|
2016 |
(Dis)placed: Expressions of Identity in Transition |
Al-Bustan Seeds of Culture |
Exhibitions & Public Interpretation
|
|
2017 |
(ex)CHANGE: History Place Presence |
Asian Arts Initiative |
Exhibitions & Public Interpretation
|
|
2008 |
21st Century Abe |
The Rosenbach of the Free Library of Philadelphia |
Exhibitions & Public Interpretation
|
|
2014 |
A Fierce Kind of Love: Connecting Communities through Story and Dialogue |
Institute on Disabilities at Temple University |
Exhibitions & Public Interpretation
|
|
2019 |
A Site To Be Seen: Concepts for and from the Superfund |
RAIR |
Exhibitions & Public Interpretation
|
|
2017 |
AAMP Residency for Art and Social Change |
African American Museum in Philadelphia |
Exhibitions & Public Interpretation
|
|
2019 |
Active/ism |
Asian Arts Initiative |
Exhibitions & Public Interpretation
|
|
2009 |
Ai Weiwei: Dropping the Urn |
Arcadia Exhibitions |
Exhibitions & Public Interpretation
|
|
2013 |
Alien She |
Vox Populi |
Exhibitions & Public Interpretation
|
|
2017 |
America to Zanzibar: Muslim Cultures Near and Far |
Please Touch Museum |
Exhibitions & Public Interpretation
|
|
2014 |
An Artist Embedded in History |
Historical Society of Pennsylvania |
Exhibitions & Public Interpretation
|
|
2015 |
An Exploration of Interpretive Approaches to the Arch Street Meeting House |
Arch Street Meeting House Preservation Trust |
Exhibitions & Public Interpretation
|
|
2009 |
Arshile Gorky: A Retrospective |
Philadelphia Museum of Art |
Exhibitions & Public Interpretation
|
|
2018 |
Art in Process |
The Fabric Workshop and Museum |
Exhibitions & Public Interpretation
|
|
2011 |
Artist Residency with Sarah Sze |
The Fabric Workshop and Museum |
Exhibitions & Public Interpretation
|
|
2017 |
Audience Embedded |
Historical Society of Pennsylvania |
Exhibitions & Public Interpretation
|
|
2014 |
Awakening the Senses: New Interpretive Approaches at the Morris Arboretum |
Morris Arboretum of the University of Pennsylvania |
Exhibitions & Public Interpretation
|
|
2013 |
Barbara Kasten |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2014 |
Barbara Kasten: Stages |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2009 |
Barkley L. Hendricks: Birth of the Cool |
Pennsylvania Academy of the Fine Arts |
Exhibitions & Public Interpretation
|
|
2018 |
Black Lives Have Always Mattered: Hidden African American Philadelphia of the Twentieth Century |
Charles L. Blockson Afro-American Collection, Temple University |
Exhibitions & Public Interpretation
|
|
2016 |
Breath Beneath |
PRISM Quartet |
Exhibitions & Public Interpretation
|
|
2016 |
Bring Your Own Project |
Fleisher Art Memorial |
Exhibitions & Public Interpretation
|
|
2017 |
Building Empathy Through the Arts |
Thomas Jefferson University |
Exhibitions & Public Interpretation
|
|
2018 |
Building Knowledge and Breaking Barriers: Archives-Based Learning |
Presbyterian Historical Society |
Exhibitions & Public Interpretation
|
|
2015 |
Cai Guo-Qiang: Fireflies |
Association for Public Art |
Exhibitions & Public Interpretation
|
|
2015 |
Charles Sheeler: Fashion, Photography, and Sculptural Form |
James A. Michener Art Museum |
Exhibitions & Public Interpretation
|
|
2014 |
Chester Cultural Corridor Initiative |
Pennsylvania Humanities Council |
Exhibitions & Public Interpretation
|
|
2016 |
Chester Made Cultural Exploration Zone |
Pennsylvania Humanities Council |
Exhibitions & Public Interpretation
|
|
2018 |
Chronicling Resistance, Enabling Resistance |
Philadelphia Area Consortium of Special Collections Libraries |
Exhibitions & Public Interpretation
|
|
2015 |
Civic Practice |
Office of Arts, Culture and the Creative Economy/The Mayor's Fund for Philadelphia |
Exhibitions & Public Interpretation
|
|
2015 |
Cliveden's Living Kitchens |
Cliveden of the National Trust |
Exhibitions & Public Interpretation
|
|
2018 |
Colored People Time: Mundane Futures, Quotidian Pasts, and Banal Presents |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2014 |
Common Touch: The Art of the Senses in the History of the Blind |
Library Company of Philadelphia |
Exhibitions & Public Interpretation
|
|
2016 |
Commonspace |
WHYY |
Exhibitions & Public Interpretation
|
|
2012 |
Conflicts in Chemistry: The Case of Plastics |
Chemical Heritage Foundation |
Exhibitions & Public Interpretation
|
|
2019 |
Considering Re-enactments: The Battle of Germantown in the Light of 21st-Century Gun Violence |
Cliveden of the National Trust |
Exhibitions & Public Interpretation
|
|
2013 |
Consumption: A Project on Pearl Street conceived by Rick Lowe |
Asian Arts Initiative |
Exhibitions & Public Interpretation
|
|
2016 |
Creating Empathy for Animals in Diverse Audiences |
Philadelphia Zoo |
Exhibitions & Public Interpretation
|
|
2012 |
Dancing around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp |
Philadelphia Museum of Art |
Exhibitions & Public Interpretation
|
|
2018 |
David Hartt: The Histories (Le Mancenillier) |
Beth Sholom Synagogue Preservation Foundation |
Exhibitions & Public Interpretation
|
|
2009 |
Dead Flowers |
Vox Populi |
Exhibitions & Public Interpretation
|
|
2012 |
Demetrius Oliver: Canicular |
The Print Center |
Exhibitions & Public Interpretation
|
|
2018 |
Design With Nature Now |
PennDesign, University of Pennsylvania |
Exhibitions & Public Interpretation
|
|
2019 |
Designing Motherhood: A Century of Making (and Unmaking) Babies |
Maternity Care Coalition |
Exhibitions & Public Interpretation
|
|
2008 |
Digging Deeper |
The Village of Arts and Humanities |
Exhibitions & Public Interpretation
|
|
2017 |
Digging Deeper: Field Studies Made Possible by the Waste Stream |
RAIR |
Exhibitions & Public Interpretation
|
|
2008 |
Dirt on Delight: Impulses That Form Clay |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2017 |
Discovering the Selinsgrove Center |
Institute on Disabilities at Temple University |
Exhibitions & Public Interpretation
|
|
2016 |
Discovery Grant: The Influenza Pandemic of 1918-1919 in Philadelphia |
The College of Physicians/Mütter Museum |
Exhibitions & Public Interpretation
|
|
2018 |
Documenting & Interpreting the Philly Jazz Legacy |
Jazz Bridge |
Exhibitions & Public Interpretation
|
|
2011 |
Doing Time/Depth of Surface |
Philagrafika |
Exhibitions & Public Interpretation
|
|
2018 |
Dream Dance: The Art of Ed Emshwiller |
Lightbox Film Center at International House Philadelphia |
Exhibitions & Public Interpretation
|
|
2015 |
Elephants on the Avenue: Race, Class and Community in Historic Germantown |
Historic Germantown |
Exhibitions & Public Interpretation
|
|
2011 |
Emancipating Cliveden |
Cliveden of the National Trust |
Exhibitions & Public Interpretation
|
|
2019 |
Enduring Exile |
Bowerbird |
Exhibitions & Public Interpretation
|
|
2017 |
Engaging Contemporary Artists at Independence Seaport Museum |
Independence Seaport Museum |
Exhibitions & Public Interpretation
|
|
2017 |
Enhancing Views of History: Terracotta Warriors and Augmented Reality |
The Franklin Institute |
Exhibitions & Public Interpretation
|
|
2019 |
Exploring the ethical dimensions of a project with Doris Salcedo |
Mural Arts Philadelphia |
Exhibitions & Public Interpretation
|
|
2017 |
Farm for the City: Growing for Greater Good |
Pennsylvania Horticultural Society |
Exhibitions & Public Interpretation
|
|
2011 |
Five Acts: Chronicles of Dissent |
David Dempewolf / Yuka Yokoyama (a.k.a. Marginal Utility) |
Exhibitions & Public Interpretation
|
|
2014 |
Framing Fraktur |
Free Library of Philadelphia Foundation |
Exhibitions & Public Interpretation
|
|
2015 |
Frankenstein & Dracula: Gothic Monsters, Modern Science |
The Rosenbach of the Free Library of Philadelphia |
Exhibitions & Public Interpretation
|
|
2013 |
Free to Love: The Cinema of the Sexual Revolution |
Lightbox Film Center at International House Philadelphia |
Exhibitions & Public Interpretation
|
|
2017 |
Friends, Peace, and Sanctuary |
Swarthmore College |
Exhibitions & Public Interpretation
|
|
2013 |
Funeral for a Home |
Temple Contemporary |
Exhibitions & Public Interpretation
|
|
2009 |
Germantown Works |
Historic Germantown |
Exhibitions & Public Interpretation
|
|
2013 |
Gray Area 3—Negotiating Between Contemporary Design and Historic Preservation |
University of the Arts |
Exhibitions & Public Interpretation
|
|
2012 |
Han Bennink and Peter Brötzmann: Drawings, Paintings & Objects |
Ars Nova Workshop |
Exhibitions & Public Interpretation
|
|
2015 |
Hank Willis Thomas: Philly Block Project |
Philadelphia Photo Arts Center |
Exhibitions & Public Interpretation
|
|
2019 |
Heat Capture: Stories from Philadelphia's hottest neighborhoods |
The Trust for Public Land |
Exhibitions & Public Interpretation
|
|
2017 |
Hidden Lives Illuminated |
Eastern State Penitentiary |
Exhibitions & Public Interpretation
|
|
2014 |
History and Reconstruction |
Phillip Seitz |
Exhibitions & Public Interpretation
|
|
2014 |
Home – A Community-engaged Exhibition Planning Model |
Asian Arts Initiative |
Exhibitions & Public Interpretation
|
|
2016 |
I is for Institute |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2011 |
Imagine Africa @ Penn Museum |
Penn Museum, University of Pennsylvania |
Exhibitions & Public Interpretation
|
|
2018 |
Inequality in Bronze: Monumental Plantation Legacies |
Stenton |
Exhibitions & Public Interpretation
|
|
2017 |
Invisible City: Philadelphia and the Vernacular Avant-garde |
University of the Arts |
Exhibitions & Public Interpretation
|
|
2014 |
Invisible City: Philadelphia and the Vernacular Avant-garde |
University of the Arts |
Exhibitions & Public Interpretation
|
|
2008 |
James Castle: A Retrospective |
Philadelphia Museum of Art |
Exhibitions & Public Interpretation
|
|
2012 |
Jason Rhoades, Four Roads |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2010 |
John Cage: How to Get Started |
Slought Foundation |
Exhibitions & Public Interpretation
|
|
2009 |
Journeys South |
Mural Arts Philadelphia |
Exhibitions & Public Interpretation
|
|
2013 |
Katharina Grosse: psychylustro |
Mural Arts Philadelphia |
Exhibitions & Public Interpretation
|
|
2018 |
Killjoy’s Kastle |
Timothy Belknap |
Exhibitions & Public Interpretation
|
|
2008 |
Lace in Translation |
The Design Center at Philadelphia University |
Exhibitions & Public Interpretation
|
|
2010 |
Let Me Tell You About a Dream I Had: The Miss Rockaway Armada |
Philadelphia Art Alliance |
Exhibitions & Public Interpretation
|
|
2009 |
Let Me Tell You About a Dream I Had: The Miss Rockaway Armada Discovery Grant |
Philadelphia Art Alliance |
Exhibitions & Public Interpretation
|
|
2014 |
Liberian Women's Chorus for Change |
Philadelphia Folklore Project |
Exhibitions & Public Interpretation
|
|
2008 |
Love Letter by Steve Powers |
Mural Arts Philadelphia |
Exhibitions & Public Interpretation
|
|
2019 |
Making Place Matter |
The Clay Studio |
Exhibitions & Public Interpretation
|
|
2016 |
Making/Breaking the Binary: Women, Art, & Technology 1968-1985 |
Kelsey Halliday Johnson |
Exhibitions & Public Interpretation
|
|
2010 |
Michelangelo Pistoletto: From One to Many, 1956–1974 |
Philadelphia Museum of Art |
Exhibitions & Public Interpretation
|
|
2018 |
Milford Graves: A Mind-Body Deal |
Ars Nova Workshop |
Exhibitions & Public Interpretation
|
|
2011 |
Mixplace Studio |
Slought Foundation |
Exhibitions & Public Interpretation
|
|
2017 |
Modupúe | Ibaye: The Philadelphia Yoruba Performance Project |
Intercultural Journeys |
Exhibitions & Public Interpretation
|
|
2016 |
Monument Lab: A Citywide Public Art and History Exhibition |
Mural Arts Philadelphia |
Exhibitions & Public Interpretation
|
|
2014 |
Monument Lab: Creative Speculations for Philadelphia |
Penn Institute for Urban Research |
Exhibitions & Public Interpretation
|
|
2017 |
Moundverse Infants |
Temple Contemporary |
Exhibitions & Public Interpretation
|
|
2009 |
Museum Without Walls: AUDIO |
Association for Public Art |
Exhibitions & Public Interpretation
|
|
2012 |
Muslim Voices of Philadelphia |
Scribe Video Center |
Exhibitions & Public Interpretation
|
|
2008 |
My North/South/West Philly |
Mural Arts Philadelphia |
Exhibitions & Public Interpretation
|
|
2015 |
Not Your Typical 18th Century Gentleman |
The Woodlands Trust for Historic Preservation |
Exhibitions & Public Interpretation
|
|
2018 |
Old City Arts History Project |
Philadelphia Dance Projects |
Exhibitions & Public Interpretation
|
|
2015 |
Organize Your Own: The Politics and Poetics of Self-Determination Movements |
Daniel Tucker |
Exhibitions & Public Interpretation
|
|
2014 |
Pati Hill: Photocopier |
Arcadia Exhibitions |
Exhibitions & Public Interpretation
|
|
2012 |
Paul Evans: Crossing Boundaries and Crafting Modernism |
James A. Michener Art Museum |
Exhibitions & Public Interpretation
|
|
2016 |
Person of the Crowd: The Contemporary Art of Flânerie |
The Barnes Foundation |
Exhibitions & Public Interpretation
|
|
2008 |
Peter Saul: A Retrospective |
Pennsylvania Academy of the Fine Arts |
Exhibitions & Public Interpretation
|
|
2013 |
Philly ReACTS |
First Person Arts |
Exhibitions & Public Interpretation
|
|
2009 |
Plausible Artworlds |
Basekamp |
Exhibitions & Public Interpretation
|
|
2014 |
Playgrounds for Useful Knowledge |
Mural Arts Philadelphia |
Exhibitions & Public Interpretation
|
|
2017 |
Playing and Preserving |
Partners for Sacred Places |
Exhibitions & Public Interpretation
|
|
2012 |
Playing with the Past: A Digital History Toolkit |
Drexel University College of Medicine Legacy Center Archives |
Exhibitions & Public Interpretation
|
|
2019 |
Plus Ultra: Awakening the Mercer Museum Core |
Bucks County Historical Society |
Exhibitions & Public Interpretation
|
|
2019 |
Pool: A Social History of Segregation |
Fund for the Water Works |
Exhibitions & Public Interpretation
|
|
2010 |
Pop Cinema: Art and Film in the UK and US, 1950s – 1970s |
Lightbox Film Center at International House Philadelphia |
Exhibitions & Public Interpretation
|
|
2015 |
Pop Up Garden: An Exploration of the Philadelphia Rail Park |
Pennsylvania Horticultural Society |
Exhibitions & Public Interpretation
|
|
2014 |
Prisons Today: Questions in the Age of Mass Incarceration |
Eastern State Penitentiary |
Exhibitions & Public Interpretation
|
|
2017 |
Publishing As Practice |
Kayla Romberger |
Exhibitions & Public Interpretation
|
|
2010 |
Quadruple-Consciousness |
Vox Populi |
Exhibitions & Public Interpretation
|
|
2015 |
RAIR: Live at the Dump |
RAIR |
Exhibitions & Public Interpretation
|
|
2018 |
Reconstruction and the Fourteenth Amendment Project |
National Constitution Center |
Exhibitions & Public Interpretation
|
|
2018 |
Redrawing History: Indigenous Perspectives on Colonial America |
Library Company of Philadelphia |
Exhibitions & Public Interpretation
|
|
2014 |
reFORM |
Temple Contemporary |
Exhibitions & Public Interpretation
|
|
2019 |
Remembrance |
William Way LGBT Community Center |
Exhibitions & Public Interpretation
|
|
2016 |
Revisiting a Better Philadelphia: 1947-2017 |
Preservation Alliance for Greater Philadelphia |
Exhibitions & Public Interpretation
|
|
2018 |
Revolution Remix: A South Asian American Sound Tour of Historic Philadelphia |
South Asian American Digital Archive |
Exhibitions & Public Interpretation
|
|
2016 |
Rowhouse Workshop |
Brian Phillips |
Exhibitions & Public Interpretation
|
|
2011 |
Self-Organized Spaces on Their Own Terms |
Vox Populi |
Exhibitions & Public Interpretation
|
|
2009 |
Sheila Hicks: 50 Years |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2019 |
Shofuso and Modernism: Mid-Century Collaboration between Japan and Philadelphia |
Japan America Society of Greater Philadelphia |
Exhibitions & Public Interpretation
|
|
2011 |
Social Practice Lab Series |
Asian Arts Initiative |
Exhibitions & Public Interpretation
|
|
2012 |
Song Dong and Yin Xiuzhen: The Way of Chopsticks |
Philadelphia Art Alliance |
Exhibitions & Public Interpretation
|
|
2017 |
Sound Machines: Kagel's Zwei Mann Orchester |
Bowerbird |
Exhibitions & Public Interpretation
|
|
2014 |
South Asian Art: Experimentation, Interpretation, and Evaluation |
Philadelphia Museum of Art |
Exhibitions & Public Interpretation
|
|
2015 |
SPACES: International Artist Residency Initiative at The Village of Arts and Humanities |
The Village of Arts and Humanities |
Exhibitions & Public Interpretation
|
|
2013 |
Specimen Stories: Experiments in Historical Interpretation |
Wagner Free Institute of Science |
Exhibitions & Public Interpretation
|
|
2018 |
Spit Spreads Death: The Influenza Pandemic of 1918–19 in Philadelphia |
The College of Physicians/Mütter Museum |
Exhibitions & Public Interpretation
|
|
2019 |
Staying Power |
The Village of Arts and Humanities |
Exhibitions & Public Interpretation
|
|
2011 |
Stefan Sagmeister: The Happy Show |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2014 |
Strange Currencies |
The Galleries at Moore College of Art & Design |
Exhibitions & Public Interpretation
|
|
2012 |
Structure and Surface |
Mural Arts Philadelphia |
Exhibitions & Public Interpretation
|
|
2010 |
Tacita Dean: JG |
Arcadia Exhibitions |
Exhibitions & Public Interpretation
|
|
2019 |
The Contest of the Fruits |
Hurford Center for the Arts and Humanities |
Exhibitions & Public Interpretation
|
|
2009 |
The Graphic Unconscious |
Philagrafika |
Exhibitions & Public Interpretation
|
|
2014 |
The Great Migration: A City Transformed (1916-1930) |
Scribe Video Center |
Exhibitions & Public Interpretation
|
|
2011 |
The Greenhouse Projects |
American Philosophical Society Museum |
Exhibitions & Public Interpretation
|
|
2016 |
The History Truck W.I.C. Work/Shop |
Erin Bernard |
Exhibitions & Public Interpretation
|
|
2019 |
The Ongoing Revolution |
Temple Contemporary |
Exhibitions & Public Interpretation
|
|
2017 |
The Poison Cookie Jar |
John Jarboe |
Exhibitions & Public Interpretation
|
|
2015 |
The Pursuit: 50 Years In The Fight for LGBT Rights |
Independence Visitor Center Corporation |
Exhibitions & Public Interpretation
|
|
2015 |
The Rivers Restoration Project: A Freshwater Mussel Hatchery |
Fund for the Water Works |
Exhibitions & Public Interpretation
|
|
2019 |
The Tenants of Lenapehocking in the Age of Magnets |
Scribe Video Center |
Exhibitions & Public Interpretation
|
|
2013 |
The Welling Project |
Brandywine Conservancy and Brandywine River Museum |
Exhibitions & Public Interpretation
|
|
2017 |
The Women's Mobile Museum with Zanele Muholi |
Philadelphia Photo Arts Center |
Exhibitions & Public Interpretation
|
|
2019 |
This is Not a Rug / A Sun Bonnet Woman |
Arcadia Exhibitions |
Exhibitions & Public Interpretation
|
|
2006 |
Tom Chimes: Adventures in 'Pataphysics |
Philadelphia Museum of Art |
Exhibitions & Public Interpretation
|
|
2012 |
Urban Equilibrium—Planning for New Environmental Art |
Schuylkill Center for Environmental Education |
Exhibitions & Public Interpretation
|
|
2019 |
Voices from Broad Street Ministry: A Film Storytelling Project |
Broad Street Ministry |
Exhibitions & Public Interpretation
|
|
2011 |
War Stories: Hard Earned. Unforgettably Told. |
The Rosenbach of the Free Library of Philadelphia |
Exhibitions & Public Interpretation
|
|
2010 |
Wharton Esherick and the Birth of the American Modern |
University of Pennsylvania Libraries |
Exhibitions & Public Interpretation
|
|
2016 |
Where We Belong: Artists in the Archive |
South Asian American Digital Archive |
Exhibitions & Public Interpretation
|
|
2017 |
Yael Bartana: And Europe Will be Stunned |
Philadelphia Museum of Art |
Exhibitions & Public Interpretation
|
|
2013 |
Yinka Shonibare: Magic Ladders |
The Barnes Foundation |
Exhibitions & Public Interpretation
|
|
2011 |
Zoe Strauss: Ten Years |
Philadelphia Museum of Art |
Exhibitions & Public Interpretation
|
|
2009 |
Adaptive Re-Use of Upsala |
Cliveden of the National Trust |
Exhibitions & Public Interpretation
|
|
2014 |
Ann Hamilton: habitus |
The Fabric Workshop and Museum |
Exhibitions & Public Interpretation
|
|
2009 |
Bill Morrison and Vijay Iyer: Release |
Eastern State Penitentiary |
Exhibitions & Public Interpretation
|
|
2013 |
Business Planning Project |
Wyck Association |
Exhibitions & Public Interpretation
|
|
2011 |
Centennial Building Preservation |
Shofuso, Friends of the Japanese House and Garden |
Exhibitions & Public Interpretation
|
|
2009 |
Collaborative Capacity Building for African-American Historic Sites |
Preservation Alliance for Greater Philadelphia |
Exhibitions & Public Interpretation
|
|
2009 |
Community Documentation Workshop |
Philadelphia Folklore Project |
Exhibitions & Public Interpretation
|
|
2010 |
Community-Based Preservation Planning |
Bartram's Garden |
Exhibitions & Public Interpretation
|
|
2010 |
Constituent-Based Preservation Planning |
Historical Society of Pennsylvania |
Exhibitions & Public Interpretation
|
|
2010 |
Developing Digital Programming on the History of Women in Medicine |
Drexel University College of Medicine Legacy Center Archives |
Exhibitions & Public Interpretation
|
|
2013 |
Developing the Chorus for Change |
Philadelphia Folklore Project |
Exhibitions & Public Interpretation
|
|
2017 |
Discovery Grant: Planning for Making Place Matter |
The Clay Studio |
Exhibitions & Public Interpretation
|
|
2012 |
Exploration of Public Performance for Dialogue Around Disability Issues |
Institute on Disabilities at Temple University |
Exhibitions & Public Interpretation
|
|
2013 |
Fundraising Strategies for Environmental Art |
Schuylkill Center for Environmental Education |
Exhibitions & Public Interpretation
|
|
2010 |
Interpretation of the Chew Family's History |
Cliveden of the National Trust |
Exhibitions & Public Interpretation
|
|
2011 |
Lighting and Electrical System Improvement |
Wagner Free Institute of Science |
Exhibitions & Public Interpretation
|
|
2006 |
Masonry Preservation |
|
Exhibitions & Public Interpretation
|
|
2008 |
Megawords Storefront |
Megawords |
Exhibitions & Public Interpretation
|
|
2011 |
Mobile Publication Studio |
Megawords |
Exhibitions & Public Interpretation
|
|
2009 |
Multidisciplinary Interpretive Plan |
Wyck Association |
Exhibitions & Public Interpretation
|
|
2008 |
National Council on Education in the Ceramic Arts Program Planning |
The Clay Studio |
Exhibitions & Public Interpretation
|
|
2010 |
Paul Evans Retrospective Planning |
James A. Michener Art Museum |
Exhibitions & Public Interpretation
|
|
2008 |
Paul Robeson House Restoration |
West Philadelphia Cultural Alliance |
Exhibitions & Public Interpretation
|
|
2006 |
Pearl S. Buck House Restoration Work |
Pearl S. Buck International |
Exhibitions & Public Interpretation
|
|
2006 |
Planning for 2008 Chinatown In/flux: Future Landscape |
Asian Arts Initiative |
Exhibitions & Public Interpretation
|
|
2010 |
Planning for Fighting for Democracy |
National Constitution Center |
Exhibitions & Public Interpretation
|
|
2010 |
Planning for Jason Rhoades, Four Roads |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2008 |
Planning for Museum Without Walls: AUDIO |
Association for Public Art |
Exhibitions & Public Interpretation
|
|
2010 |
Planning for Muslim Voices of Philadelphia |
Scribe Video Center |
Exhibitions & Public Interpretation
|
|
2013 |
Planning for Strange Currencies |
The Galleries at Moore College of Art & Design |
Exhibitions & Public Interpretation
|
|
2006 |
Planning for The Puppet Show |
Institute of Contemporary Art |
Exhibitions & Public Interpretation
|
|
2008 |
Planning for Pat O'Neill Exhibition |
Screening (Nadia Hironaka and Matt Suib) |
Exhibitions & Public Interpretation
|
|
2008 |
Planning for Tacita Dean: JG |
Arcadia Exhibitions |
Exhibitions & Public Interpretation
|
|
2010 |
Preservation of a National Historic Landmark Synagogue |
Beth Sholom Synagogue Preservation Foundation |
Exhibitions & Public Interpretation
|
|
2010 |
Preservation of the Catholic Chaplain's Office and Its Murals |
Eastern State Penitentiary |
Exhibitions & Public Interpretation
|
|
2008 |
Preservation Plan and Historic Resources Survey |
Preservation Alliance for Greater Philadelphia |
Exhibitions & Public Interpretation
|
|
2008 |
Preservation Planning for a Community-Based Art Center |
Fleisher Art Memorial |
Exhibitions & Public Interpretation
|
|
2013 |
Preservation Work to Address Water Infiltration |
Johnson House Historic Site |
Exhibitions & Public Interpretation
|
|
2008 |
Preserving the Pearl S. Buck House |
Pearl S. Buck International |
Exhibitions & Public Interpretation
|
|
2012 |
Programming at the John Coltrane House |
Preservation Alliance for Greater Philadelphia |
Exhibitions & Public Interpretation
|
|
2010 |
Prototyping the First Person Museum |
First Person Arts |
Exhibitions & Public Interpretation
|
|
2013 |
Restoration of Historic Pedestrian Entrance |
Friends of Laurel Hill Cemetery |
Exhibitions & Public Interpretation
|
|
2013 |
Science and Race: History, Use, and Abuse |
Penn Museum, University of Pennsylvania |
Exhibitions & Public Interpretation
|
|
2013 |
The Contemporary Caucus |
Philadelphia Museum of Art |
Exhibitions & Public Interpretation
|
|
2010 |
The Quay Brothers' Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum) |
The College of Physicians/Mütter Museum |
Exhibitions & Public Interpretation
|
|
2018 |
Whitman at 200: Art and Democracy |
University of Pennsylvania Libraries |
Exhibitions & Public Interpretation
|
