Black filmmaker, writer, actor, and musician Terence Nance’s first solo exhibition will shed light on his interdisciplinary film and media work.

Adebunmi Gbadebo’s multimedia practice surfaces the often overlooked lives, creativity, labor, and oppression of people who were enslaved in the American South.

An exhibition and a publication will contemplate the mashrabiya, a defining element of Islamic visual culture that features elaborate geometric wooden latticework comprising thousands of individual lathe-turned pieces.

Jesse Krimes uses materials such as prison bedsheets, used clothing, and bars of soap to probe systems of power, with a particular focus on criminal and racial justice.

Two historic museums will commission and present the work of 30 contemporary artists to address the canon of American art.

The first exhibition to survey the work of architect Minerva Parker Nichols (1862–1949) will reexamine her significant contributions to Philadelphia’s built environment at the turn of the 20th century and spotlight the broader legacy of women in design.

A creative residency program supports five emerging Black Americana music artists who participate in a weeklong residency in Philadelphia in a collaborative space where they can focus on creative exploration, audience engagement, and professional development.

Odili Donald Odita uses color and pattern in abstract paintings, murals, and other public artworks that place African art and culture in dialogue with Western aesthetics.

A choral work will confront ways in which modern farming and food production shape the environment, communities, and essential workers in live performances staged at dusk among the crops of a Bucks County farm.

An art and archive-based project will reinterpret the mission of the Rosine Association through the development of new artistic works and a community-based archive.

A newly adapted version of Darin Atwater’s Paint Factory—an orchestral work of classical music, hip-hop, spoken word, and dance—marks hip-hop’s 50th anniversary and reflects on how culture and racial justice movements have advanced since the piece premiered in 2007.

Born and raised along the border between Juarez and El Paso, Ada Trillo documents the migration of people through Central America and the US-Mexico border while traveling alongside her subjects through dangerous conditions.