|
2012 |
"Rhythmning" & Improvising History |
Germaine Ingram |
|
|
2016 |
1734–1735: A Season in the Life of J.S. Bach |
Choral Arts Philadelphia |
|
|
2012 |
3x3: Movement Voices for a Bharatanatyam Dancer |
Viji Rao |
|
|
2016 |
A Billion Nights On Earth |
Thaddeus Phillips |
|
|
2010 |
A Composer's Portrait |
Chamber Orchestra of Philadelphia |
|
|
2006 |
A House With No Walls |
InterAct Theatre Company |
|
|
2016 |
A Period of Animate Existence |
Pig Iron Theatre Company |
|
|
2009 |
A Queer Divine |
Sara Felder |
|
|
2010 |
A Royal Christening |
Piffaro, the Renaissance Band |
|
|
2014 |
action is primary |
Meg Foley |
|
|
2016 |
Adapt! |
The Wilma Theater |
|
|
2011 |
Africa, the Call and Response |
Montgomery County Community College |
|
|
2014 |
After the Rehearsal/Persona by Toneelgroep Amsterdam |
FringeArts |
|
|
2014 |
ALIAS |
Thaddeus Phillips |
|
|
2014 |
Ally |
The Fabric Workshop and Museum |
|
|
2010 |
American Sublime |
Bowerbird |
|
|
2009 |
Americana |
Eleone Dance Theatre |
|
|
2009 |
An Expectation of Violence |
Jaamil Kosoko |
|
|
2015 |
An Investigation of Contingency and the Uses of Data Streams |
New Paradise Laboratories |
|
|
2008 |
An Opera, an Operetta, and a Songbook |
Orchestra 2001 |
|
|
2010 |
Angel's Bone |
Mann Center for the Performing Arts |
|
|
2017 |
Aniara |
The Crossing |
|
|
2009 |
Anti-Jazz: The New Thing Revisited |
Lightbox Film Center at International House Philadelphia |
|
|
2012 |
Arab Music Concert Series |
Al-Bustan Seeds of Culture |
|
|
2017 |
ARC |
Lenny Seidman |
|
|
2018 |
Are We Listening? [working title] |
Temple Contemporary |
|
|
2012 |
Artifact Suite |
Pennsylvania Ballet |
|
|
2009 |
August: Osage County |
Kimmel Center for the Performing Arts |
|
|
2013 |
Available Light |
FringeArts |
|
|
2013 |
Bad Blood |
Philadanco |
|
|
2010 |
Bang on a Can Marathon |
FringeArts |
|
|
2007 |
Barren Sceptre Reconstruction |
Dancefusion |
|
|
2009 |
Battle Hymns |
Leah Stein Dance Company |
|
|
2013 |
bb/he and dg/together again |
Susan Hess Modern Dance |
|
|
2018 |
Be Alarmed: The Black Americana Epic, Movement III - The Triple Deities |
Tiona Nekkia McClodden |
|
|
2006 |
Beatrice et Benedict |
Academy of Vocal Arts |
|
|
2019 |
Beethoven: Missa solemnis 2.0 |
The Philadelphia Orchestra |
|
|
2019 |
Being/With: Live |
Nichole Canuso Dance Company |
|
|
2010 |
Blues at the Crossroads |
Montgomery County Community College |
|
|
2012 |
Body Against Body |
Painted Bride Art Center |
|
|
2016 |
Body of Text |
Nichole Canuso Dance Company |
|
|
2015 |
Boris Charmatz: Levée des conflits |
Drexel University Westphal College |
|
|
2008 |
Braiding / Unbraiding / Rebraiding |
Headlong |
|
|
2009 |
Branch Dance Series |
Merián Soto |
|
|
2015 |
Breaking the Waves |
Opera Philadelphia |
|
|
2016 |
Brett Bailey: Macbeth Performances and Residency |
FringeArts |
|
|
2008 |
Cabinet of Wonders, An Impossible History |
Gas & Electric Arts |
|
|
2012 |
Cage: Beyond Silence |
Bowerbird |
|
|
2008 |
Candide |
Arden Theatre Company |
|
|
2006 |
Carmina Burana |
Leah Stein Dance Company |
|
|
2011 |
Carnival, a New Work by Mark Morris |
Voloshky Ukrainian Dance Ensemble |
|
|
2006 |
Caroline, or Change |
Arden Theatre Company |
|
|
2006 |
Cell |
Headlong |
|
|
2009 |
Chicken |
Charlotte Ford |
|
|
2015 |
Chopin Without Piano |
Swarthmore College |
|
|
2006 |
Civilian/Warrior |
Tobin Rothlein |
|
|
2008 |
Clifford Brown: Impact and Influence |
University of the Arts |
|
|
2016 |
Close Music for Bodies |
Michael Kiley |
|
|
2014 |
Color Theory |
PRISM Quartet |
|
|
2011 |
Cómplices by Rosario Toledo of Sevilla, Spain |
Pasión y Arte |
|
|
2016 |
Composing the Tinnitus Suites: 2016 |
Daniel Fishkin |
|
|
2017 |
Crimean Tatar Cultural Recovery |
Voloshky Ukrainian Dance Ensemble |
|
|
2006 |
Crossing |
Kun-Yang Lin/Dancers |
|
|
2008 |
Dance Happens Here 2009 |
Philadelphia Folklore Project |
|
|
2007 |
Dance Happens Here 2007 |
Philadelphia Folklore Project |
|
|
2009 |
Decadere |
Marianela Boan |
|
|
2015 |
Departure and Discovery: New Directions at the Apex of Creativity |
Philadelphia Chamber Music Society |
|
|
2016 |
Destiny Estimate |
MJ Kaufman |
|
|
2011 |
Directing My Dancers/Directing Myself |
Nichole Canuso Dance Company |
|
|
2010 |
Dividing the Estate |
People's Light |
|
|
2012 |
Don Juan Comes Home from Iraq |
The Wilma Theater |
|
|
2010 |
Dublin by Lamplight |
Inis Nua Theatre Company |
|
|
2017 |
ear-whispered: works by Tania El Khoury |
Bryn Mawr College |
|
|
2006 |
Edward Scissorhands |
Kimmel Center for the Performing Arts |
|
|
2015 |
El Viaje (The Journey) |
Pablo Batista |
|
|
2011 |
Elephant Room |
Geoff Sobelle |
|
|
2018 |
Emerging Voices: Art Song and Social Connection |
Philadelphia Chamber Music Society |
|
|
2015 |
Endless Shout |
Institute of Contemporary Art |
|
|
2009 |
Everywhere |
Kate Watson-Wallace |
|
|
2012 |
Exploring the Intersection of Traditional and Contemporary Practice |
Kulu Mele African Dance and Drum Ensemble |
|
|
2010 |
Extremely Public Displays of Privacy |
New Paradise Laboratories |
|
|
2014 |
Facing Front: The Duets of Jonathan Burrows and Matteo Fargion |
Anna Drozdowski |
|
|
2006 |
Fail Better |
Nichole Canuso Dance Company |
|
|
2017 |
Faith Project |
Kun-Yang Lin/Dancers |
|
|
2011 |
Fallow |
People's Light |
|
|
2015 |
Firebird: Reimagined |
Mann Center for the Performing Arts |
|
|
2008 |
First Soundings |
Philadelphia Chamber Music Society |
|
|
2010 |
Flatland 2010 |
jumatatu m. poe |
|
|
2008 |
Flesh and Blood and Fish and Fowl |
Geoff Sobelle |
|
|
2011 |
Food Court |
FringeArts |
|
|
2017 |
Frank Zappa – The Yellow Shark |
Orchestra 2001 |
|
|
2009 |
Free/Form: Composer Portraits |
Ars Nova Workshop |
|
|
2009 |
Freedom Club |
New Paradise Laboratories |
|
|
2009 |
Fresh Ink 2009–10 Season |
Kimmel Center for the Performing Arts |
|
|
2008 |
Fresh Ink, 2008-09 Season |
Kimmel Center for the Performing Arts |
|
|
2008 |
From Wealth of Tears to Cheerful Hearts: Odes by Bach and Blow |
Tempesta di Mare – Philadelphia Baroque Orchestra |
|
|
2009 |
Glass Persephone and Reich Variations |
The Philadelphia Singers |
|
|
2009 |
Golden Age |
Philadelphia Theatre Company |
|
|
2017 |
Gospel Roots of Rock & Soul |
WXPN, University of Pennsylvania |
|
|
2010 |
Great Black Music |
Ars Nova Workshop |
|
|
2008 |
Grey Gardens |
Philadelphia Theatre Company |
|
|
2018 |
Grounds That Shout! (And Others Merely Shaking) |
Partners for Sacred Places |
|
|
2008 |
Haunted Poe |
Brat Productions |
|
|
2017 |
Heiner Goebbels: Imaginary Stages |
FringeArts |
|
|
2016 |
Hello Blackout! |
New Paradise Laboratories |
|
|
2007 |
Here Dance Film |
Nicole Cousineau |
|
|
2015 |
Holding It Down: The Veterans' Dreams Project |
Kimmel Center for the Performing Arts |
|
|
2013 |
I Promised Myself to Live Faster |
Pig Iron Theatre Company |
|
|
2009 |
Improvisation Lab |
Headlong |
|
|
2018 |
In Motion, In Place: Trisha Brown Dance Company in Fairmount Park |
Fairmount Park Conservancy |
|
|
2015 |
In Search of Eastman |
Bowerbird |
|
|
2009 |
In the middle, somewhat elevated |
Pennsylvania Ballet |
|
|
2011 |
In This Place... and If She Stood |
Painted Bride Art Center |
|
|
2011 |
Inspired by the Spiritual |
Astral Artists |
|
|
2011 |
Irish Traditional Music: Influences from the West of Ireland |
Philadelphia Ceili Group |
|
|
2011 |
It's My Party: The Women and Comedy Project |
1812 Productions |
|
|
2008 |
Izu House Project |
Roko Kawai |
|
|
2011 |
Joan Myers Brown & the Audacious Hope of the Black Ballerina: A Biohistory of American Performance |
Brenda Dixon Gottschild |
|
|
2010 |
Johann Friedrich Fasch Premieres |
Tempesta di Mare – Philadelphia Baroque Orchestra |
|
|
2019 |
Kanaval: Haitian Rhythms and the Music of New Orleans |
WXPN, University of Pennsylvania |
|
|
2008 |
Kazimir's Colors |
Pennsylvania Ballet |
|
|
2017 |
KLANG |
Elizabeth Huston |
|
|
2008 |
La Fiamma |
Academy of Vocal Arts |
|
|
2008 |
Landscape on Hold |
Painted Bride Art Center |
|
|
2006 |
Lavanya: Graceful Expressions of the East |
Sruti, the India Music and Dance Society |
|
|
2009 |
Leaving |
The Wilma Theater |
|
|
2009 |
Les escailles de la memoire (The Scales of Memory) |
Bryn Mawr College |
|
|
2017 |
Let 'im Move You: This Is a Formation |
jumatatu m. poe |
|
|
2006 |
Lie to Me and Shorter Stories |
Miller Rothlein |
|
|
2015 |
Lights Out: Nat "King" Cole |
People's Light |
|
|
2009 |
Local Dance History Project |
Philadelphia Dance Projects |
|
|
2017 |
Lovers (for Philadelphia) |
Ars Nova Workshop |
|
|
2016 |
Lydie Breeze Trilogy |
EgoPo Classic Theater |
|
|
2010 |
Macbeth |
The Wilma Theater |
|
|
2010 |
Mahler 100/Schoenberg 60 |
Dolce Suono Chamber Music Concert Series |
|
|
2019 |
Mary Reid Kelley and Patrick Kelley: Dust to Dust |
The Fabric Workshop and Museum |
|
|
2018 |
Maryanne Amacher: Perceptual Geographies |
Bowerbird |
|
|
2012 |
Mash-Up Body Lab |
Kate Watson-Wallace |
|
|
2009 |
Meanwhile... |
Madi Distefano |
|
|
2008 |
Melancholy, A Comedy |
Sara Felder |
|
|
2018 |
Mending Wall |
PRISM Quartet |
|
|
2008 |
Metamorphosis, Premiere Recording |
Mendelssohn Club of Philadelphia |
|
|
2009 |
Microworld(s) |
Thaddeus Phillips |
|
|
2013 |
Midway Avenue |
Nichole Canuso Dance Company |
|
|
2012 |
Mississippi Blues Project |
WXPN, University of Pennsylvania |
|
|
2009 |
Month of Moderns |
The Crossing |
|
|
2011 |
Muhal Meets the Wonderful Sound |
Warriors of the Wonderful Sound |
|
|
2019 |
Mushroom |
People's Light |
|
|
2008 |
Music and the Visual Arts: 6 New Commissions |
Network for New Music |
|
|
2013 |
Music for Saxophones: Heritage/Evolution |
PRISM Quartet |
|
|
2009 |
Music from a Golden Era: 17th Century Portugal and Spain |
Piffaro, the Renaissance Band |
|
|
2011 |
Music in New Spain |
Piffaro, the Renaissance Band |
|
|
2013 |
New Paths Festival |
Ars Nova Workshop |
|
|
2012 |
New Play Frontiers |
People's Light |
|
|
2010 |
Next Generation Project |
Philadelphia Chamber Music Society |
|
|
2007 |
Nomad: The River |
Bryn Mawr College |
|
|
2008 |
Nouvelle, Nouvelle: A 16th-Century French Christmas Midnight Mass |
Piffaro, the Renaissance Band |
|
|
2008 |
Now Again, Premiere Recording |
Network for New Music |
|
|
2013 |
Nuevo Flamenco: The Galván Legacy |
Pasión y Arte |
|
|
2006 |
Numen |
Group Motion Dance Company |
|
|
2018 |
Ogun & the People |
Kulu Mele African Dance and Drum Ensemble |
|
|
2013 |
open notebook: crazy beautiful |
Tania Isaac |
|
|
2008 |
Orchestra Underground |
Annenberg Center Live |
|
|
2011 |
Our Class |
The Wilma Theater |
|
|
2010 |
Our Show of Shows and Laughter on the 23rd Floor |
1812 Productions |
|
|
2006 |
Out of Sight: A Blind Comedy about God, Israel, and My Mom |
Sara Felder |
|
|
2010 |
Parallel Destinies |
Germaine Ingram |
|
|
2016 |
Perfect Blue |
Tiny Dynamite |
|
|
2010 |
Phaedra |
Opera Philadelphia |
|
|
2016 |
Philadelphia Assembled |
Philadelphia Museum of Art |
|
|
2008 |
Philadelphia Dance Projects Presents |
Philadelphia Dance Projects |
|
|
2009 |
Philadelphia Firsts |
The Philadelphia Orchestra |
|
|
2013 |
Philadelphia Freedom Festival |
Mann Center for the Performing Arts |
|
|
2017 |
Philadelphia Museum of Dance |
Drexel University Westphal College |
|
|
2016 |
Philadelphia Real Book Concerts - New Music in Jazz and Blues |
Jazz Bridge |
|
|
2012 |
Private Places |
jumatatu m. poe |
|
|
2014 |
Pushers |
Iquail Shaheed |
|
|
2007 |
Quasi Normal |
Jeanne Ruddy Dance |
|
|
2015 |
Radio Silence |
Mural Arts Philadelphia |
|
|
2012 |
Raga Samay Festival |
Crossroads Music |
|
|
2015 |
Raphstravaganza: An Urban Kinetic Experience |
Raphael Xavier |
|
|
2014 |
Re-Place-ing Philadelphia |
Painted Bride Art Center |
|
|
2008 |
Reawakenings of American Indian Music |
Philadelphia Classical Symphony |
|
|
2012 |
red black & GREEN: a blues |
Annenberg Center Live |
|
|
2009 |
Red Thread |
Lisa Kraus |
|
|
2011 |
Red-Eye to Havre de Grace |
Thaddeus Phillips |
|
|
2007 |
Replaced Rituals |
Pallabi Chakravorty |
|
|
2008 |
Revival |
Group Motion Dance Company |
|
|
2009 |
Rigidigidim De Bamba De: Ruptured Calypso |
Painted Bride Art Center |
|
|
2007 |
Risk of Flight |
BalletX |
|
|
2015 |
Room 21 |
Lee Tusman |
|
|
2010 |
Ruined |
Philadelphia Theatre Company |
|
|
2015 |
Saayujya (The Merging) |
Sruti, the India Music and Dance Society |
|
|
2009 |
Sabor Latino: A Caribbean Journey |
Montgomery County Community College |
|
|
2015 |
SaltSoul |
Jungwoong Kim |
|
|
2006 |
Scenes View 2 |
BalletX |
|
|
2008 |
Scorched |
The Wilma Theater |
|
|
2010 |
Seneca Sounds |
The Crossing |
|
|
2006 |
Seraphic Light |
Lightbox Film Center at International House Philadelphia |
|
|
2014 |
Seven Responses |
The Crossing |
|
|
2008 |
Showcasing the Modern Masters of Carnatic Music |
Sruti, the India Music and Dance Society |
|
|
2012 |
Silent Night |
Opera Philadelphia |
|
|
2011 |
Skins & Songs |
Painted Bride Art Center |
|
|
2012 |
SoMoS |
Merián Soto |
|
|
2011 |
Sonic Arts Union |
Lightbox Film Center at International House Philadelphia |
|
|
2015 |
Sophia's Forest |
Lembit Beecher |
|
|
2006 |
SoundExchange 2007 |
American Composers Forum, Philadelphia Chapter |
|
|
2008 |
Soundfield@Slought |
Slought Foundation |
|
|
2012 |
Sounds of India: Influences and Integration of Folk Melodies in Carnatic Music |
Sruti, the India Music and Dance Society |
|
|
2018 |
Sounds of the Circle |
Odean Pope |
|
|
2009 |
Spalding Gray: Stories Left to Tell |
Painted Bride Art Center |
|
|
2008 |
Steppes |
Voloshky Ukrainian Dance Ensemble |
|
|
2006 |
Still Unknown |
Nicole Cousineau |
|
|
2008 |
Store |
Kate Watson-Wallace |
|
|
2009 |
Sunday in the Park with George |
Arden Theatre Company |
|
|
2018 |
Superterranean |
Pig Iron Theatre Company |
|
|
2014 |
Supper, People on the Move |
Silvana Cardell |
|
|
2012 |
Susan Rethorst: Inquiring Mind/Choreographic Mind |
Bryn Mawr College |
|
|
2006 |
Sweetie Pie |
Madi Distefano |
|
|
2016 |
Symphony for a Broken Orchestra |
Temple Contemporary |
|
|
2010 |
TAKES |
Nichole Canuso Dance Company |
|
|
2009 |
TAKES Discovery Grant |
Nichole Canuso Dance Company |
|
|
2006 |
Tar |
Charles O. Anderson |
|
|
2017 |
Taylor Mac: A 24-Decade History of Popular Music |
Kimmel Center for the Performing Arts |
|
|
2016 |
Telemann 360º |
Tempesta di Mare – Philadelphia Baroque Orchestra |
|
|
2008 |
Tête-a-Tête |
Lightbox Film Center at International House Philadelphia |
|
|
2016 |
That Which Is Fundamental |
Bowerbird |
|
|
2017 |
The Accountant |
Trey Lyford |
|
|
2013 |
The Adults |
New Paradise Laboratories |
|
|
2009 |
The AI Project |
Karen Getz |
|
|
2016 |
The Anchoress |
David Ludwig |
|
|
2008 |
The Andersen Project |
Kimmel Center for the Performing Arts |
|
|
2014 |
The Bach-Mendelssohn Project |
Mendelssohn Club of Philadelphia |
|
|
2012 |
The Body Lautrec |
Mary Tuomanen and Aaron Cromie |
|
|
2006 |
The Breaks |
Painted Bride Art Center |
|
|
2010 |
The Case of Chen Shimei, The Wild Boar Forest, and The Jade Bracelet |
Philadelphia Chinese Opera Society |
|
|
2006 |
The Cinematic Cello |
|
|
|
2011 |
The Confluence of Hindustani and Carnatic Music |
Sruti, the India Music and Dance Society |
|
|
2010 |
The Cripple of Inishmaan |
Annenberg Center Live |
|
|
2010 |
The Cunning Little Vixen |
Curtis Institute of Music |
|
|
2013 |
The Dance Apocalypse |
Gabrielle Revlock |
|
|
2010 |
The Devil and Mister Punch |
FringeArts |
|
|
2009 |
The Elaborate Entrance of Chad Deity |
InterAct Theatre Company |
|
|
2006 |
The Emperor Jones |
FringeArts |
|
|
2009 |
The Farewell |
Janet Pilla |
|
|
2009 |
The First Day of School |
1812 Productions |
|
|
2010 |
The Flea and the Professor |
Arden Theatre Company |
|
|
2011 |
The Flight Attendants |
jumatatu m. poe |
|
|
2011 |
The Gulf (between you and me) |
The Crossing |
|
|
2012 |
The Harbison Project |
Network for New Music |
|
|
2010 |
The Lieutenant of Inishmore |
Theatre Exile |
|
|
2016 |
The Life of a Just Sole |
Kyle "JustSole" Clark |
|
|
2019 |
The Listeners |
Opera Philadelphia |
|
|
2010 |
The Lives of Giants by the Khmer Arts Ensemble |
Bryn Mawr College |
|
|
2015 |
The Musical World of Don Quixote |
Piffaro, the Renaissance Band |
|
|
2011 |
The News with Dan Hoyle |
First Person Arts |
|
|
2012 |
The Object Lesson |
Geoff Sobelle |
|
|
2006 |
The Partita Project |
Lisa Kraus |
|
|
2008 |
The Persians |
People's Light |
|
|
2015 |
The Philadelphia Embassy of the Kingdoms of Elgaland-Vargaland |
Mike Bullock |
|
|
2019 |
The Philadelphia Matter - 1972/2020 |
Christ Church Preservation Trust |
|
|
2006 |
The Picture of Dorian Gray |
|
|
|
2010 |
The Pride of Parnell Street |
Act II Playhouse |
|
|
2016 |
The Quiet Circus |
Headlong |
|
|
2018 |
The School for Temporary Liveness |
University of the Arts |
|
|
2009 |
The Select (The Sun Also Rises) |
FringeArts |
|
|
2012 |
The Unofficial Guide to Audience Watching Performance |
Raphael Xavier |
|
|
2018 |
The White Lama |
Nikki Appino |
|
|
2012 |
The Winter's Tale |
People's Light |
|
|
2009 |
The Wizards of the Saxophone Meet the Warriors of the Wonderful Sound: Creating a 21st-Century Jazz Vocabulary |
Warriors of the Wonderful Sound |
|
|
2013 |
Then and Now: Jazz Cubano |
Montgomery County Community College |
|
|
2018 |
There |
The Wilma Theater |
|
|
2006 |
This Is the Week That Is: Political Humor for the Holidays |
1812 Productions |
|
|
2011 |
This Town Is a Mystery |
Headlong |
|
|
2017 |
Threads of History: Resurrection of a Textile |
Madhusmita Bora |
|
|
2009 |
Three Premieres! |
Orchestra 2001 |
|
|
2012 |
Three Sisters |
Arden Theatre Company |
|
|
2010 |
Trade Winds: New Music Explores Asia |
Network for New Music |
|
|
2014 |
Tradition – An Evolving Continuum |
Kiranavali Vidyasankar |
|
|
2013 |
Tragédie et Comédie |
Tempesta di Mare – Philadelphia Baroque Orchestra |
|
|
2014 |
Trisha Brown: In the New Body |
Bryn Mawr College |
|
|
2009 |
Twelfth Night, or What You Will |
Pig Iron Theatre Company |
|
|
2008 |
Urban Echo |
Leah Stein Dance Company |
|
|
2008 |
Vespers, Premiere Recording |
Piffaro, the Renaissance Band |
|
|
2018 |
Violin Woman, African Dreams |
Diane Monroe |
|
|
2007 |
Walls Behind Walls |
Eleone Dance Theatre |
|
|
2008 |
Welcome to Yuba City |
Pig Iron Theatre Company |
|
|
2010 |
WHaLE OPTICS |
Thaddeus Phillips |
|
|
2012 |
Wide Awake: A Civil War Cabaret |
Kimmel Center for the Performing Arts |
|
|
2014 |
Words Adorned: Andalusian Poetry and Music |
Al-Bustan Seeds of Culture |
|
|
2012 |
Yatran Choreography; Recovery and Restaging |
Taras Lewyckyj |
|
|
2011 |
Zero Cost House |
Pig Iron Theatre Company |
|
|
2014 |
Zydeco Crossroads |
WXPN, University of Pennsylvania |
|
|
2016 |
¡BIENVENIDOS BLANCOS! or WELCOME WHITE PEOPLE! |
Alex Torra |
|
|
2006 |
2006–07 Choreographers Project |
Susan Hess Modern Dance |
|
|
2010 |
2011 Latin Roots & Rhythms Festival |
Raices Culturales LatinoAmericanas |
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2006 |
22nd New Edge Residency |
Community Education Center |
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2009 |
Aaron Jay Kernis Residency |
Astral Artists |
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2008 |
ACF Philadelphia Presents: Pascal Gallois |
American Composers Forum, Philadelphia Chapter |
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2010 |
Acquisition of Choreography by Dianne McIntyre |
Eleone Dance Theatre |
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2010 |
American Premiere of More Mouvements für Lachenmann |
Bowerbird |
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2006 |
Animal Farm |
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2009 |
AXIS Dance Company Residency and Performance |
Montgomery County Community College |
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2010 |
Basil Twist's Petrushka |
Annenberg Center Live |
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2006 |
BATCH: An American Bachelor/ette Party Spectacle |
New Paradise Laboratories |
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2008 |
Cell Block: Stories of the Eastern State Penitentiary |
Chamber Music Now |
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2013 |
Children's Theater Consortium |
Arden Theatre Company |
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2010 |
Choreographers Project and Masters Exchange with Ralph Lemon |
Susan Hess Modern Dance |
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2010 |
Choreographic Research with Sophiline Cheam Shapiro |
Amanda Miller |
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2009 |
Chunky Move's Mortal Engine |
FringeArts |
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2009 |
Collaboration Between Germaine Ingram, Bobby Zankel, and John Dowell |
Philadelphia Folklore Project |
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2008 |
Commissions of Work by Annabelle Lopez Ochoa and Helen Pickett |
BalletX |
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2010 |
Company Training Project |
Kun-Yang Lin/Dancers |
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2009 |
Company Training with Hsu-Hui Huang of Cloud Gate Dance Theater |
Kun-Yang Lin/Dancers |
|
|
2009 |
Costuming and Re-Orchestration of the Carpathian Dances |
Voloshky Ukrainian Dance Ensemble |
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2010 |
Dave Holland Big Band |
Painted Bride Art Center |
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2018 |
Deep Blue Sea |
Mann Center for the Performing Arts |
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2009 |
Engage 2.0 Premiere Project |
Philadelphia Chamber Music Society |
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2006 |
Eric Sessler Organ Concerto |
Curtis Institute of Music |
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2008 |
Expansion of stuporwoman |
Tania Isaac |
|
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2008 |
Expansion of Choreographers Project Residency |
Susan Hess Modern Dance |
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2013 |
Exploration of Voice and Choreography with Pauline Oliveros |
Leah Stein Dance Company |
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2011 |
Exploring Female Sexuality and Desire Through Clown |
Charlotte Ford |
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2011 |
FRAME |
New Paradise Laboratories |
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2008 |
Guinea Residency |
Kulu Mele African Dance and Drum Ensemble |
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2017 |
In Plain Air |
Christ Church Preservation Trust |
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2009 |
Instrumental Maestros of Indian Classical Music |
Sruti, the India Music and Dance Society |
|
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2009 |
Jan Dismas Zelenka's Lamentations for Holy Week |
Tempesta di Mare – Philadelphia Baroque Orchestra |
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2008 |
Jason Moran Commission Project |
Philadelphia Museum of Art |
|
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2008 |
Jérôme Bel and Jan Fabre Choreography |
FringeArts |
|
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2006 |
Jerome Robbins’ In the Night |
Pennsylvania Ballet |
|
|
2008 |
Joan Myers Brown Book Research and Development |
Brenda Dixon Gottschild |
|
|
2011 |
John Jasperse's Fort Blossom |
Bryn Mawr College |
|
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2012 |
Julia Wolfe's Anthracite Fields |
Mendelssohn Club of Philadelphia |
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2008 |
Krzysztof Penderecki Week |
The Philadelphia Orchestra |
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2010 |
Lucinda Childs' Dance |
FringeArts |
|
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2013 |
Malavika Sarukkai in The Eternal River—A Journey in Bharatanatyam |
Sruti, the India Music and Dance Society |
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2012 |
Massenet's Don Quichotte |
Academy of Vocal Arts |
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2009 |
nEW 2009 |
Melanie Stewart Dance Theatre |
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2010 |
New Commissions Based on Ellsworth Kelly's Seine |
Philadelphia Museum of Art |
|
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2009 |
New Edge Artists Service Program and Performance Series |
Community Education Center |
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2008 |
New Edge Performing Artists Residency |
Community Education Center |
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2008 |
New Work by Martha Clarke |
Jeanne Ruddy Dance |
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2012 |
New Work by Susan Rethorst |
Group Motion Dance Company |
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2010 |
New Work with Collaborators Todd Reynolds and Luke Dubois |
Meredith Rainey |
|
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2009 |
New Work with the 2nd Generation Silver Belles |
Jaye Allison |
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2009 |
Ohad Naharin's Passomezzo |
Koresh Dance Company |
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2008 |
Operetta |
FringeArts |
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2013 |
OutBeat: A Queer Jazz Festival |
William Way LGBT Community Center |
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2008 |
Premiere Recording Grant |
Ars Nova Workshop |
|
|
2010 |
Presentation of Fly: Five First Ladies of Dance |
Painted Bride Art Center |
|
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2009 |
Presentation of Gathering Clouds by Black Grace |
Kimmel Center for the Performing Arts |
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|
2019 |
Rehearsing Philadelphia, new commission by Ari Benjamin Meyers
(Collaboration) |
Curtis Institute of Music
$300,000
Drexel University Westphal College
$400,000 |
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2006 |
Rennie Harris Performance Retrospective |
Kimmel Center for the Performing Arts |
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2007 |
Residency with Carmela Greco |
Flamenco Ole |
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2010 |
Restaging Dances for Tour |
Voloshky Ukrainian Dance Ensemble |
|
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2006 |
Robert Battle Commission |
Koresh Dance Company |
|
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2009 |
Roberto Sierra's Missa Latina |
Mendelssohn Club of Philadelphia |
|
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2011 |
Rodin Commission Project |
Philadelphia Museum of Art |
|
|
2010 |
Roland Petit's Carmen |
Pennsylvania Ballet |
|
|
2006 |
Roxanna Panufnik |
Choral Arts Philadelphia |
|
|
2009 |
Samuel Barber's Antony and Cleopatra |
Curtis Institute of Music |
|
|
2011 |
Sidi Larbi's Play and Shantala Shivalingappa's Namasya |
FringeArts |
|
|
2013 |
So Percussion's Where (we) Live |
FringeArts |
|
|
2017 |
Soul Songs: Inspiring Women of Klezmer |
Philadelphia Folklore Project |
|
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2009 |
Tan Dun's Tea: A Mirror of Soul |
Opera Philadelphia |
|
|
2013 |
The "Work" Project |
People's Light |
|
|
2013 |
The Frank Rizzo Project |
Theatre Exile |
|
|
2008 |
The Hollenbeck Commission |
Painted Bride Art Center |
|
|
2009 |
The Mystical Experience |
Choral Arts Philadelphia |
|
|
2011 |
thINKingDANCE.net |
Lisa Kraus |
|
|
2013 |
Two Works by Romeo Castellucci |
FringeArts |
|
|
2013 |
Virtual Learning Platform Planning |
Philadelphia Young Playwrights |
|
|
2009 |
Wayne Shorter Commission Project |
Philadelphia Museum of Art |
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