Questions of Practice: Choreographer Boris Charmatz on How “The Museum Is The Body” In Dance

What if an Art Collection Were Treated Like a Choreographic or Musical Score?

Questions of Practice: Visiting Scholar Kristy Edmunds on the Role of Audiences in Preserving Performance

Questions of Practice: Barnes Foundation’s Thom Collins on Unpacking the Museum’s Collection Through Performance

Questions of Practice: Dance Critic Claudia La Rocco on Dancing in Museums

Questions of Practice: Choreographer Stephen Petronio and Artist Janine Antoni on Performance in a Museum Setting

Questions of Practice: Choreographer Cynthia Oliver on Dancing in Museums

Questions of Practice: Choreographer Boris Charmatz on Creating a Museum of Dance

Contemplating the Museum as Score

Unsettling the Score: Experiments in Notation, Part I

Every Copy an Original: William Forsythe on Restaging His Ballets