|
2016 |
(Dis)placed: Expressions of Identity in Transition
|
Al-Bustan Seeds of Culture |
Exhibitions & Public Intepretation
|
|
2017 |
(ex)CHANGE: History Place Presence
|
Asian Arts Initiative |
Exhibitions & Public Intepretation
|
|
2008 |
21st Century Abe
|
The Rosenbach of the Free Library of Philadelphia |
Exhibitions & Public Intepretation
|
|
2014 |
A Fierce Kind of Love: Connecting Communities through Story and Dialogue
|
Institute on Disabilities at Temple University |
Exhibitions & Public Intepretation
|
|
2017 |
AAMP Residency for Art and Social Change
|
African American Museum in Philadelphia |
Exhibitions & Public Intepretation
|
|
2009 |
Ai Weiwei: Dropping the Urn
|
Arcadia University |
Exhibitions & Public Intepretation
|
|
2013 |
Alien She
|
Vox Populi |
Exhibitions & Public Intepretation
|
|
2017 |
America to Zanzibar: Muslim Cultures Near and Far
|
Please Touch Museum |
Exhibitions & Public Intepretation
|
|
2014 |
An Artist Embedded in History
|
Historical Society of Pennsylvania |
Exhibitions & Public Intepretation
|
|
2015 |
An Exploration of Interpretive Approaches to the Arch Street Meeting House
|
Arch Street Meeting House Preservation Trust |
Exhibitions & Public Intepretation
|
|
2009 |
Arshile Gorky: A Retrospective
|
Philadelphia Museum of Art |
Exhibitions & Public Intepretation
|
|
2018 |
Art in Process
|
The Fabric Workshop and Museum |
Exhibitions & Public Intepretation
|
|
2011 |
Artist Residency with Sarah Sze
|
The Fabric Workshop and Museum |
Exhibitions & Public Intepretation
|
|
2017 |
Audience Embedded
|
Historical Society of Pennsylvania |
Exhibitions & Public Intepretation
|
|
2014 |
Awakening the Senses: New Interpretive Approaches at the Morris Arboretum
|
Morris Arboretum of the University of Pennsylvania |
Exhibitions & Public Intepretation
|
|
2013 |
Barbara Kasten
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2014 |
Barbara Kasten: Stages
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2009 |
Barkley L. Hendricks: Birth of the Cool
|
Pennsylvania Academy of the Fine Arts |
Exhibitions & Public Intepretation
|
|
2018 |
Black Lives Have Always Mattered: Hidden African American Philadelphia of the Twentieth Century
|
Charles L. Blockson Afro-American Collection, Temple University |
Exhibitions & Public Intepretation
|
|
2016 |
Breath Beneath
|
PRISM Quartet |
Exhibitions & Public Intepretation
|
|
2016 |
Bring Your Own Project
|
Fleisher Art Memorial |
Exhibitions & Public Intepretation
|
|
2017 |
Building Empathy Through the Arts
|
Thomas Jefferson University |
Exhibitions & Public Intepretation
|
|
2018 |
Building Knowledge and Breaking Barriers: Archives-Based Learning
|
Presbyterian Historical Society |
Exhibitions & Public Intepretation
|
|
2015 |
Cai Guo-Qiang: Fireflies
|
Association for Public Art |
Exhibitions & Public Intepretation
|
|
2015 |
Charles Sheeler: Fashion, Photography, and Sculptural Form
|
James A. Michener Art Museum |
Exhibitions & Public Intepretation
|
|
2014 |
Chester Cultural Corridor Initiative
|
Pennsylvania Humanities Council |
Exhibitions & Public Intepretation
|
|
2016 |
Chester Made Cultural Exploration Zone
|
Pennsylvania Humanities Council |
Exhibitions & Public Intepretation
|
|
2018 |
Chronicling Resistance, Enabling Resistance
|
Philadelphia Area Consortium of Special Collections Libraries |
Exhibitions & Public Intepretation
|
|
2015 |
Civic Practice
|
Office of Arts, Culture and the Creative Economy/The Mayor's Fund for Philadelphia |
Exhibitions & Public Intepretation
|
|
2015 |
Cliveden's Living Kitchens
|
Cliveden of the National Trust |
Exhibitions & Public Intepretation
|
|
2018 |
Colored People Time: Mundane Futures, Quotidian Pasts, and Banal Presents
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2014 |
Common Touch: The Art of the Senses in the History of the Blind
|
Library Company of Philadelphia |
Exhibitions & Public Intepretation
|
|
2016 |
Commonspace
|
WHYY |
Exhibitions & Public Intepretation
|
|
2012 |
Conflicts in Chemistry: The Case of Plastics
|
Chemical Heritage Foundation |
Exhibitions & Public Intepretation
|
|
2013 |
Consumption: A Project on Pearl Street conceived by Rick Lowe
|
Asian Arts Initiative |
Exhibitions & Public Intepretation
|
|
2016 |
Creating Empathy for Animals in Diverse Audiences
|
Philadelphia Zoo |
Exhibitions & Public Intepretation
|
|
2012 |
Dancing around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp
|
Philadelphia Museum of Art |
Exhibitions & Public Intepretation
|
|
2018 |
David Hartt Commission
|
Beth Sholom Synagogue Preservation Foundation |
Exhibitions & Public Intepretation
|
|
2009 |
Dead Flowers
|
Vox Populi |
Exhibitions & Public Intepretation
|
|
2012 |
Demetrius Oliver: Canicular
|
The Print Center |
Exhibitions & Public Intepretation
|
|
2018 |
Design With Nature Now
|
PennDesign, University of Pennsylvania |
Exhibitions & Public Intepretation
|
|
2008 |
Digging Deeper
|
The Village of Arts and Humanities |
Exhibitions & Public Intepretation
|
|
2017 |
Digging Deeper: Field Studies Made Possible by the Waste Stream
|
RAIR |
Exhibitions & Public Intepretation
|
|
2008 |
Dirt on Delight: Impulses That Form Clay
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2017 |
Discovering the Selinsgrove Center
|
Institute on Disabilities at Temple University |
Exhibitions & Public Intepretation
|
|
2016 |
Discovery Grant: The Influenza Pandemic of 1918-1919 in Philadelphia
|
The College of Physicians/Mütter Museum |
Exhibitions & Public Intepretation
|
|
2018 |
Documenting & Interpreting the Philly Jazz Legacy
|
Jazz Bridge |
Exhibitions & Public Intepretation
|
|
2011 |
Doing Time/Depth of Surface
|
Philagrafika |
Exhibitions & Public Intepretation
|
|
2018 |
Dream Dance: The Art of Ed Emshwiller
|
Lightbox Film Center at International House Philadelphia |
Exhibitions & Public Intepretation
|
|
2015 |
Elephants on the Avenue: Race, Class and Community in Historic Germantown
|
Historic Germantown |
Exhibitions & Public Intepretation
|
|
2011 |
Emancipating Cliveden
|
Cliveden of the National Trust |
Exhibitions & Public Intepretation
|
|
2017 |
Engaging Contemporary Artists at Independence Seaport Museum
|
Independence Seaport Museum |
Exhibitions & Public Intepretation
|
|
2017 |
Enhancing Views of History: Terracotta Warriors and Augmented Reality
|
The Franklin Institute |
Exhibitions & Public Intepretation
|
|
2017 |
Farm for the City: Growing for Greater Good
|
Pennsylvania Horticultural Society |
Exhibitions & Public Intepretation
|
|
2011 |
Five Acts: Chronicles of Dissent
|
David Dempewolf / Yuka Yokoyama (a.k.a. Marginal Utility) |
Exhibitions & Public Intepretation
|
|
2014 |
Framing Fraktur
|
Free Library of Philadelphia Foundation |
Exhibitions & Public Intepretation
|
|
2015 |
Frankenstein & Dracula: Gothic Monsters, Modern Science
|
The Rosenbach of the Free Library of Philadelphia |
Exhibitions & Public Intepretation
|
|
2013 |
Free to Love: The Cinema of the Sexual Revolution
|
Lightbox Film Center at International House Philadelphia |
Exhibitions & Public Intepretation
|
|
2017 |
Friends, Peace, and Sanctuary
|
Swarthmore College |
Exhibitions & Public Intepretation
|
|
2013 |
Funeral for a Home
|
Temple Contemporary |
Exhibitions & Public Intepretation
|
|
2009 |
Germantown Works
|
Historic Germantown |
Exhibitions & Public Intepretation
|
|
2013 |
Gray Area 3—Negotiating Between Contemporary Design and Historic Preservation
|
University of the Arts |
Exhibitions & Public Intepretation
|
|
2012 |
Han Bennink and Peter Brötzmann: Drawings, Paintings & Objects
|
Ars Nova Workshop |
Exhibitions & Public Intepretation
|
|
2015 |
Hank Willis Thomas: Philly Block Project
|
Philadelphia Photo Arts Center |
Exhibitions & Public Intepretation
|
|
2017 |
Hidden Lives, Illuminated
|
Eastern State Penitentiary |
Exhibitions & Public Intepretation
|
|
2014 |
History and Reconstruction
|
Phillip Seitz |
Exhibitions & Public Intepretation
|
|
2014 |
Home – A Community-engaged Exhibition Planning Model
|
Asian Arts Initiative |
Exhibitions & Public Intepretation
|
|
2016 |
I is for Institute
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2011 |
Imagine Africa @ Penn Museum
|
Penn Museum, University of Pennsylvania |
Exhibitions & Public Intepretation
|
|
2018 |
Inequality in Bronze: Monumental Plantation Legacies
|
Stenton |
Exhibitions & Public Intepretation
|
|
2014 |
Invisible City: Philadelphia and the Vernacular Avant-garde
|
University of the Arts |
Exhibitions & Public Intepretation
|
|
2017 |
Invisible City: Philadelphia and the Vernacular Avant-garde
|
University of the Arts |
Exhibitions & Public Intepretation
|
|
2008 |
James Castle: A Retrospective
|
Philadelphia Museum of Art |
Exhibitions & Public Intepretation
|
|
2012 |
Jason Rhoades, Four Roads
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2010 |
John Cage: How to Get Started
|
Slought Foundation |
Exhibitions & Public Intepretation
|
|
2009 |
Journeys South
|
Mural Arts Philadelphia |
Exhibitions & Public Intepretation
|
|
2013 |
Katharina Grosse: psychylustro
|
Mural Arts Philadelphia |
Exhibitions & Public Intepretation
|
|
2018 |
Killjoy’s Kastle
|
Timothy Belknap |
Exhibitions & Public Intepretation
|
|
2008 |
Lace in Translation
|
The Design Center at Philadelphia University |
Exhibitions & Public Intepretation
|
|
2010 |
Let Me Tell You About a Dream I Had: The Miss Rockaway Armada
|
Philadelphia Art Alliance |
Exhibitions & Public Intepretation
|
|
2009 |
Let Me Tell You About a Dream I Had: The Miss Rockaway Armada Discovery Grant
|
Philadelphia Art Alliance |
Exhibitions & Public Intepretation
|
|
2014 |
Liberian Women's Chorus for Change
|
Philadelphia Folklore Project |
Exhibitions & Public Intepretation
|
|
2008 |
Love Letter by Steve Powers
|
Mural Arts Philadelphia |
Exhibitions & Public Intepretation
|
|
2017 |
Making Place Matter
|
The Clay Studio |
Exhibitions & Public Intepretation
|
|
2016 |
Making/Breaking the Binary: Women, Art, & Technology 1968-1985
|
Kelsey Halliday Johnson |
Exhibitions & Public Intepretation
|
|
2010 |
Michelangelo Pistoletto: From One to Many, 1956–1974
|
Philadelphia Museum of Art |
Exhibitions & Public Intepretation
|
|
2018 |
Milford Graves: A Mind-Body Deal
|
Ars Nova Workshop |
Exhibitions & Public Intepretation
|
|
2011 |
Mixplace Studio
|
Slought Foundation |
Exhibitions & Public Intepretation
|
|
2017 |
Modupúe | Ibaye: The Philadelphia Yoruba Performance Project
|
Intercultural Journeys |
Exhibitions & Public Intepretation
|
|
2016 |
Monument Lab: A Citywide Public Art and History Exhibition
|
Mural Arts Philadelphia |
Exhibitions & Public Intepretation
|
|
2014 |
Monument Lab: Creative Speculations for Philadelphia
|
Penn Institute for Urban Research |
Exhibitions & Public Intepretation
|
|
2017 |
Moundverse Infants
|
Temple Contemporary |
Exhibitions & Public Intepretation
|
|
2009 |
Museum Without Walls: AUDIO
|
Association for Public Art |
Exhibitions & Public Intepretation
|
|
2012 |
Muslim Voices of Philadelphia
|
Scribe Video Center |
Exhibitions & Public Intepretation
|
|
2008 |
My North/South/West Philly
|
Mural Arts Philadelphia |
Exhibitions & Public Intepretation
|
|
2015 |
Not Your Typical 18th Century Gentleman
|
The Woodlands Trust for Historic Preservation |
Exhibitions & Public Intepretation
|
|
2018 |
Old City Arts History Project
|
Philadelphia Dance Projects |
Exhibitions & Public Intepretation
|
|
2015 |
Organize Your Own: The Politics and Poetics of Self-Determination Movements
|
Daniel Tucker |
Exhibitions & Public Intepretation
|
|
2014 |
Pati Hill: Photocopier
|
Arcadia University |
Exhibitions & Public Intepretation
|
|
2012 |
Paul Evans: Crossing Boundaries and Crafting Modernism
|
James A. Michener Art Museum |
Exhibitions & Public Intepretation
|
|
2016 |
Person of the Crowd: The Contemporary Art of Flânerie
|
The Barnes Foundation |
Exhibitions & Public Intepretation
|
|
2008 |
Peter Saul: A Retrospective
|
Pennsylvania Academy of the Fine Arts |
Exhibitions & Public Intepretation
|
|
2013 |
Philly ReACTS
|
First Person Arts |
Exhibitions & Public Intepretation
|
|
2009 |
Plausible Artworlds
|
Basekamp |
Exhibitions & Public Intepretation
|
|
2014 |
Playgrounds for Useful Knowledge
|
Mural Arts Philadelphia |
Exhibitions & Public Intepretation
|
|
2017 |
Playing and Preserving
|
Partners for Sacred Places |
Exhibitions & Public Intepretation
|
|
2012 |
Playing with the Past: A Digital History Toolkit
|
Drexel University College of Medicine Legacy Center Archives |
Exhibitions & Public Intepretation
|
|
2010 |
Pop Cinema: Art and Film in the UK and US, 1950s – 1970s
|
Lightbox Film Center at International House Philadelphia |
Exhibitions & Public Intepretation
|
|
2015 |
Pop Up Garden: An Exploration of the Philadelphia Rail Park
|
Pennsylvania Horticultural Society |
Exhibitions & Public Intepretation
|
|
2014 |
Prisons Today: Questions in the Age of Mass Incarceration
|
Eastern State Penitentiary |
Exhibitions & Public Intepretation
|
|
2017 |
Publishing As Practice
|
Kayla Romberger |
Exhibitions & Public Intepretation
|
|
2010 |
Quadruple-Consciousness
|
Vox Populi |
Exhibitions & Public Intepretation
|
|
2015 |
RAIR: Live at the Dump
|
RAIR |
Exhibitions & Public Intepretation
|
|
2018 |
Reconstruction and the Fourteenth Amendment Project
|
National Constitution Center |
Exhibitions & Public Intepretation
|
|
2018 |
Redrawing History: Indigenous Perspectives on Colonial America
|
Library Company of Philadelphia |
Exhibitions & Public Intepretation
|
|
2014 |
reFORM
|
Temple Contemporary |
Exhibitions & Public Intepretation
|
|
2016 |
Revisiting a Better Philadelphia: 1947-2017
|
Preservation Alliance for Greater Philadelphia |
Exhibitions & Public Intepretation
|
|
2018 |
Revolution Remix: A South Asian American Sound Tour of Historic Philadelphia
|
South Asian American Digital Archive |
Exhibitions & Public Intepretation
|
|
2016 |
Rowhouse Workshop
|
Brian Phillips |
Exhibitions & Public Intepretation
|
|
2011 |
Self-Organized Spaces on Their Own Terms
|
Vox Populi |
Exhibitions & Public Intepretation
|
|
2009 |
Sheila Hicks: 50 Years
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2011 |
Social Practice Lab Series
|
Asian Arts Initiative |
Exhibitions & Public Intepretation
|
|
2012 |
Song Dong and Yin Xiuzhen: The Way of Chopsticks
|
Philadelphia Art Alliance |
Exhibitions & Public Intepretation
|
|
2017 |
Sound Machines: Kagel's Zwei Mann Orchester
|
Bowerbird |
Exhibitions & Public Intepretation
|
|
2014 |
South Asian Art: Experimentation, Interpretation, and Evaluation
|
Philadelphia Museum of Art |
Exhibitions & Public Intepretation
|
|
2015 |
SPACES: International Artist Residency Initiative at The Village of Arts and Humanities
|
The Village of Arts and Humanities |
Exhibitions & Public Intepretation
|
|
2013 |
Specimen Stories: Experiments in Historical Interpretation
|
Wagner Free Institute of Science |
Exhibitions & Public Intepretation
|
|
2018 |
Spit Spreads Death: The Influenza Pandemic of 1918–19 in Philadelphia
|
The College of Physicians/Mütter Museum |
Exhibitions & Public Intepretation
|
|
2011 |
Stefan Sagmeister: The Happy Show
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2014 |
Strange Currencies
|
The Galleries at Moore College of Art & Design |
Exhibitions & Public Intepretation
|
|
2012 |
Structure and Surface
|
Mural Arts Philadelphia |
Exhibitions & Public Intepretation
|
|
2010 |
Tacita Dean: JG
|
Arcadia University |
Exhibitions & Public Intepretation
|
|
2009 |
The Graphic Unconscious
|
Philagrafika |
Exhibitions & Public Intepretation
|
|
2014 |
The Great Migration: A City Transformed (1916-1930)
|
Scribe Video Center |
Exhibitions & Public Intepretation
|
|
2011 |
The Greenhouse Projects
|
American Philosophical Society Museum |
Exhibitions & Public Intepretation
|
|
2016 |
The History Truck W.I.C. Work/Shop
|
Erin Bernard |
Exhibitions & Public Intepretation
|
|
2017 |
The Poison Cookie Jar
|
John Jarboe |
Exhibitions & Public Intepretation
|
|
2015 |
The Pursuit: 50 Years In The Fight for LGBT Rights
|
Independence Visitor Center Corporation |
Exhibitions & Public Intepretation
|
|
2015 |
The Rivers Restoration Project: A Freshwater Mussel Hatchery
|
Fund for the Water Works |
Exhibitions & Public Intepretation
|
|
2013 |
The Welling Project
|
Brandywine Conservancy and Brandywine River Museum |
Exhibitions & Public Intepretation
|
|
2017 |
The Women's Mobile Museum with Zanele Muholi
|
Philadelphia Photo Arts Center |
Exhibitions & Public Intepretation
|
|
2006 |
Tom Chimes: Adventures in 'Pataphysics
|
Philadelphia Museum of Art |
Exhibitions & Public Intepretation
|
|
2012 |
Urban Equilibrium—Planning for New Environmental Art
|
Schuylkill Center for Environmental Education |
Exhibitions & Public Intepretation
|
|
2011 |
War Stories: Hard Earned. Unforgettably Told.
|
The Rosenbach of the Free Library of Philadelphia |
Exhibitions & Public Intepretation
|
|
2010 |
Wharton Esherick and the Birth of the American Modern
|
University of Pennsylvania Libraries |
Exhibitions & Public Intepretation
|
|
2016 |
Where We Belong: Artists in the Archive
|
South Asian American Digital Archive |
Exhibitions & Public Intepretation
|
|
2017 |
Yael Bartana: And Europe Will be Stunned
|
Philadelphia Museum of Art |
Exhibitions & Public Intepretation
|
|
2013 |
Yinka Shonibare: Magic Ladders
|
The Barnes Foundation |
Exhibitions & Public Intepretation
|
|
2011 |
Zoe Strauss: Ten Years
|
Philadelphia Museum of Art |
Exhibitions & Public Intepretation
|
|
2009 |
Adaptive Re-Use of Upsala
|
Cliveden of the National Trust |
Exhibitions & Public Intepretation
|
|
2014 |
Ann Hamilton: habitus
|
The Fabric Workshop and Museum |
Exhibitions & Public Intepretation
|
|
2009 |
Bill Morrison and Vijay Iyer: Release
|
Eastern State Penitentiary |
Exhibitions & Public Intepretation
|
|
2013 |
Business Planning Project
|
Wyck Association |
Exhibitions & Public Intepretation
|
|
2011 |
Centennial Building Preservation
|
Shofuso, Friends of the Japanese House and Garden |
Exhibitions & Public Intepretation
|
|
2009 |
Collaborative Capacity Building for African-American Historic Sites
|
Preservation Alliance for Greater Philadelphia |
Exhibitions & Public Intepretation
|
|
2009 |
Community Documentation Workshop
|
Philadelphia Folklore Project |
Exhibitions & Public Intepretation
|
|
2010 |
Community-Based Preservation Planning
|
Bartram's Garden |
Exhibitions & Public Intepretation
|
|
2010 |
Constituent-Based Preservation Planning
|
Historical Society of Pennsylvania |
Exhibitions & Public Intepretation
|
|
2010 |
Developing Digital Programming on the History of Women in Medicine
|
Drexel University College of Medicine Legacy Center Archives |
Exhibitions & Public Intepretation
|
|
2013 |
Developing the Chorus for Change
|
Philadelphia Folklore Project |
Exhibitions & Public Intepretation
|
|
2012 |
Exploration of Public Performance for Dialogue Around Disability Issues
|
Institute on Disabilities at Temple University |
Exhibitions & Public Intepretation
|
|
2013 |
Fundraising Strategies for Environmental Art
|
Schuylkill Center for Environmental Education |
Exhibitions & Public Intepretation
|
|
2010 |
Interpretation of the Chew Family's History
|
Cliveden of the National Trust |
Exhibitions & Public Intepretation
|
|
2011 |
Lighting and Electrical System Improvement
|
Wagner Free Institute of Science |
Exhibitions & Public Intepretation
|
|
2006 |
Masonry Preservation
|
|
Exhibitions & Public Intepretation
|
|
2008 |
Megawords Storefront
|
Megawords |
Exhibitions & Public Intepretation
|
|
2011 |
Mobile Publication Studio
|
Megawords |
Exhibitions & Public Intepretation
|
|
2009 |
Multidisciplinary Interpretive Plan
|
Wyck Association |
Exhibitions & Public Intepretation
|
|
2008 |
National Council on Education in the Ceramic Arts Program Planning
|
The Clay Studio |
Exhibitions & Public Intepretation
|
|
2010 |
Paul Evans Retrospective Planning
|
James A. Michener Art Museum |
Exhibitions & Public Intepretation
|
|
2008 |
Paul Robeson House Restoration
|
West Philadelphia Cultural Alliance |
Exhibitions & Public Intepretation
|
|
2006 |
Pearl S. Buck House Restoration Work
|
Pearl S. Buck International |
Exhibitions & Public Intepretation
|
|
2006 |
Planning for 2008 Chinatown In/flux: Future Landscape
|
Asian Arts Initiative |
Exhibitions & Public Intepretation
|
|
2010 |
Planning for Fighting for Democracy
|
National Constitution Center |
Exhibitions & Public Intepretation
|
|
2010 |
Planning for Jason Rhoades, Four Roads
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2008 |
Planning for Museum Without Walls: AUDIO
|
Association for Public Art |
Exhibitions & Public Intepretation
|
|
2010 |
Planning for Muslim Voices of Philadelphia
|
Scribe Video Center |
Exhibitions & Public Intepretation
|
|
2013 |
Planning for Strange Currencies
|
The Galleries at Moore College of Art & Design |
Exhibitions & Public Intepretation
|
|
2006 |
Planning for The Puppet Show
|
Institute of Contemporary Art |
Exhibitions & Public Intepretation
|
|
2008 |
Planning for Pat O'Neill Exhibition
|
Screening (Nadia Hironaka and Matt Suib) |
Exhibitions & Public Intepretation
|
|
2008 |
Planning for Tacita Dean: JG
|
Arcadia University |
Exhibitions & Public Intepretation
|
|
2010 |
Preservation of a National Historic Landmark Synagogue
|
Beth Sholom Synagogue Preservation Foundation |
Exhibitions & Public Intepretation
|
|
2010 |
Preservation of the Catholic Chaplain's Office and Its Murals
|
Eastern State Penitentiary |
Exhibitions & Public Intepretation
|
|
2008 |
Preservation Plan and Historic Resources Survey
|
Preservation Alliance for Greater Philadelphia |
Exhibitions & Public Intepretation
|
|
2008 |
Preservation Planning for a Community-Based Art Center
|
Fleisher Art Memorial |
Exhibitions & Public Intepretation
|
|
2013 |
Preservation Work to Address Water Infiltration
|
Johnson House Historic Site |
Exhibitions & Public Intepretation
|
|
2008 |
Preserving the Pearl S. Buck House
|
Pearl S. Buck International |
Exhibitions & Public Intepretation
|
|
2012 |
Programming at the John Coltrane House
|
Preservation Alliance for Greater Philadelphia |
Exhibitions & Public Intepretation
|
|
2010 |
Prototyping the First Person Museum
|
First Person Arts |
Exhibitions & Public Intepretation
|
|
2013 |
Restoration of Historic Pedestrian Entrance
|
Friends of Laurel Hill Cemetery |
Exhibitions & Public Intepretation
|
|
2013 |
Science and Race: History, Use, and Abuse
|
Penn Museum, University of Pennsylvania |
Exhibitions & Public Intepretation
|
|
2013 |
The Contemporary Caucus
|
Philadelphia Museum of Art |
Exhibitions & Public Intepretation
|
|
2010 |
The Quay Brothers' Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos & Afterbreezes in the Mütter Museum)
|
The College of Physicians/Mütter Museum |
Exhibitions & Public Intepretation
|
|
2018 |
Whitman at 200: Art and Democracy
|
University of Pennsylvania Libraries |
Exhibitions & Public Intepretation
|
