"In improvisation I try to think less and experience more. The primary experience for me is listening. Then, I want to respond quickly, honestly, playfully, and intuitively."
Charles Cohen (1945-2017) has been characterized as a "special and singular musician" with a highly developed and refined voice. His music was entirely improvisational, produced solely on a vintage Buchla Music Easel synthesizer, a rare analog instrument designed in the early 1970s. Cohen played his self-described "beeps and boops" after first acquiring a Buchla Music Easel in 1976, one of only 25 ever produced, and was committed to exploring its unique qualities. He studied with musical mavericks such as accordionist and electronic composer Pauline Oliveros and jazz pianist Cecil Taylor, and sought out collaborations with fellow musicians who shared his love of spontaneous creation during live performance. "In improvisation I try to think less and experience more," Cohen said. "I consider each performance as an instance of my collaborative improvisation practice, which has spanned over 30 years."
Cohen performed regularly in Philadelphia for nearly four decades. For most of his career he eschewed distributing recordings of his music in order to focus deeply on live performance. However, after receiving a Pew Fellowship, Cohen was invited by Morphine Records in Berlin to work on a complete retrospective of his recordings from the 1970s through the '90s, in vinyl and CD formats, with biographical information, pictures, and liner notes. This retrospective was released in late 2013.
