GRANTS & GRANTEES

Margie Strosser

1994 PEW FELLOW

Updated
30 Nov 2016

Pew Fellow, 1994
Media Arts

GRANTS & GRANTEES

Moon Molson

Molson’s films examine urban masculinity and portray the stories of people of color, capturing the humor and lyricism of, in his words, “the language of the streets."

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Collaborators & Colleagues

Eungie Joo

Eungie Joo is the director of art and cultural programs at Instituto Inhotim in Brumadinho, Brazil, a contemporary art complex.

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GRANTS & GRANTEES

Thomas Devaney

Thomas Devaney (Pew Fellow, 2014) considers poetry an act of exploration. His work is a lyric evocation of, and meditation upon, remembered people, places, his native city of Philadelphia, and the passage of time.

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Collaborators & Colleagues

Anne Ellegood

Anne Ellegood is senior curator at the Hammer Museum in Los Angeles.

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Collaborators & Colleagues

Whit MacLaughlin

Whit MacLaughlin is a theater artist, the founder of New Paradise Laboratories, and a 2002 Pew Fellow.

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GRANTS & GRANTEES

David Ellsworth

David Ellsworth is a visual artist and a 1999 Pew Fellow.

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Questions of Practice

The Pew Center for Arts & Heritage’s Pew Fellow Artist Residencies

Since 2011, The Pew Center for Arts & Heritage has provided recent Pew Fellows with opportunities to take sojourns outside of the Philadelphia area, for residencies intended to push their artistic practice and expand their horizons.

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GRANTS & GRANTEES

Jamey Robinson

"I have never had a shortage of ideas for creating music," says 2007 Pew Fellow Jamey Robinson.

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GRANTS & GRANTEES

Raphael Xavier

Raphael Xavier (Pew Fellow, 2013) has practiced "breaking," an acrobatic street dance style commonly known as breakdancing, since 1983.

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News

Artist Residencies Awarded to Pew Fellows Nichole Canuso and Jennifer Kidwell

Pew Fellows Nichole Canuso (2017) and Jennifer Kidwell (2016) have been awarded artist residencies to cultivate in-progress works during the summer of 2020.

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Questions of Practice

Pew Fellow of the Week: An Interview with Choreographer and Performer Annie Wilson

Choreographer and performer Annie Wilson on the first work of art that really mattered to her, her interest in enlivening “that which is actively repressed in public life,” and more.

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Event

A Billion Nights on Earth FringeArts Holiday Performances

Thaddeus Phillips' family-friendly, visual theater work returns to FringeArts for a series of special holiday performances.

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Collaborators & Colleagues

Kristy Edmunds

Kristy Edmunds is the executive and artistic director of the Center for the Art of Performance at UCLA. She is recognized for innovation and depth in the presentation of works by contemporary artists.

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Collaborators & Colleagues

Rhodessa Jones

Jones is a theater performer, director, teacher, and writer whose five-decade body of work tells the stories of women, particularly women of color and incarcerated individuals. In Philadelphia, Jones will hold workshops and in-progress readings as she develops a new solo performance and a book on theater creation for women in prisons.

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GRANTS & GRANTEES

Charles O. Anderson

You have to almost exhaust yourself sometimes to let yourself say what it is, or do what it is, in the most honest way.

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GRANTS & GRANTEES

Teresa Leo

Teresa Leo is a poet and a 2002 Pew Fellow.

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GRANTS & GRANTEES

Sonia Sanchez

Sonia Sanchez is an award-winning poet, playwright, professor, activist, and one of the foremost leaders of the Black Studies movement.

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GRANTS & GRANTEES

Virgil Marti

Virgil Marti is a visual artist and a 1995 Pew Fellow.

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Collaborators & Colleagues

Lane Czaplinski

Lane Czaplinski is the artistic director of Seattle's On the Boards, founded in 1978 to introduce audiences to international innovators in contemporary dance, theater, and music.

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Collaborators & Colleagues

Sam Miller

Sam Miller is the former president of the Lower Manhattan Cultural Council, and currently serves on the Board of Amrita in Phnom Penh. He served as a Center dance panelist and LOI panelist in 2013, Pew Fellowships evaluator in 2014, and Pew Fellowships Panel Chair in 2015.

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