for Environmental Art
| Schuylkill Center for Environmental Education | Exhibitions & Public Interpretation |
| 2013 | AUX Curatorial Fellowship Program
| Vox Populi | Management |
| 2013 | NeXtPN Research Initiative
| WXPN, University of Pennsylvania | Management |
| 2013 | Business Planning Project
| Wyck Association | Exhibitions & Public Interpretation |
| 2013 | Children's Theater Consortium
| Arden Theatre Company | Performance |
| 2013 | Two Works by Romeo Castellucci
| FringeArts | Performance |
| 2013 | The Adults
| New Paradise Laboratories | Performance |
| 2013 | The "Work" Project
| People's Light | Performance |
| 2013 | I Promised Myself to Live Faster
| Pig Iron Theatre Company | Performance |
| 2013 | The Frank Rizzo Project
| Theatre Exile | Performance |
| 2012 | New Play Frontiers
| People's Light | Performance |
| 1999 | 1999 Grants
| | |
| 1989 | 1989 Grants
| | |
| 1991 | 1991 Grants
| | |
| 1992 | 1992 Grants
| | |
| 1993 | 1993 Grants
| | |
| 1994 | 1994 Grants
| | |
| 1995 | 1995 Grants
| | |
| 1996 | 1996 Grants
| | |
| 1997 | 1997 Grants
| | |
| 1998 | 1998 Grants
| | |
| 2000 | 2000 Grants
| | |
| 2001 | 2001 Grants
| | |
| 2002 | 2002 Grants
| | |
| 2003 | 2003 Grants
| | |
| 2004 | 2004 Grants
| | |
| 2005 | 2005 Grants
| | |
| 2014 | Facing Front: The Duets of Jonathan Burrows and Matteo Fargion
| Anna Drozdowski | Performance |
| 2014 | Words Adorned: Andalusian Poetry and Music
| Al-Bustan Seeds of Culture | Performance |
| 2014 | Trisha Brown: In the New Body
| Bryn Mawr College | Performance |
| 2014 | Supper, People on the Move
| Silvana Cardell | Performance |
| 2014 | Seven Responses
| The Crossing | Performance |
| 2014 | Ally
| The Fabric Workshop and Museum | Performance |
| 2014 | action is primary
| Meg Foley | Performance |
| 2014 | After the Rehearsal/Persona by Toneelgroep Amsterdam
| FringeArts | Performance |
| 2014 | The Bach-Mendelssohn Project
| Mendelssohn Club of Philadelphia | Performance |
| 2014 | Re-Place-ing Philadelphia
| Painted Bride Art Center | Performance |
| 2014 | Color Theory
| PRISM Quartet | Performance |
| 2014 | ALIAS
| Thaddeus Phillips | Performance |
| 2014 | Pushers
| Iquail Shaheed | Performance |
| 2014 | Tradition – An Evolving Continuum
| Kiranavali Vidyasankar | Performance |
| 2014 | Zydeco Crossroads
| WXPN, University of Pennsylvania | Performance |
| 2014 | Pati Hill: Photocopier
| Arcadia Exhibitions | Exhibitions & Public Interpretation |
| 2014 | Home – A Community-engaged Exhibition Planning Model
| Asian Arts Initiative | Exhibitions & Public Interpretation |
| 2014 | Prisons Today: Questions in the Age of Mass Incarceration
| Eastern State Penitentiary | Exhibitions & Public Interpretation |
| 2014 | Ann Hamilton: habitus
| The Fabric Workshop and Museum | Exhibitions & Public Interpretation |
| 2014 | Framing Fraktur
| Free Library of Philadelphia Foundation | Exhibitions & Public Interpretation |
| 2014 | Strange Currencies
| Moore College of Art & Design | Exhibitions & Public Interpretation |
| 2014 | An Artist Embedded in History
| Historical Society of Pennsylvania | Exhibitions & Public Interpretation |
| 2014 | Barbara Kasten: Stages
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2014 | A Fierce Kind of Love: Connecting Communities through Story and Dialogue
| Institute on Disabilities at Temple University | Exhibitions & Public Interpretation |
| 2014 | Common Touch: The Art of the Senses in the History of the Blind
| Library Company of Philadelphia | Exhibitions & Public Interpretation |
| 2014 | Awakening the Senses: New Interpretive Approaches at the Morris Arboretum
| Morris Arboretum of the University of Pennsylvania | Exhibitions & Public Interpretation |
| 2014 | Monument Lab: Creative Speculations for Philadelphia
| Penn Institute for Urban Research | Exhibitions & Public Interpretation |
| 2014 | Chester Cultural Corridor Initiative
| Pennsylvania Humanities Council | Exhibitions & Public Interpretation |
| 2014 | Liberian Women's Chorus for Change
| Philadelphia Folklore Project | Exhibitions & Public Interpretation |
| 2014 | Playgrounds for Useful Knowledge
| Mural Arts Philadelphia | Exhibitions & Public Interpretation |
| 2014 | South Asian Art: Experimentation, Interpretation, and Evaluation
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2014 | The Great Migration: A City Transformed (1916-1930)
| Scribe Video Center | Exhibitions & Public Interpretation |
| 2014 | History and Reconstruction
| Phillip Seitz | Exhibitions & Public Interpretation |
| 2014 | reFORM
| Temple Contemporary | Exhibitions & Public Interpretation |
| 2014 | Invisible City: Philadelphia and the Vernacular Avant-garde
| University of the Arts | Exhibitions & Public Interpretation |
| 2014 | Advancement Grant: Philadelphia Zoo
| Philadelphia Zoo | Advancement |
| 2014 | Advancement Grant: Opera Philadelphia (2014)
| Opera Philadelphia | Advancement |
| 2015 | Advancement Grant: Philadelphia Chamber Music Society
| Philadelphia Chamber Music Society | Advancement |
| 2015 | Advancement Grant: Philadelphia Museum of Art
| Philadelphia Museum of Art | Advancement |
| 2015 | An Exploration of Interpretive Approaches to the Arch Street Meeting House
| Arch Street Meeting House Preservation Trust | Exhibitions & Public Interpretation |
| 2015 | Cai Guo-Qiang: Fireflies
| Association for Public Art | Exhibitions & Public Interpretation |
| 2015 | El Viaje (The Journey)
| Pablo Batista | Performance |
| 2015 | In Search of Eastman
| Bowerbird | Performance |
| 2015 | Cliveden's Living Kitchens
| Cliveden of the National Trust | Exhibitions & Public Interpretation |
| 2015 | Organize Your Own: The Politics and Poetics of Self-Determination Movements
| Daniel Tucker | Exhibitions & Public Interpretation |
| 2015 | Boris Charmatz: Levée des conflits
| Drexel University Westphal College | Performance |
| 2015 | The Rivers Restoration Project: A Freshwater Mussel Hatchery
| Fund for the Water Works | Exhibitions & Public Interpretation |
| 2015 | Elephants on the Avenue: Race, Class and Community in Historic Germantown
| Historic Germantown | Exhibitions & Public Interpretation |
| 2015 | The Pursuit: 50 Years In The Fight for LGBT Rights
| Independence Visitor Center Corporation | Exhibitions & Public Interpretation |
| 2015 | Endless Shout
| Institute of Contemporary Art | Performance |
| 2015 | Charles Sheeler: Fashion, Photography, and Sculptural Form
| James A. Michener Art Museum | Exhibitions & Public Interpretation |
| 2015 | SaltSoul
| Jungwoong Kim | Performance |
| 2015 | Holding It Down: The Veterans' Dreams Project
| Kimmel Center for the Performing Arts | Performance |
| 2015 | Room 21
| Lee Tusman | Performance |
| 2015 | Sophia's Forest
| Lembit Beecher | Performance |
| 2015 | Firebird: Reimagined
| Mann Center for the Performing Arts | Performance |
| 2015 | The Philadelphia Embassy of the Kingdoms of Elgaland-Vargaland
| Mike Bullock | Performance |
| 2015 | An Investigation of Contingency and the Uses of Data Streams
| New Paradise Laboratories | Performance |
| 2015 | Civic Practice
| The Mayor’s Fund for Philadelphia | Exhibitions & Public Interpretation |
| 2015 | Breaking the Waves
| Opera Philadelphia | Performance |
| 2015 | Pop Up Garden: An Exploration of the Philadelphia Rail Park
| Pennsylvania Horticultural Society | Exhibitions & Public Interpretation |
| 2015 | Lights Out: Nat "King" Cole
| People's Light | Performance |
| 2015 | Departure and Discovery: New Directions at the Apex of Creativity
| Philadelphia Chamber Music Society | Performance |
| 2015 | Radio Silence
| Mural Arts Philadelphia | Performance |
| 2015 | Hank Willis Thomas: Philly Block Project
| TILT Institute for the Contemporary Image | Exhibitions & Public Interpretation |
| 2015 | Advancement Grant: Curtis Institute of Music
| Curtis Institute of Music | Advancement |
| 2015 | The Musical World of Don Quixote
| Piffaro, the Renaissance Band | Performance |
| 2015 | RAIR: Live at the Dump
| RAIR | Exhibitions & Public Interpretation |
| 2015 | Raphstravaganza: An Urban Kinetic Experience
| Raphael Xavier | Performance |
| 2015 | Saayujya (The Merging)
| Sruti, the India Music and Dance Society | Performance |
| 2015 | Chopin Without Piano
| Swarthmore College | Performance |
| 2015 | Frankenstein & Dracula: Gothic Monsters, Modern Science
| The Rosenbach of the Free Library of Philadelphia | Exhibitions & Public Interpretation |
| 2015 | SPACES: International Artist Residency Initiative at The Village of Arts and Humanities
| The Village of Arts and Humanities | Exhibitions & Public Interpretation |
| 2015 | Not Your Typical 18th Century Gentleman
| The Woodlands Trust for Historic Preservation | Exhibitions & Public Interpretation |
| 2006 | This Is the Week That Is: Political Humor for the Holidays
| 1812 Productions | Performance |
| 2006 | Sweetie Pie
| Madi Distefano | Performance |
| 2006 | Out of Sight: A Blind Comedy about God, Israel, and My Mom
| Sara Felder | Performance |
| 2006 | The Emperor Jones
| FringeArts | Performance |
| 2006 | A House With No Walls
| InterAct Theatre Company | Performance |
| 2006 | Edward Scissorhands
| Kimmel Center for the Performing Arts | Performance |
| 2016 | Advancement Grant: The Franklin Institute
| The Franklin Institute | Advancement |
| 2016 | Advancement Grant: Please Touch Museum
| Please Touch Museum | Advancement |
| 2016 | Advancement Grant: People's Light
| People's Light | Advancement |
| 2016 | Person of the Crowd: The Contemporary Art of Flânerie
| The Barnes Foundation | Exhibitions & Public Interpretation |
| 2016 | The History Truck W.I.C. Work/Shop
| Erin Bernard | Exhibitions & Public Interpretation |
| 2016 | That Which Is Fundamental
| Bowerbird | Performance |
| 2016 | 1734–1735: A Season in the Life of J.S. Bach
| Choral Arts Philadelphia | Performance |
| 2016 | The Life of a Just Sole
| Kyle "JustSole" Clark | Performance |
| 2016 | Discovery Grant: The Influenza Pandemic of 1918-1919 in Philadelphia
| The College of Physicians/Mütter Museum | Exhibitions & Public Interpretation |
| 2016 | Lydie Breeze Trilogy
| EgoPo Classic Theater | Performance |
| 2016 | Composing the Tinnitus Suites: 2016
| Daniel Fishkin | Performance |
| 2016 | Bring Your Own Project
| Fleisher Art Memorial | Exhibitions & Public Interpretation |
| 2016 | Brett Bailey: Macbeth Performances and Residency
| FringeArts | Performance |
| 2016 | Making/Breaking the Binary: Women, Art, & Technology 1968-1985
| Kelsey Halliday Johnson | Exhibitions & Public Interpretation |
| 2016 | The Quiet Circus
| Headlong | Performance |
| 2016 | I is for Institute
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2016 | Philadelphia Real Book Concerts - New Music in Jazz and Blues
| Jazz Bridge | Performance |
| 2016 | Destiny Estimate
| MJ Kaufman | Performance |
| 2016 | Close Music for Bodies
| Michael Kiley | Performance |
| 2016 | The Anchoress
| David Ludwig | Performance |
| 2016 | Hello Blackout!
| New Paradise Laboratories | Performance |
| 2016 | Body of Text
| Nichole Canuso Dance Company | Performance |
| 2016 | Chester Made Cultural Exploration Zone
| Pennsylvania Humanities Council | Exhibitions & Public Interpretation |
| 2016 | Monument Lab: A Citywide Public Art and History Exhibition
| Mural Arts Philadelphia | Exhibitions & Public Interpretation |
| 2016 | Philadelphia Assembled
| Philadelphia Museum of Art | Performance |
| 2016 | Creating Empathy for Animals in Diverse Audiences
| Philadelphia Zoo | Exhibitions & Public Interpretation |
| 2016 | Rowhouse Workshop
| Brian Phillips | Exhibitions & Public Interpretation |
| 2016 | A Billion Nights On Earth
| Thaddeus Phillips | Performance |
| 2016 | A Period of Animate Existence
| Pig Iron Theatre Company | Performance |
| 2016 | Revisiting a Better Philadelphia: 1947-2017
| Preservation Alliance for Greater Philadelphia | Exhibitions & Public Interpretation |
| 2016 | Breath Beneath
| PRISM Quartet | Exhibitions & Public Interpretation |
| 2016 | Where We Belong: Artists in the Archive
| South Asian American Digital Archive | Exhibitions & Public Interpretation |
| 2016 | Telemann 360º
| Tempesta di Mare – Philadelphia Baroque Orchestra | Performance |
| 2016 | Symphony for a Broken Orchestra
| Temple Contemporary | Performance |
| 2016 | Perfect Blue
| Tiny Dynamite | Performance |
| 2016 | ¡BIENVENIDOS BLANCOS! or WELCOME WHITE PEOPLE!
| Alex Torra | Performance |
| 2016 | Commonspace
| WHYY | Exhibitions & Public Interpretation |
| 2016 | Adapt!
| The Wilma Theater | Performance |
| 2016 | Advancement Grant: DataArts
| DataArts | Advancement |
| 2016 | Advancement Grant: Opera Philadelphia (2016)
| Opera Philadelphia | Advancement |
| 2008 | Planning for Tacita Dean: JG
| Arcadia Exhibitions | Exhibitions & Public Interpretation |
| 2006 | Beatrice et Benedict
| Academy of Vocal Arts | Performance |
| 2006 | SoundExchange 2007
| American Composers Forum, Philadelphia Chapter | Performance |
| 2006 | Caroline, or Change
| Arden Theatre Company | Performance |
| 2006 | The Picture of Dorian Gray
| | Performance |
| 2006 | The Cinematic Cello
| | Performance |
| 2006 | Roxanna Panufnik
| Choral Arts Philadelphia | Performance |
| 2006 | Eric Sessler Organ Concerto
| Curtis Institute of Music | Performance |
| 2006 | Seraphic Light
| Lightbox Film Center at International House Philadelphia | Performance |
| 2006 | Planning for 2008 Chinatown In/flux: Future Landscape
| Asian Arts Initiative | Exhibitions & Public Interpretation |
| 2006 | Planning for The Puppet Show
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2006 | Masonry Preservation
| | Exhibitions & Public Interpretation |
| 2006 | Pearl S. Buck House Restoration Work
| Pearl S. Buck International | Exhibitions & Public Interpretation |
| 2006 | Tom Chimes: Adventures in 'Pataphysics
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2008 | La Fiamma
| Academy of Vocal Arts | Performance |
| 2008 | ACF Philadelphia Presents: Pascal Gallois
| American Composers Forum, Philadelphia Chapter | Performance |
| 2008 | Orchestra Underground
| Annenberg Center Live | Performance |
| 2008 | Premiere Recording Grant
| Ars Nova Workshop | Performance |
| 2008 | Tête-a-Tête
| Lightbox Film Center at International House Philadelphia | Performance |
| 2008 | Fresh Ink, 2008-09 Season
| Kimmel Center for the Performing Arts | Performance |
| 2008 | Metamorphosis, Premiere Recording
| Mendelssohn Club of Philadelphia | Performance |
| 2008 | Now Again, Premiere Recording
| Network for New Music | Performance |
| 2008 | Music and the Visual Arts: 6 New Commissions
| Network for New Music | Performance |
| 2008 | An Opera, an Operetta, and a Songbook
| Orchestra 2001 | Performance |
| 2008 | The Hollenbeck Commission
| Painted Bride Art Center | Performance |
| 2008 | First Soundings
| Philadelphia Chamber Music Society | Performance |
| 2008 | Reawakenings of American Indian Music
| Philadelphia Classical Symphony | Performance |
| 2008 | Jason Moran Commission Project
| Philadelphia Museum of Art | Performance |
| 2008 | Krzysztof Penderecki Week
| The Philadelphia Orchestra | Performance |
| 2008 | Vespers, Premiere Recording
| Piffaro, the Renaissance Band | Performance |
| 2008 | Nouvelle, Nouvelle: A 16th-Century French Christmas Midnight Mass
| Piffaro, the Renaissance Band | Performance |
| 2008 | Soundfield@Slought
| Slought Foundation | Performance |
| 2008 | Showcasing the Modern Masters of Carnatic Music
| Sruti, the India Music and Dance Society | Performance |
| 2008 | From Wealth of Tears to Cheerful Hearts: Odes by Bach and Blow
| Tempesta di Mare – Philadelphia Baroque Orchestra | Performance |
| 2008 | Clifford Brown: Impact and Influence
| University of the Arts | Performance |
| 2008 | Candide
| Arden Theatre Company | Performance |
| 2008 | Haunted Poe
| Brat Productions | Performance |
| 2008 | Melancholy, A Comedy
| Sara Felder | Performance |
| 2008 | The Andersen Project
| Kimmel Center for the Performing Arts | Performance |
| 2008 | Cabinet of Wonders, An Impossible History
| Gas & Electric Arts | Performance |
| 2008 | The Persians
| People's Light | Performance |
| 2008 | Grey Gardens
| Philadelphia Theatre Company | Performance |
| 2008 | Welcome to Yuba City
| Pig Iron Theatre Company | Performance |
| 2008 | Flesh and Blood and Fish and Fowl
| Geoff Sobelle | Performance |
| 2008 | Scorched
| The Wilma Theater | Performance |
| 2008 | Planning for Museum Without Walls: AUDIO
| Association for Public Art | Exhibitions & Public Interpretation |
| 2008 | National Council on Education in the Ceramic Arts Program Planning
| The Clay Studio | Exhibitions & Public Interpretation |
| 2008 | Lace in Translation
| The Design Center at Philadelphia University | Exhibitions & Public Interpretation |
| 2008 | Preservation Planning for a Community-Based Art Center
| Fleisher Art Memorial | Exhibitions & Public Interpretation |
| 2008 | Dirt on Delight: Impulses That Form Clay
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2008 | Megawords Storefront
| Megawords | Exhibitions & Public Interpretation |
| 2008 | Preserving the Pearl S. Buck House
| Pearl S. Buck International | Exhibitions & Public Interpretation |
| 2008 | Peter Saul: A Retrospective
| Pennsylvania Academy of the Fine Arts | Exhibitions & Public Interpretation |
| 2008 | My North/South/West Philly
| Mural Arts Philadelphia | Exhibitions & Public Interpretation |
| 2008 | James Castle: A Retrospective
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2008 | Preservation Plan and Historic Resources Survey
| Preservation Alliance for Greater Philadelphia | Exhibitions & Public Interpretation |
| 2008 | 21st Century Abe
| The Rosenbach of the Free Library of Philadelphia | Exhibitions & Public Interpretation |
| 2008 | Planning for Pat O'Neill Exhibition
| Screening (Nadia Hironaka and Matt Suib) | Exhibitions & Public Interpretation |
| 2008 | Digging Deeper
| The Village of Arts and Humanities | Exhibitions & Public Interpretation |
| 2008 | Paul Robeson House Restoration
| West Philadelphia Cultural Alliance | Exhibitions & Public Interpretation |
| 2007 | Travels of William Bartram Reconsidered
| Bartram's Garden | Exhibitions & Public Interpretation |
| 2008 | Commissions of Work by Annabelle Lopez Ochoa and Helen Pickett
| BalletX | Performance |
| 2008 | New Edge Performing Artists Residency
| Community Education Center | Performance |
| 2008 | Joan Myers Brown Book Research and Development
| Brenda Dixon Gottschild | Performance |
| 2008 | Jérôme Bel and Jan Fabre Choreography
| FringeArts | Performance |
| 2008 | Revival
| Group Motion Dance Company | Performance |
| 2008 | Braiding / Unbraiding / Rebraiding
| Headlong | Performance |
| 2008 | Expansion of stuporwoman
| Tania Isaac | Performance |
| 2008 | New Work by Martha Clarke
| Jeanne Ruddy Dance | Performance |
| 2008 | Izu House Project
| Roko Kawai | Performance |
| 2008 | Guinea Residency
| Kulu Mele African Dance and Drum Ensemble | Performance |
| 2008 | Urban Echo
| Leah Stein Dance Company | Performance |
| 2008 | Landscape on Hold
| Painted Bride Art Center | Performance |
| 2008 | Kazimir's Colors
| Pennsylvania Ballet | Performance |
| 2008 | Philadelphia Dance Projects Presents
| Philadelphia Dance Projects | Performance |
| 2008 | Dance Happens Here 2009
| Philadelphia Folklore Project | Performance |
| 2008 | Expansion of Choreographers Project Residency
| Susan Hess Modern Dance | Performance |
| 2008 | Steppes
| Voloshky Ukrainian Dance Ensemble | Performance |
| 2008 | Store
| Kate Watson-Wallace | Performance |
| 2007 | Risk of Flight
| BalletX | Performance |
| 2007 | Nomad: The River
| Bryn Mawr College | Performance |
| 2007 | Replaced Rituals
| Pallabi Chakravorty | Performance |
| 2007 | Here Dance Film
| Nicole Cousineau | Performance |
| 2007 | Barren Sceptre Reconstruction
| Dancefusion | Performance |
| 2007 | Walls Behind Walls
| Eleone Dance Theatre | Performance |
| 2007 | Residency with Carmela Greco
| Flamenco Ole | Performance |
| 2007 | Quasi Normal
| Jeanne Ruddy Dance | Performance |
| 2007 | Dance Happens Here 2007
| Philadelphia Folklore Project | Performance |
| 2017 | Advancement Grant: Penn Museum, University of Pennsylvania
| Penn Museum, University of Pennsylvania | Advancement |
| 2017 | Advancement Grant: Settlement Music School
| Settlement Music School | Advancement |
| 2017 | Lovers (for Philadelphia)
| Ars Nova Workshop | Performance |
| 2017 | Threads of History: Resurrection of a Textile
| Madhusmita Bora | Performance |
| 2017 | ear-whispered: works by Tania El Khoury
| Bryn Mawr College | Performance |
| 2017 | In Plain Air
| Christ Church Preservation Trust | Performance |
| 2017 | Aniara
| The Crossing | Performance |
| 2017 | Philadelphia Museum of Dance
| Drexel University Westphal College | Performance |
| 2017 | Heiner Goebbels: Imaginary Stages
| FringeArts | Performance |
| 2017 | KLANG
| Elizabeth Huston | Performance |
| 2017 | Taylor Mac: A 24-Decade History of Popular Music
| Kimmel Center for the Performing Arts | Performance |
| 2017 | Faith Project
| Kun-Yang Lin/Dancers | Performance |
| 2017 | The Accountant
| Trey Lyford | Performance |
| 2017 | Frank Zappa – The Yellow Shark
| Orchestra 2001 | Performance |
| 2017 | Soul Songs: Inspiring Women of Klezmer
| Philadelphia Folklore Project | Performance |
| 2017 | Let 'im Move You: This Is a Formation
| jumatatu m. poe | Performance |
| 2017 | ARC
| Lenny Seidman | Performance |
| 2017 | Gospel Roots of Rock & Soul
| WXPN, University of Pennsylvania | Performance |
| 2017 | Crimean Tatar Cultural Recovery
| Voloshky Ukrainian Dance Ensemble | Performance |
| 2017 | AAMP Residency for Art and Social Change
| African American Museum in Philadelphia | Exhibitions & Public Interpretation |
| 2017 | (ex)CHANGE: History Place Presence
| Asian Arts Initiative | Exhibitions & Public Interpretation |
| 2017 | Sound Machines: Kagel's Zwei Mann Orchester
| Bowerbird | Exhibitions & Public Interpretation |
| 2017 | Discovery Grant: Planning for Making Place Matter
| The Clay Studio | Exhibitions & Public Interpretation |
| 2017 | Hidden Lives Illuminated
| Eastern State Penitentiary | Exhibitions & Public Interpretation |
| 2017 | Enhancing Views of History: Terracotta Warriors and Augmented Reality
| The Franklin Institute | Exhibitions & Public Interpretation |
| 2017 | Audience Embedded
| Historical Society of Pennsylvania | Exhibitions & Public Interpretation |
| 2017 | Engaging Contemporary Artists at Independence Seaport Museum
| Independence Seaport Museum | Exhibitions & Public Interpretation |
| 2017 | Discovering the Selinsgrove Center
| Institute on Disabilities at Temple University | Exhibitions & Public Interpretation |
| 2017 | Modupúe | Ibaye: The Philadelphia Yoruba Performance Project
| Intercultural Journeys | Exhibitions & Public Interpretation |
| 2017 | The Poison Cookie Jar
| John Jarboe | Exhibitions & Public Interpretation |
| 2017 | Playing and Preserving
| Partners for Sacred Places | Exhibitions & Public Interpretation |
| 2017 | Farm for the City: Growing for Greater Good
| Pennsylvania Horticultural Society | Exhibitions & Public Interpretation |
| 2017 | Yael Bartana: And Europe Will be Stunned
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2017 | The Women's Mobile Museum with Zanele Muholi
| TILT Institute for the Contemporary Image | Exhibitions & Public Interpretation |
| 2017 | America to Zanzibar: Muslim Cultures Near and Far
| Please Touch Museum | Exhibitions & Public Interpretation |
| 2017 | Digging Deeper: Field Studies Made Possible by the Waste Stream
| RAIR | Exhibitions & Public Interpretation |
| 2017 | Publishing As Practice
| Kayla Romberger | Exhibitions & Public Interpretation |
| 2017 | Friends, Peace, and Sanctuary
| Swarthmore College | Exhibitions & Public Interpretation |
| 2017 | Moundverse Infants
| Temple Contemporary | Exhibitions & Public Interpretation |
| 2017 | Building Empathy Through the Arts
| Thomas Jefferson University | Exhibitions & Public Interpretation |
| 2017 | Invisible City: Philadelphia and the Vernacular Avant-garde
| University of the Arts | Exhibitions & Public Interpretation |
| 2006 | Tar
| Charles O. Anderson | Performance |
| 2006 | Scenes View 2
| BalletX | Performance |
| 2006 | 22nd New Edge Residency
| Community Education Center | Performance |
| 2006 | Still Unknown
| Nicole Cousineau | Performance |
| 2006 | Numen
| Group Motion Dance Company | Performance |
| 2006 | Cell
| Headlong | Performance |
| 2006 | Rennie Harris Performance Retrospective
| Kimmel Center for the Performing Arts | Performance |
| 2006 | Robert Battle Commission
| Koresh Dance Company | Performance |
| 2006 | The Partita Project
| Lisa Kraus | Performance |
| 2006 | Carmina Burana
| Leah Stein Dance Company | Performance |
| 2006 | Crossing
| Kun-Yang Lin/Dancers | Performance |
| 2006 | Lie to Me and Shorter Stories
| Miller Rothlein | Performance |
| 2006 | Fail Better
| Nichole Canuso Dance Company | Performance |
| 2006 | The Breaks
| Painted Bride Art Center | Performance |
| 2006 | Jerome Robbins’ In the Night
| Pennsylvania Ballet | Performance |
| 2006 | Civilian/Warrior
| Tobin Rothlein | Performance |
| 2006 | Lavanya: Graceful Expressions of the East
| Sruti, the India Music and Dance Society | Performance |
| 2006 | 2006–07 Choreographers Project
| Susan Hess Modern Dance | Performance |
| 2018 | Milford Graves: A Mind-Body Deal
| Ars Nova Workshop | Exhibitions & Public Interpretation |
| 2018 | Killjoy’s Kastle
| Timothy Belknap | Exhibitions & Public Interpretation |
| 2018 | David Hartt: The Histories (Le Mancenillier)
| Beth Sholom Synagogue Preservation Foundation | Exhibitions & Public Interpretation |
| 2018 | Black Lives Always Mattered!: Hidden African American Philadelphians in the Twentieth Century
| Charles L. Blockson Afro-American Collection, Temple University | Exhibitions & Public Interpretation |
| 2018 | Spit Spreads Death: The Influenza Pandemic of 1918–19 in Philadelphia
| The College of Physicians/Mütter Museum | Exhibitions & Public Interpretation |
| 2018 | Art in Process
| The Fabric Workshop and Museum | Exhibitions & Public Interpretation |
| 2018 | Colored People Time: Mundane Futures, Quotidian Pasts, and Banal Presents
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2018 | Documenting & Interpreting the Philly Jazz Legacy
| Jazz Bridge | Exhibitions & Public Interpretation |
| 2018 | Reconstruction and the Fourteenth Amendment Project
| National Constitution Center | Exhibitions & Public Interpretation |
| 2018 | Maryanne Amacher: Perceptual Geographies
| Bowerbird | Performance |
| 2018 | Deep Blue Sea
| Mann Center for the Performing Arts | Performance |
| 2018 | Superterranean
| Pig Iron Theatre Company | Performance |
| 2018 | Sounds of the Circle
| Odean Pope | Performance |
| 2018 | 100 People Listening: a shared decade
| Philadelphia Contemporary | Performance |
| 2018 | The School for Temporary Liveness
| University of the Arts | Performance |
| 2018 | There
| The Wilma Theater | Performance |
| 2018 | Redrawing History: Indigenous Perspectives on Colonial America
| Library Company of Philadelphia | Exhibitions & Public Interpretation |
| 2018 | Dream Dance: The Art of Ed Emshwiller
| Lightbox Film Center at International House Philadelphia | Exhibitions & Public Interpretation |
| 2018 | Design With Nature Now
| University of Pennsylvania Stuart Weitzman School of Design | Exhibitions & Public Interpretation |
| 2018 | Old City Arts History Project
| Philadelphia Dance Projects | Exhibitions & Public Interpretation |
| 2018 | Building Knowledge and Breaking Barriers: Archives-Based Learning
| Presbyterian Historical Society | Exhibitions & Public Interpretation |
| 2018 | Revolution Remix: A South Asian American Sound Tour of Historic Philadelphia
| South Asian American Digital Archive | Exhibitions & Public Interpretation |
| 2018 | Inequality in Bronze: Monumental Plantation Legacies
| Stenton | Exhibitions & Public Interpretation |
| 2018 | Whitman at 200: Art and Democracy
| University of Pennsylvania Libraries | Exhibitions & Public Interpretation |
| 2018 | Chronicling Resistance, Enabling Resistance
| Philadelphia Area Consortium of Special Collections Libraries | Exhibitions & Public Interpretation |
| 2018 | The White Lama
| Nikki Appino | Performance |
| 2018 | In Motion, In Place: Trisha Brown Dance Company in Fairmount Park
| Fairmount Park Conservancy | Performance |
| 2018 | Ogun & the People
| Kulu Mele African Dance and Drum Ensemble | Performance |
| 2018 | Be Alarmed: The Black Americana Epic, Movement III - The Triple Deities
| Tiona Nekkia McClodden | Performance |
| 2018 | Violin Woman, African Dreams
| Diane Monroe | Performance |
| 2018 | Grounds That Shout! (And Others Merely Shaking)
| Partners for Sacred Places | Performance |
| 2018 | Emerging Voices: Art Song and Social Connection
| Philadelphia Chamber Music Society | Performance |
| 2018 | Mending Wall
| PRISM Quartet | Performance |
| 2019 | The Philadelphia Matter - 1972/2020
| Christ Church Preservation Trust | Performance |
| 2019 | Rehearsing Philadelphia, new commission by Ari Benjamin Meyers
(Collaboration) | Curtis Institute of Music
Drexel University Westphal College
| Performance |
| 2019 | Mary Reid Kelley and Patrick Kelley: Blood Moon
| The Fabric Workshop and Museum | Performance |
| 2019 | Being/With: Live
| Nichole Canuso Dance Company | Performance |
| 2019 | The Listeners
| Opera Philadelphia | Performance |
| 2019 | Mushroom
| People's Light | Performance |
| 2019 | Beethoven: Missa solemnis 2.0
| The Philadelphia Orchestra | Performance |
| 2019 | Kanaval: Haitian Rhythms and the Music of New Orleans
| WXPN, University of Pennsylvania | Performance |
| 2019 | Polly Apfelbaum: For the Love of Una Hale
| Arcadia Exhibitions | Exhibitions & Public Interpretation |
| 2019 | Unity at the Initiative
| Asian Arts Initiative | Exhibitions & Public Interpretation |
| 2019 | Beyond Borders research and development
| Bowerbird | Exhibitions & Public Interpretation |
| 2019 | Making Place Matter
| The Clay Studio | Exhibitions & Public Interpretation |
| 2019 | Considering Re-enactments: The Battle of Germantown in the Light of 21st-Century Gun Violence
| Cliveden of the National Trust | Exhibitions & Public Interpretation |
| 2019 | Pool: A Social History of Segregation
| Fund for the Water Works | Exhibitions & Public Interpretation |
| 2019 | Exploring the ethical dimensions of a project with Doris Salcedo
| Mural Arts Philadelphia | Exhibitions & Public Interpretation |
| 2019 | A Site To Be Seen: Concepts for and from the Superfund
| RAIR | Exhibitions & Public Interpretation |
| 2019 | The Tenants of Lenapehocking in the Age of Magnets
| Scribe Video Center | Exhibitions & Public Interpretation |
| 2019 | The Ongoing Revolution
| Temple Contemporary | Exhibitions & Public Interpretation |
| 2019 | Staying Power
| The Village of Arts and Humanities | Exhibitions & Public Interpretation |
| 2019 | Remembrance
| William Way LGBT Community Center | Exhibitions & Public Interpretation |
| 2019 | Voices from Broad Street Ministry: A Film Storytelling Project
| Broad Street Ministry | Exhibitions & Public Interpretation |
| 2019 | Plus Ultra: Awakening the Mercer Museum Core
| Bucks County Historical Society | Exhibitions & Public Interpretation |
| 2019 | The Contest of the Fruits
| Hurford Center for the Arts and Humanities | Exhibitions & Public Interpretation |
| 2019 | Shofuso and Modernism: Mid-Century Collaboration between Japan and Philadelphia
| Japan America Society of Greater Philadelphia | Exhibitions & Public Interpretation |
| 2019 | Designing Motherhood: Things That Make and Break Our Births
| Maternity Care Coalition | Exhibitions & Public Interpretation |
| 2019 | Heat Response: Creative action for Philly’s rising temperatures
| The Trust for Public Land | Exhibitions & Public Interpretation |
| 2020 | Watershed Moment
| The Academy of Natural Sciences of Drexel University | Exhibitions & Public Interpretation |
| 2020 | Rising Sun – Artists and an Uncertain America
(Collaboration) | African American Museum in Philadelphia
Pennsylvania Academy of the Fine Arts
| Exhibitions & Public Interpretation |
| 2020 | Suzanne Valadon: Model, Painter, Rebel
| The Barnes Foundation | Exhibitions & Public Interpretation |
| 2020 | Swarm: Terence Nance, 2012-2022
| BlackStar Projects | Exhibitions & Public Interpretation |
| 2020 | The Mashrabiya Project
| Museum for Art in Wood | Exhibitions & Public Interpretation |
| 2020 | Jayson Musson: His History of Art
| The Fabric Workshop and Museum | Exhibitions & Public Interpretation |
| 2020 | 360 Culture Lab
| Fleisher Art Memorial | Exhibitions & Public Interpretation |
| 2020 | Chronicling Resistance
| Free Library of Philadelphia Foundation | Exhibitions & Public Interpretation |
| 2020 | Ulysses Jenkins: Without Your Interpretation
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2020 | File/Life: We Remember Stories of Pennhurst
| Institute on Disabilities at Temple University | Exhibitions & Public Interpretation |
| 2020 | 7th Ward Tribute
| The Mayor’s Fund for Philadelphia | Exhibitions & Public Interpretation |
| 2020 | Arte pa’l Barrio
| Moore College of Art & Design | Exhibitions & Public Interpretation |
| 2020 | nkwiluntàmën: I long for it; I am lonesome for it (such as the sound of a drum)
| Pennsbury Society | Exhibitions & Public Interpretation |
| 2020 | sTREEt Work
| Pennsylvania Horticultural Society | Exhibitions & Public Interpretation |
| 2020 | The Shape of Time: Korean Art After 1989
| Philadelphia Museum of Art | Exhibitions & Public Interpretation |
| 2020 | A Brand New End: Survival and Its Pictures
| The Print Center | Exhibitions & Public Interpretation |
| 2020 | Rosine Association 2.0
| Swarthmore College | Exhibitions & Public Interpretation |
| 2020 | Minerva Parker Nichols: The Search for a Forgotten Architect
| University of Pennsylvania Stuart Weitzman School of Design | Exhibitions & Public Interpretation |
| 2020 | Sun & Sea
| Arcadia Exhibitions | Performance |
| 2020 | Algorithmic Theater
| Bryn Mawr College | Performance |
| 2020 | Farming
| The Crossing | Performance |
| 2020 | Untitled Performance Project
| FringeArts | Performance |
| 2020 | Be Holding
| Girard College | Performance |
| 2020 | WHERE IS MY B-O-D-Y
| Kun-Yang Lin/Dancers | Performance |
| 2020 | The Tattooed Lady
| Philadelphia Theatre Company | Performance |
| 2020 | The Path of Pins or The Path of Needles
| Pig Iron Theatre Company | Performance |
| 2020 | TOWN
| Theatre Horizon | Performance |
| 2020 | The Cherry Orchard
| The Wilma Theater | Performance |
| 2021 | Live from AAMP: digital programming to expand audiences
| African American Museum in Philadelphia | Recovery Grant |
| 2021 | Multimedia production room to extend programming capacity
| Al-Bustan Seeds of Culture | Recovery Grant |
| 2021 | Enhanced art education platform for distance learning
| The Barnes Foundation | Recovery Grant |
| 2021 | Online streaming platform for accessible user experiences
| BlackStar Projects | Recovery Grant |
| 2021 | Online database to increase collections access
| The College of Physicians/Mütter Museum | Recovery Grant |
| 2021 | Multimedia storytelling to preserve folklife and cultural heritage
| Philadelphia Folklore Project | Recovery Grant |
| 2021 | Collaborative digital storytelling and content strategy
| Philadelphia Museum of Art | Recovery Grant |
| 2021 | Digital strategy to support learning through play
| Please Touch Museum | Recovery Grant |
| 2021 | Program evaluation to refine digital curriculum
| PRISM Quartet | Recovery Grant |
| 2021 | Mission realignment to center DEAI values
| Institute of Contemporary Art | Recovery Grant |
| 2021 | Cross-cultural programming to deepen community connections
| Japan America Society of Greater Philadelphia | Recovery Grant |
| 2021 | Equitable practices to build next generation of BIPOC public artists
| Mural Arts Philadelphia | Recovery Grant |
| 2021 | Designing organizational practices to engage diverse audiences and artists
| Opera Philadelphia | Recovery Grant |
| 2021 | DEAI-focused audience research and technology expansion
| The Philadelphia Orchestra | Recovery Grant |
| 2021 | Digital / Film / Interactive Initiative: frameworks for new leadership
| Pig Iron Theatre Company | Recovery Grant |
| 2021 | Strategies for welcoming and accessible theater experiences
| Theatre Horizon | Recovery Grant |
| 2021 | Hybrid gallery and training program to increase community participation
| The Village of Arts and Humanities | Recovery Grant |
| 2021 | Community pavilion and roof deck expansion
| The Clay Studio | Recovery Grant |
| 2021 | Facility renovations for accessibility and inclusion
| FringeArts | Recovery Grant |
| 2021 | HVAC upgrades to enhance health and safety
| Mann Center for the Performing Arts | Recovery Grant |
| 2021 | Expanded audio-visual capacity to augment program delivery
| National Constitution Center | Recovery Grant |
| 2021 | Remodeled spaces to increase safety and accessibility
| People's Light | Recovery Grant |
| 2021 | Facility improvements for in-person and online performances
| Philadelphia Chamber Music Society | Recovery Grant |
| 2021 | Multifunctional studio space to support new theater works
| Philadelphia Theatre Company | Recovery Grant |
| 2021 | Enhanced visitor services and events infrastructure
| The Woodlands Trust for Historic Preservation | Recovery Grant |
| 2021 | Strategic collaboration to strengthen community connections
(Collaboration) | Cliveden of the National Trust
Historic Germantown
Stenton
| Recovery Grant |
| 2021 | Sustainable building master plan
| Asian Arts Initiative | Recovery Grant |
| 2021 | Mission-focused business model development
| Eastern State Penitentiary | Recovery Grant |
| 2021 | FWM Shopworks: new commercial opportunities for artists and organization
| The Fabric Workshop and Museum | Recovery Grant |
| 2021 | Refreshed curriculum and marketing strategies to broaden audiences
| Scribe Video Center | Recovery Grant |
| 2022 | Manal Travels with Ibn Jubayr
| Al-Bustan Seeds of Culture | Exhibitions & Public Interpretation |
| 2022 | The Living Temple: Don and Moki Cherry
| Ars Nova Workshop | Exhibitions & Public Interpretation |
| 2022 | William Edmondson: A Monumental Vision
| The Barnes Foundation | Exhibitions & Public Interpretation |
| 2022 | A Storied Landscape: New Public Interpretation at America's Oldest Surviving Botanic Garden
| Bartram's Garden | Exhibitions & Public Interpretation |
| 2022 | Venus Fly Trap
| BlackStar Projects | Performance |
| 2022 | Beyond Borders
| Bowerbird | Exhibitions & Public Interpretation |
| 2022 | Recomposing the Past: An African American Perspective
| Chamber Orchestra of Philadelphia | Performance |
| 2022 | Transcending Thresholds
| Cliveden of the National Trust | Exhibitions & Public Interpretation |
| 2022 | Ramayana in FDR Park
| EgoPo Classic Theater | Performance |
| 2022 | The Nichos Project
| Esperanza Arts Center / Nueva Esperanza | Performance |
| 2022 | Rose: You Are Who You Eat
| The Fabric Workshop and Museum | Performance |
| 2022 | Carl Cheng: Nature Never Loses (working title)
| Institute of Contemporary Art | Exhibitions & Public Interpretation |
| 2022 | Rhythm Bath
| Institute on Disabilities at Temple University | Performance |
| 2022 | Community of Images: Japanese Media Artists in the US, 1960s-1970s
| Japan America Society of Greater Philadelphia | Exhibitions & Public Interpretation |
| 2022 | Beyond Glass Cases
| Library Company of Philadelphia | Exhibitions & Public Interpretation |
| 2022 | Black Metropolis: Improvisations on Paint Factory
| Mann Center for the Performing Arts | Performance |
| 2022 | Declaration House
| Monument Lab | Exhibitions & Public Interpretation |
| 2022 | We Here
| Mural Arts Philadelphia | Exhibitions & Public Interpretation |
| 2022 | ENGOMA ENTEERA: Classical Music from Uganda
| Orchestra 2001 | Performance |
| 2022 | The Re-Emancipation of Social Dance
| Philadelphia Contemporary | Performance |
| 2022 | Restoration of Works by William Grant Still
| The Philadelphia Orchestra | Performance |
| 2022 | Generate Music
| PRISM Quartet | Performance |
| 2022 | Black Like That: Our Lives as Living Praxis
| Temple Contemporary | Exhibitions & Public Interpretation |
| 2022 | Wherever There is Light
| TILT Institute for the Contemporary Image | Exhibitions & Public Interpretation |
| 2022 | What is West?
| University City Arts League | Exhibitions & Public Interpretation |
| 2022 | Futures Without Guns
| University City Science Center | Exhibitions & Public Interpretation |
| 2022 | Teaching at the End of Times
| Vox Populi | Exhibitions & Public Interpretation |
| 2022 | HILMA: An Opera (working title)
| The Wilma Theater | Performance |
| 2022 | Black Opry Residency
| WXPN, University of Pennsylvania | Performance |
| 2009 | Pew Fellow | Ben Peterson
| Fellowships |
| 2009 | Pew Fellow | Frances McElroy
| Fellowships |
| 2009 | Pew Fellow | Daniel Heyman
| Fellowships |
| 2009 | Pew Fellow | Anthony Campuzano
| Fellowships |
| 2009 | Pew Fellow | Marc Brodzik
| Fellowships |
| 2009 | Pew Fellow | Nami Yamamoto
| Fellowships |
| 2009 | Pew Fellow | Jennifer Levonian
| Fellowships |
| 2009 | Pew Fellow | Robert Matthews
| Fellowships |
| 2009 | Pew Fellow | Sarah Gamble
| Fellowships |
| 2009 | Pew Fellow | Ryan Trecartin
| Fellowships |
| 1992 | Pew Fellow | Hellmut Gottschild
| Fellowships |
| 1998 | Pew Fellow | Homer Jackson
| Fellowships |
| 1993 | Pew Fellow | Linh Dinh
| Fellowships |
| 1995 | Pew Fellow | Lorene Cary
| Fellowships |
| 2017 | Pew Fellow | Brenda Dixon Gottschild
| Fellowships |
| 2003 | Pew Fellow | Roko Kawai
| Fellowships |
| 2012 | Pew Fellow | jumatatu m. poe
| Fellowships |
| 1996 | Pew Fellow | Rennie Harris
| Fellowships |
| 2006 | Pew Fellow | David Brick
| Fellowships |
| 2010 | Pew Fellow | Germaine Ingram
| Fellowships |
| 2010 | Pew Fellow | Orrin Evans
| Fellowships |
| 2012 | Pew Fellow | Catie Rosemurgy
| Fellowships |
| 2009 | Pew Fellow | Ken Kalfus
| Fellowships |
| 2003 | Pew Fellow | Uri Caine
| Fellowships |
| 2010 | Pew Fellow | Jenny Sabin
| Fellowships |
| 2012 | Pew Fellow | Dan Blacksberg
| Fellowships |
| 2011 | Pew Fellow | Chris Forsyth
| Fellowships |
| 2011 | Pew Fellow | Tania Isaac
| Fellowships |
| 2007 | Pew Fellow | King Britt
| Fellowships |
| 1997 | Pew Fellow | Glenn Holsten
| Fellowships |
| 2011 | Pew Fellow | CAConrad
| Fellowships |
| 2008 | Pew Fellow | Russell Davis
| Fellowships |
| 2008 | Pew Fellow | Charles Burwell
| Fellowships |
| 2008 | Pew Fellow | Matthew Cox
| Fellowships |
| 2008 | Pew Fellow | J. Rufus Caleb
| Fellowships |
| 2002 | Pew Fellow | Thaddeus Phillips
| Fellowships |
| 2002 | Pew Fellow | Dito van Reigersberg
| Fellowships |
| 2006 | Pew Fellow | Geoff Sobelle
| Fellowships |
| 2002 | Pew Fellow | Whit MacLaughlin
| Fellowships |
| 1992 | Pew Fellow | Syd Carpenter
| Fellowships |
| 2008 | Pew Fellow | Mauro Zamora
| Fellowships |
| 2008 | Pew Fellow | Edgar J. Shockley III
| Fellowships |
| 1992 | Pew Fellow | Sandra Brownlee
| Fellowships |
| 1993 | Pew Fellow | Rafael Ferrer
| Fellowships |
| 1993 | Pew Fellow | Lisa Coffman
| Fellowships |
| 2009 | Pew Fellow | Marco Roth
| Fellowships |
| 1993 | Pew Fellow | Charles Burnette
| Fellowships |
| 1993 | Pew Fellow | Stephen Berg
| Fellowships |
| 1992 | Pew Fellow | Lily Yeh
| Fellowships |
| 2008 | Pew Fellow | Anne Seidman
| Fellowships |
| 2008 | Pew Fellow | Venissa Santí
| Fellowships |
| 2008 | Pew Fellow | Vera Nakonechny
| Fellowships |
| 2008 | Pew Fellow | Nana Korantema Ayeboafo
| Fellowships |
| 1992 | Pew Fellow | Steven Beyer
| Fellowships |
| 1993 | Pew Fellow | Becky Birtha
| Fellowships |
| 1992 | Pew Fellow | LaVaughn Robinson
| Fellowships |
| 1992 | Pew Fellow | Winifred Lutz
| Fellowships |
| 1992 | Pew Fellow | Steve Krieckhaus
| Fellowships |
| 1992 | Pew Fellow | Kent De Spain
| Fellowships |
| 1992 | Pew Fellow | Tina Davidson
| Fellowships |
| 1992 | Pew Fellow | Peter d'Agostino
| Fellowships |
| 2008 | Pew Fellow | Katharine Clark Gray
| Fellowships |
| 2008 | Pew Fellow | Felix "Pupi" Legarreta
| Fellowships |
| 1992 | Pew Fellow | Greg "Hodari" Banks
| Fellowships |
| 1993 | Pew Fellow | W.D. Ehrhart
| Fellowships |
| 1993 | Pew Fellow | Bruce Graham
| Fellowships |
| 1992 | Pew Fellow | Stacy Levy
| Fellowships |
| 1992 | Pew Fellow | Annabeth Rosen
| Fellowships |
| 2007 | Pew Fellow | Dorothy Wilkie
| Fellowships |
| 1993 | Pew Fellow | Essex Hemphill
| Fellowships |
| 1992 | Pew Fellow | Judith Schaechter
| Fellowships |
| 1996 | Pew Fellow | Joseph Cashore
| Fellowships |
| 1993 | Pew Fellow | Bo Bartlett
| Fellowships |
| 1992 | Pew Fellow | Odean Pope
| Fellowships |
| 1993 | Pew Fellow | Nathalie Anderson
| Fellowships |
| 2007 | Pew Fellow | Gerald Levinson
| Fellowships |
| 2007 | Pew Fellow | Ed Bing Lee
| Fellowships |
| 1994 | Pew Fellow | Francis Davis
| Fellowships |
| 2006 | Pew Fellow | Nava EtShalom
| Fellowships |
| 2007 | Pew Fellow | Julie York
| Fellowships |
| 1993 | Pew Fellow | Honor Molloy
| Fellowships |
| 1993 | Pew Fellow | Christian Michel
| Fellowships |
| 2007 | Pew Fellow | Jamey Robinson
| Fellowships |
| 2007 | Pew Fellow | Peter Paulsen
| Fellowships |
| 2007 | Pew Fellow | Adelaide Paul
| Fellowships |
| 2006 | Pew Fellow | Bob Perelman
| Fellowships |
| 2005 | Pew Fellow | Beth Kephart
| Fellowships |
| 2005 | Pew Fellow | Pablo Colapinto
| Fellowships |
| 2005 | Pew Fellow | Astrid Bowlby
| Fellowships |
| 2006 | Pew Fellow | Elaine Terranova
| Fellowships |
| 2006 | Pew Fellow | Robert Smythe
| Fellowships |
| 2006 | Pew Fellow | Tobin Rothlein
| Fellowships |
| 2006 | Pew Fellow | Scott Rigby
| Fellowships |
| 1993 | Pew Fellow | Iain Low
| Fellowships |
| 2007 | Pew Fellow | Nicole Cousineau
| Fellowships |
| 1994 | Pew Fellow | AP Gorny
| Fellowships |
| 2007 | Pew Fellow | Fritz Dietel
| Fellowships |
| 2007 | Pew Fellow | Charles O. Anderson
| Fellowships |
| 2006 | Pew Fellow | Lamont B. Steptoe
| Fellowships |
| 2005 | Pew Fellow | Cheryl Hess
| Fellowships |
| 2005 | Pew Fellow | M. Ho
| Fellowships |
| 1994 | Pew Fellow | Charles Burns
| Fellowships |
| 1993 | Pew Fellow | Sarah McEneaney
| Fellowships |
| 2007 | Pew Fellow | Kate Watson-Wallace
| Fellowships |
| 2005 | Pew Fellow | Barbara Attie
| Fellowships |
| 2005 | Pew Fellow | Janet Goldwater
| Fellowships |
| 2006 | Pew Fellow | Nadia Hironaka
| Fellowships |
| 2005 | Pew Fellow | Gerald Cyrus, Jr.
| Fellowships |
| 2006 | Pew Fellow | Pepón Osorio
| Fellowships |
| 1994 | Pew Fellow | Charlotte Blake Alston
| Fellowships |
| 1994 | Pew Fellow | Emmet Gowin
| Fellowships |
| 2006 | Pew Fellow | Jena Osman
| Fellowships |
| 2014 | Pew Fellow | Laynie Browne
| Fellowships |
| 2014 | Pew Fellow | Thomas Devaney
| Fellowships |
| 2014 | Pew Fellow | Fatu Gayflor
| Fellowships |
| 2014 | Pew Fellow | Michael Djupstrom
| Fellowships |
| 2004 | Pew Fellow | Losang Samten
| Fellowships |
| 1994 | Pew Fellow | Kate Moran
| Fellowships |
| 2003 | Pew Fellow | Tyrone Brown
| Fellowships |
| 2005 | Pew Fellow | Filmon Mebrahtu
| Fellowships |
| 2003 | Pew Fellow | Kim Arrow
| Fellowships |
| 2005 | Pew Fellow | Shawn McBride
| Fellowships |
| 2004 | Pew Fellow | Justin Witte
| Fellowships |
| 2004 | Pew Fellow | Jackie Tileston
| Fellowships |
| 2004 | Pew Fellow | Francis Di Fronzo
| Fellowships |
| 2003 | Pew Fellow | Jim Hinz
| Fellowships |
| 2004 | Pew Fellow | Robert Crowder
| Fellowships |
| 2003 | Pew Fellow | Linda Cordell
| Fellowships |
| 2005 | Pew Fellow | Zoe Strauss
| Fellowships |
| 2014 | Pew Fellow | Brent Wahl
| Fellowships |
| 2003 | Pew Fellow | Andrea Cooper
| Fellowships |
| 2005 | Pew Fellow | Joshua Mosley
| Fellowships |
| 2004 | Pew Fellow | Rebecca Westcott
| Fellowships |
| 2004 | Pew Fellow | Nicholas Wardigo
| Fellowships |
| 2004 | Pew Fellow | Mufulu Kingambo Gilonda
| Fellowships |
| 2004 | Pew Fellow | Hipolito "Tito" Rubio
| Fellowships |
| 2004 | Pew Fellow | Wu Peter Tang
| Fellowships |
| 2004 | Pew Fellow | Rebecca Rutstein
| Fellowships |
| 2014 | Pew Fellow | J.C. Todd
| Fellowships |
| 2014 | Pew Fellow | Travis Macdonald
| Fellowships |
| 2005 | Pew Fellow | Jay Kirk
| Fellowships |
| 2002 | Pew Fellow | Gabriel Quinn Bauriedel
| Fellowships |
| 2014 | Pew Fellow | Matt Saunders
| Fellowships |
| 2014 | Pew Fellow | Mary Lattimore
| Fellowships |
| 2004 | Pew Fellow | Tanya Hamilton
| Fellowships |
| 2014 | Pew Fellow | Leroy Johnson
| Fellowships |
| 2014 | Pew Fellow | Ted Passon
| Fellowships |
| 1994 | Pew Fellow | Louis Massiah
| Fellowships |
| 2002 | Pew Fellow | Lonnie Graham
| Fellowships |
| 2002 | Pew Fellow | Candy Coated
| Fellowships |
| 2002 | Pew Fellow | Mark Shetabi
| Fellowships |
| 2002 | Pew Fellow | Mytili Jagannathan
| Fellowships |
| 2001 | Pew Fellow | William Smith
| Fellowships |
| 2001 | Pew Fellow | Laurence Salzmann
| Fellowships |
| 2003 | Pew Fellow | Toby Twining
| Fellowships |
| 1994 | Pew Fellow | Glen Weldon
| Fellowships |
| 2001 | Pew Fellow | Gabriel Martinez
| Fellowships |
| 2001 | Pew Fellow | Justin Cronin
| Fellowships |
| 2001 | Pew Fellow | Vincent D. Feldman
| Fellowships |
| 1994 | Pew Fellow | Michael O'Reilly
| Fellowships |
| 1994 | Pew Fellow | Frances Negrón-Muntaner
| Fellowships |
| 2001 | Pew Fellow | Tanya M. Barrientos
| Fellowships |
| 2003 | Pew Fellow | Michael Olszewski
| Fellowships |
| 2001 | Pew Fellow | Yane Calovski
| Fellowships |
| 1994 | Pew Fellow | Margie Strosser
| Fellowships |
| 1994 | Pew Fellow | Richard Torchia
| Fellowships |
| 1994 | Pew Fellow | Eileen Neff
| Fellowships |
| 2001 | Pew Fellow | Ron Tarver
| Fellowships |
| 2002 | Pew Fellow | Rachel Blau DuPlessis
| Fellowships |
| 1995 | Pew Fellow | Christopher Bursk
| Fellowships |
| 2001 | Pew Fellow | Shanti Thakur
| Fellowships |
| 1994 | Pew Fellow | Judith E. Stein
| Fellowships |
| 2001 | Pew Fellow | María Teresa Rodriguez
| Fellowships |
| 2002 | Pew Fellow | Caden Manson
| Fellowships |
| 1994 | Pew Fellow | Carol Shloss
| Fellowships |
| 2002 | Pew Fellow | Teresa Leo
| Fellowships |
| 1994 | Pew Fellow | Alice Schell
| Fellowships |
| 2002 | Pew Fellow | Muhsana Ali
| Fellowships |
| 2003 | Pew Fellow | Jan Yager
| Fellowships |
| 2003 | Pew Fellow | Kukuli Velarde
| Fellowships |
| 2002 | Pew Fellow | Trapeta B. Mayson
| Fellowships |
| 2001 | Pew Fellow | Enid Mark
| Fellowships |
| 2001 | Pew Fellow | William Larson
| Fellowships |
| 2002 | Pew Fellow | Dan Rothenberg
| Fellowships |
| 2003 | Pew Fellow | Anna Weesner
| Fellowships |
| 1999 | Pew Fellow | Mogauwane Mahloele
| Fellowships |
| 1999 | Pew Fellow | Eric Schoefer
| Fellowships |
| 2000 | Pew Fellow | Mick Moloney
| Fellowships |
| 1995 | Pew Fellow | Donald Camp
| Fellowships |
| 1995 | Pew Fellow | Isaiah Zagar
| Fellowships |
| 1995 | Pew Fellow | Tristin Lowe
| Fellowships |
| 2000 | Pew Fellow | Pablo Batista
| Fellowships |
| 2000 | Pew Fellow | Kimmika L.H. Williams-Witherspoon
| Fellowships |
| 1999 | Pew Fellow | Rebecca Medel
| Fellowships |
| 2000 | Pew Fellow | Frank Bramblett
| Fellowships |
| 1995 | Pew Fellow | Woon-Ping Chin
| Fellowships |
| 1999 | Pew Fellow | Carol Antrom
| Fellowships |
| 1995 | Pew Fellow | Thomas Dan
| Fellowships |
| 1995 | Pew Fellow | Molly Russakoff
| Fellowships |
| 2000 | Pew Fellow | Emily Brown
| Fellowships |
| 1999 | Pew Fellow | Benjamin Schachter
| Fellowships |
| 1995 | Pew Fellow | Stuart Netsky
| Fellowships |
| 1996 | Pew Fellow | Kariamu Welsh
| Fellowships |
| 1995 | Pew Fellow | Virgil Marti
| Fellowships |
| 2000 | Pew Fellow | Frito Bastien
| Fellowships |
| 1999 | Pew Fellow | Nicholas Kripal
| Fellowships |
| 2000 | Pew Fellow | Alice Oh
| Fellowships |
| 1999 | Pew Fellow | Kevin Kautenburger
| Fellowships |
| 1995 | Pew Fellow | Hilary Harp
| Fellowships |
| 2000 | Pew Fellow | Babette Martino
| Fellowships |
| 1998 | Pew Fellow | Jahmae Harris
| Fellowships |
| 1995 | Pew Fellow | Denyse Thomasos
| Fellowships |
| 1995 | Pew Fellow | Neysa Grassi
| Fellowships |
| 1998 | Pew Fellow | Michael Grothusen
| Fellowships |
| 1999 | Pew Fellow | Michael Hurwitz
| Fellowships |
| 2000 | Pew Fellow | Greg "Peache" Jarman
| Fellowships |
| 1999 | Pew Fellow | Jennifer Higdon
| Fellowships |
| 1998 | Pew Fellow | Daisy Fried
| Fellowships |
| 1995 | Pew Fellow | Mark Goodwin
| Fellowships |
| 1998 | Pew Fellow | Steven Donegan
| Fellowships |
| 1995 | Pew Fellow | Susan Stewart
| Fellowships |
| 2000 | Pew Fellow | Sheryl Robin David
| Fellowships |
| 1996 | Pew Fellow | Yvonne Bobrowicz
| Fellowships |
| 1999 | Pew Fellow | David Ellsworth
| Fellowships |
| 2000 | Pew Fellow | Terrence Cameron
| Fellowships |
| 1998 | Pew Fellow | Phoebe Adams
| Fellowships |
| 1999 | Pew Fellow | Robert Maggio
| Fellowships |
| 1999 | Pew Fellow | Teresa Jaynes
| Fellowships |
| 1997 | Pew Fellow | Sheila M. Sofian
| Fellowships |
| 1996 | Pew Fellow | Pang Xiong Sirirathasuk Sikoun
| Fellowships |
| 1998 | Pew Fellow | James Mills
| Fellowships |
| 1997 | Pew Fellow | Barbara Bullock
| Fellowships |
| 1996 | Pew Fellow | Todd Noe
| Fellowships |
| 2011 | Pew Fellow | Jane Irish
| Fellowships |
| 2010 | Pew Fellow | William Daley
| Fellowships |
| 2010 | Pew Fellow | Chuck Treece
| Fellowships |
| 1997 | Pew Fellow | Robert Asman
| Fellowships |
| 1996 | Pew Fellow | Dave Burrell
| Fellowships |
| 2010 | Pew Fellow | Max Apple
| Fellowships |
| 2010 | Pew Fellow | Melanie Bilenker
| Fellowships |
| 1996 | Pew Fellow | Bobby Zankel
| Fellowships |
| 1997 | Pew Fellow | William Williams
| Fellowships |
| 1996 | Pew Fellow | Rudolf Staffel
| Fellowships |
| 1997 | Pew Fellow | Marian X
| Fellowships |
| 2011 | Pew Fellow | Joy Feasley
| Fellowships |
| 1997 | Pew Fellow | Paul Fierlinger
| Fellowships |
| 1998 | Pew Fellow | Jeanne Murray Walker
| Fellowships |
| 2011 | Pew Fellow | Jorge Cousineau
| Fellowships |
| 1997 | Pew Fellow | Thomas Gibbons
| Fellowships |
| 1998 | Pew Fellow | Ron Silliman
| Fellowships |
| 2011 | Pew Fellow | Charles Cohen
| Fellowships |
| 1997 | Pew Fellow | Richard Harrod
| Fellowships |
| 1998 | Pew Fellow | Karen E. Outen
| Fellowships |
| 2010 | Pew Fellow | James Sugg
| Fellowships |
| 1997 | Pew Fellow | Alex Kanevsky
| Fellowships |
| 1998 | Pew Fellow | Mei-ling Hom
| Fellowships |
| 2010 | Pew Fellow | Hanna Khoury
| Fellowships |
| 1996 | Pew Fellow | James Primosch
| Fellowships |
| 2010 | Pew Fellow | Tina Morton
| Fellowships |
| 1997 | Pew Fellow | Peter Rose
| Fellowships |
| 1998 | Pew Fellow | Afaa Michael Weaver
| Fellowships |
| 2010 | Pew Fellow | John Blake, Jr.
| Fellowships |
| 1997 | Pew Fellow | Steve Rowland
| Fellowships |
| 2010 | Pew Fellow | Kara Crombie
| Fellowships |
| 1996 | Pew Fellow | Bruce Metcalf
| Fellowships |
| 1996 | Pew Fellow | Jan Krzywicki
| Fellowships |
| 2012 | Pew Fellow | Anthony Smyrski
| Fellowships |
| 2011 | Pew Fellow | Tim Portlock
| Fellowships |
| 2013 | Pew Fellow | J. Louise Makary
| Fellowships |
| 2012 | Pew Fellow | Greg Osby
| Fellowships |
| 2013 | Pew Fellow | Toshi Makihara
| Fellowships |
| 2011 | Pew Fellow | Brian Phillips
| Fellowships |
| 2013 | Pew Fellow | Jenn McCreary
| Fellowships |
| 2013 | Pew Fellow | Keith VanDerSys
| Fellowships |
| 2012 | Pew Fellow | Meg Foley
| Fellowships |
| 2012 | Pew Fellow | Kevin Varrone
| Fellowships |
| 2012 | Pew Fellow | Lori Waselchuk
| Fellowships |
| 2012 | Pew Fellow | Marshall Allen
| Fellowships |
| 2012 | Pew Fellow | Alex Da Corte
| Fellowships |
| 2012 | Pew Fellow | Deron Albright
| Fellowships |
| 2013 | Pew Fellow | Raphael Xavier
| Fellowships |
| 2013 | Pew Fellow | Paul Swenbeck
| Fellowships |
| 2011 | Pew Fellow | Jamaaladeen Tacuma
| Fellowships |
| 2013 | Pew Fellow | Frank Sherlock
| Fellowships |
| 2013 | Pew Fellow | Bhob Rainey
| Fellowships |
| 2011 | Pew Fellow | Matthew Suib
| Fellowships |
| 2013 | Pew Fellow | Emily Abendroth
| Fellowships |
| 2013 | Pew Fellow | Karen M'Closkey
| Fellowships |
| 2013 | Pew Fellow | Hafez Javier Kotain
| Fellowships |
| 2013 | Pew Fellow | Kinan Abou-afach
| Fellowships |
| 2011 | Pew Fellow | Pattie McCarthy
| Fellowships |
| 2013 | Pew Fellow | Sueyeun Juliette Lee
| Fellowships |
| 2012 | Pew Fellow | Matthew Mitchell
| Fellowships |
| 2012 | Pew Fellow | Dan Murphy
| Fellowships |
| 2015 | Pew Fellow | Susan Lankin-Watts
| Fellowships |
| 2015 | Pew Fellow | Brian Teare
| Fellowships |
| 2015 | Pew Fellow | Lauren Mabry
| Fellowships |
| 2015 | Pew Fellow | Micah Danges
| Fellowships |
| 2015 | Pew Fellow | David Scott Kessler
| Fellowships |
| 2015 | Pew Fellow | Rea Tajiri
| Fellowships |
| 2015 | Pew Fellow | Chris Madak
| Fellowships |
| 2015 | Pew Fellow | James Ijames
| Fellowships |
| 2015 | Pew Fellow | Benjamin Volta
| Fellowships |
| 2015 | Pew Fellow | Caroline Lathan-Stiefel
| Fellowships |
| 2015 | Pew Fellow | Yolanda Wisher
| Fellowships |
| 2016 | Pew Fellow | Tiona Nekkia McClodden
| Fellowships |
| 2016 | Pew Fellow | Heidi Saman
| Fellowships |
| 2016 | Pew Fellow | Jymie Merritt
| Fellowships |
| 2016 | Pew Fellow | Matthew Levy
| Fellowships |
| 2016 | Pew Fellow | Andrea Clearfield
| Fellowships |
| 2016 | Pew Fellow | Mark Kendall
| Fellowships |
| 2016 | Pew Fellow | Lela Aisha Jones
| Fellowships |
| 2016 | Pew Fellow | Jennifer Kidwell
| Fellowships |
| 2016 | Pew Fellow | Sharon Hayes
| Fellowships |
| 2016 | Pew Fellow | Ryan Eckes
| Fellowships |
| 2016 | Pew Fellow | Christopher Colucci
| Fellowships |
| 2015 | Pew Fellow | Merián Soto
| Fellowships |
| 1993 | Pew Fellow | Sonia Sanchez
| Fellowships |
| 1995 | Pew Fellow | Major Jackson
| Fellowships |
| 2017 | Pew Fellow | Camae Ayewa & Rasheedah Phillips
| Fellowships |
| 2017 | Pew Fellow | Julia Bloch
| Fellowships |
| 2017 | Pew Fellow | Nichole Canuso
| Fellowships |
| 2017 | Pew Fellow | M. Nzadi Keita
| Fellowships |
| 2017 | Pew Fellow | Michael Kuetemeyer & Anula Shetty
| Fellowships |
| 2017 | Pew Fellow | Anuradha Mathur & Dilip da Cunha
| Fellowships |
| 2017 | Pew Fellow | Moon Molson
| Fellowships |
| 2017 | Pew Fellow | Tayarisha Poe
| Fellowships |
| 2017 | Pew Fellow | David Felix Sutcliffe
| Fellowships |
| 2017 | Pew Fellow | Annie Wilson
| Fellowships |
| 2017 | Pew Fellow | Wilmer Wilson IV
| Fellowships |
| 2000 | Pew Fellow | Elaine Hoffman Watts
| Fellowships |
| 2016 | Pew Fellow | Tokay Tomah
| Fellowships |
| 2018 | Pew Fellow | Quentin Morris
| Fellowships |
| 2018 | Pew Fellow | Jonathan Olshefski
| Fellowships |
| 2018 | Pew Fellow | Michelle Angela Ortiz
| Fellowships |
| 2018 | Pew Fellow | Ursula Rucker
| Fellowships |
| 2018 | Pew Fellow | Leah Stein
| Fellowships |
| 2018 | Pew Fellow | Zaye Tete
| Fellowships |
| 2018 | Pew Fellow | Alex Torra
| Fellowships |
| 2018 | Pew Fellow | Syd Zolf
| Fellowships |
| 2018 | Pew Fellow | David Hartt
| Fellowships |
| 2018 | Pew Fellow | David Ludwig
| Fellowships |
| 2018 | Pew Fellow | Ken Lum
| Fellowships |
| 2018 | Pew Fellow | Diane Monroe
| Fellowships |
| 2019 | Pew Fellow | Jonathan Lyndon Chase
| Fellowships |
| 2019 | Pew Fellow | Dinita Clark
| Fellowships |
| 2019 | Pew Fellow | Kirsten Kaschock
| Fellowships |
| 2019 | Pew Fellow | Carolyn Lazard
| Fellowships |
| 2019 | Pew Fellow | Roberto Lugo
| Fellowships |
| 2019 | Pew Fellow | Karyn Olivier
| Fellowships |
| 2019 | Pew Fellow | Lisa Marie Patzer
| Fellowships |
| 2019 | Pew Fellow | Imani Perry
| Fellowships |
| 2019 | Pew Fellow | Maria Shaplin
| Fellowships |
| 2019 | Pew Fellow | Becky Suss
| Fellowships |
| 2020 | Pew Fellow | Jacob Cooper
| Fellowships |
| 2020 | Pew Fellow | Shatara Michelle Ford
| Fellowships |
| 2020 | Pew Fellow | Jesse Harrod
| Fellowships |
| 2020 | Pew Fellow | Marissa Johnson-Valenzuela
| Fellowships |
| 2020 | Pew Fellow | Jaamil Olawale Kosoko
| Fellowships |
| 2020 | Pew Fellow | Airea D. Matthews
| Fellowships |
| 2020 | Pew Fellow | Bill Nace
| Fellowships |
| 2020 | Pew Fellow | Tom Quinn
| Fellowships |
| 2020 | Pew Fellow | Alex Smith
| Fellowships |
| 2020 | Pew Fellow | Alexandra Tatarsky
| Fellowships |
| 2021 | Pew Fellow | Emily Bate
| Fellowships |
| 2021 | Pew Fellow | Kayleb Rae Candrilli
| Fellowships |
| 2021 | Pew Fellow | angel shanel edwards
| Fellowships |
| 2021 | Pew Fellow | Rami George
| Fellowships |
| 2021 | Pew Fellow | Mark Thomas Gibson
| Fellowships |
| 2021 | Pew Fellow | Naomieh Jovin
| Fellowships |
| 2021 | Pew Fellow | Rich Medina
| Fellowships |
| 2021 | Pew Fellow | Brett Ashley Robinson
| Fellowships |
| 2021 | Pew Fellow | Kambel Smith
| Fellowships |
| 2021 | Pew Fellow | Didier William
| Fellowships |
| 2021 | Pew Fellow | Eva Wǒ
| Fellowships |
| 2021 | Pew Fellow | Rashid Zakat
| Fellowships |
| 2022 | Pew Fellow | Camille Acker
| Fellowships |
| 2022 | Pew Fellow | Maia Chao
| Fellowships |
| 2022 | Pew Fellow | Sabaah Folayan
| Fellowships |
| 2022 | Pew Fellow | Denice Frohman
| Fellowships |
| 2022 | Pew Fellow | Adebunmi Gbadebo
| Fellowships |
| 2022 | Pew Fellow | Jesse Krimes
| Fellowships |
| 2022 | Pew Fellow | James Maurelle
| Fellowships |
| 2022 | Pew Fellow | Odili Donald Odita
| Fellowships |
| 2022 | Pew Fellow | Asali Solomon
| Fellowships |
| 2022 | Pew Fellow | James Allister Sprang
| Fellowships |
| 2022 | Pew Fellow | Ada Trillo
| Fellowships |
| 2022 | Pew Fellow | Cesar Viveros
| Fellowships |
| 2014 | Pew Fellow | Susan Rethorst
| Fellowships |
| 2019 | Pew Fellow-in-Residence | Tina Satter
| Fellowships |
| 2019 | Pew Fellow-in-Residence | Julian Talamantez Brolaski
| Fellowships |
| 2020 | Pew Fellow-in-Residence | Raven Chacon
| Fellowships |
| 2020 | Pew Fellow-in-Residence | Rhodessa Jones
| Fellowships |
