The fall performance calendar is rich with exciting performances from Center grantees. Theater productions, concerts, interactive installations, and large-scale public performances offer audiences a wide range of cultural experiences. Get a preview below, and look for our roundup of fall visual arts exhibitions and events coming soon.
Visit our events calendar for a full list of programs this season.
ear-whispered: works by Tania El Khoury
Bryn Mawr College presents an extensive survey of artist Tania El Khoury’s work, featuring five interactive performances and installations. A self-described “live artist” working between Lebanon and the United Kingdom, El Khoury creates works that engage the audience in multi-sensory interaction and address issues of displacement, political oppression, and justice.
- Gardens Speak, an interactive sound installation that invites audience members to dig in the dirt in order to listen to oral histories collected from the early period of the Syrian uprising.
- Camp Pause, a video installation tells the stories of four residents of the Rashidieh Refugee Camp on the coast of Lebanon.
- As Far As My Fingertips Take Me, an encounter through a gallery wall between a single audience member and a a Syrian refugee.
- Stories of Refuge, an immersive video installation in which audiences lay down on metal bunk beds and watch videos shot by Syrian asylum seekers in Munich, Germany.
- Tell Me What I Can Do, a newly commissioned work featuring letters that audiences have written in response to Gardens Speak.
Theater artist Trey Lyford premieres a visual theater piece that tells the story of a life remembered in the forgotten office of an aging clerk. The Accountant blends physical theater, vaudeville routines, illusion, origami, and slapstick to create a dreamscape of memory and loss, inviting audiences to consider the seemingly minute moments of everyday life.
Trey Lyford, The Accountant. Photo by Paula Court.
FringeArts presents the Philadelphia premiere of two works by Heiner Goebbels: Songs of Wars I Have Seen and Stifters Dinge in conjunction the Center-supported project Heiner Goebbels: Imaginary Stages. A work of both music and theater, Songs of Wars I Have Seen joins members of baroque ensemble Tempesta di Mare and the Philadelphia Orchestra and incorporates text by Gertrude Stein, to create what FringeArts describes as “a bittersweet lament on war’s insidious effects.” Stifters Dinge is a performative installation driven by a large-scale set—including five mechanically operated pianos, movable walls, and projections— that creates a landscape, without commentary, from which the audience must draw its own conclusions.
In Plain Air
Christ Church Preservation Trust marks the installation of a new, custom-built pipe organ with world premiere performances of In Plain Air, a program of original compositions by Phyllis Chen and Nathan Davis, members of the highly acclaimed International Contemporary Ensemble (ICE). The performances by the church’s director of music and organist, Parker Kitterman, and twelve members of ICE will guide audiences across the entire church campus, including a section of Independence National Historical Park. Open rehearsals will be held by ICE during their final week in residence, complemented by educator-led programs on the history of music at Christ Church.
Opus 150, 1:16 model. Photo courtesy of C.B. Fisk, Inc.
WXPN explores the roots of gospel and its influence on secular popular music through an ongoing series of live performances, a media-rich website, and a radio documentary. On September 22, the American-Christian gospel music quartet the McCrary Sisters will perform at World Café Live. Then, see a live performance from the St. Thomas Gospel Choir at the African Episcopal Church of St. Thomas, October 20.
The McCrary Sisters–Ann, Deborah, Regina, and Alfreda. Photo courtesy of the artist.
Composer and tabla player Lenny Seidman presents an evening-length performance suite that brings together the drumming traditions of tabla from North India and taiko from Japan, with contemporary dance and Japanese butoh. ARC investigates and reconciles the artistic disparities among these disciplines, exploring tabla’s complex rhythmic cycles, taiko’s relatively simple rhythms that are achieved through full-body movements, butoh’s sparse movements, and the wide dance vocabulary of postmodern choreography.
Philadelphia Museum of Dance
Drexel University Westphal College’s Philadelphia Museum of Dance, co-curated by acclaimed French choreographer Boris Charmatz, examines the presentation of public performance in relationship to the exhibition of visual art objects. On October 6, Charmatz transforms the Barnes Foundation with a one-day, free exhibit of live dance featuring performers from Philadelphia and New York. Prior to the day-long event, Drexel University Westphal College partners with FringeArts to present two performances of Charmatz’s piece manger on September 22–23.
Philadelphia community and professional dancers performing Boris Charmatz’ Levée des conflits at the Philadelphia Museum of Art, 2016. Photo by JJ Tiziou.
The world premiere of composer and 2018 Pew Fellow David Ludwig’s The Anchoress, a song cycle for soprano presented with the Philadelphia Chamber Music Society, explores the medieval mystic tradition of anchorism and its relationship to contemporary society. Set to poetry by Katie Ford and performed by Piffaro, PRISM Saxophone Quartet, and soprano Hyunah Yu, the program merges the sounds of ancient and modern worlds to explore issues of faith, isolation, and social power.
Soul Songs: Inspiring Women of Klezmer
Philadelphia Folklore Project presents a one-night-only, world-premiere concert of new compositions, written and performed by three generations of women and led by Susan Lankin-Watts, a 2015 Pew Fellow. The project brings together twelve musicians whose work breathes contemporary life into the centuries-old tradition of klezmer, an Eastern European Jewish folk music form.