"Body Against Body" post-show performance conversation

21 Feb 2013
22:00:00 - 23:00:00

Painted Bride Art Center

Thursday, February 21, 2013

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The Painted Bride Art Center presents a piece of living dance history as Bill T. Jones revives his avant-garde roots. The pieces in Body Against Body address themes of race and sexual orientation in small-scale duets. Both conceptually and physically rigorous, the dances take on new life through the diverse dancers of Jones’s company.

Join the conversation and share your thoughts after the performance with Janet Wong and Brenda Dixon Gottschild, Professor Emerita of Dance Studies, Temple University.

Painted Bride Art Center
230 Vine Street
Philadelphia

Free admission

Dance

Collaborators & Colleagues

Diane Ragsdale

Performing arts expert Diane Ragsdale, a frequent panelist and keynote speaker at arts conferences, is pursuing a PhD in cultural economics at Erasmus University in the Netherlands.

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Choreographer and director David Gordon will participate in three public rehearsals as he develops POLITICAL SHENANIGANS: dancing w/ Brecht & Eisler.

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Susan Rethorst: Inquiring Mind/Choreographic Mind

Bryn Mawr College's retrospective introduced local audiences to Rethorst's work and featured a series of public events, all of which provided unique windows into Rethorst's methodology.

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In conjunction with Threads of History: Resurrection of a Textile, dance artist Madhusmita Bora presents a classical Indian dance performance in collaboration with the Dancing Monks of Assam on their first US tour.

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News

On Stage This Fall: Immersive Works from Artist Tania El Khoury, Choreographer Boris Charmatz at the Barnes Foundation, International Contemporary Ensemble at Christ Church and More

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ear-whispered: works by Tania El Khoury

The immersive installation work of Lebanese artist Tania El Khoury is highlighted in a multi-part performance project that shares the narratives of Syrian citizens and refugees and addresses displacement, oppression, and justice.

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Questions of Practice

Pew Fellow of the Week: An Interview with Choreographer Nichole Canuso

Choreographer and performer Nichole Canuso on improvisation, audience participation, and what she describes as “the kinesthetic intellect.”

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Contemporary Flamenco, Cultural Legacy + Experimental Imperative with Michelle Heffner Hayes

Michelle Heffner Hayes will lead a discussion on the history of flamenco and its cultural significance in its contemporary form.

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open notebook: crazy beautiful

Dancer, choreographer, and 2011 Pew Fellow Tania Isaac presented a performance installation in June 2013, at which audiences were encouraged to share their thoughts through photos, writing, and self-recordings.

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Grants & Grantees

Revival

Composer Phil Kline and choreographer Wally Cardona presented a new site-specific work at the Metropolitan Opera House.

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Grants & Grantees

Carnival, a New Work by Mark Morris

Voloshky Ukrainian Dance Ensemble celebrated its 40th anniversary with the world premiere of Carnival, an original dance piece by contemporary choreographer Mark Morris.

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Yatran Choreography; Recovery and Restaging

Taras Lewyckyj, the artistic director of Voloshky Ukrainian Dance Ensemble, recovered, restaged, and documented lost works of acclaimed Ukrainian dance artist Anatoly Kryvochyzha.

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Collaborators & Colleagues

Sam Miller

Sam Miller is the former president of the Lower Manhattan Cultural Council, and currently serves on the Board of Amrita in Phnom Penh. He served as a Center dance panelist and LOI panelist in 2013, Pew Fellowships evaluator in 2014, and Pew Fellowships Panel Chair in 2015.

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"The Unseen Sequence – Exploring Bharatanatyam Through the Art of Malavika Sarukkai* offers a glimpse into the talent and journey of one of India's leading choreographers and dancers.

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GRANTS & GRANTEES

Kulu Mele African Dance and Drum Ensemble

Founded in 1969, Kulu Mele African Dance and Drum Ensemble seeks to preserve, present, and build upon the dance and music of Africa and the African Diaspora.

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Local Dance History Project

Philadelphia Dance Projects produced the Local Dance History Project, reuniting five prominent Philadelphia dancers to examine the development of contemporary dance in the city.

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action is primary

Centering on Foley's improvisational performance practice, action is primary will feature photographic, moving-image, sonic, and written documentation of up to 750 dances, which Foley performs on a daily basis at 3:15 p.m.

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A performance-as-exhibition that reimagines the traditional retrospective, conceived by MacArthur Fellow Janine Antoni in collaboration with choreographer Anna Halprin and dance artist Stephen Petronio during a residency at The Fabric Workshop and Museum.

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Russian folktales and South African music and puppetry united in a multidisciplinary interpretation of Igor Stravinsky's composition for the 1910 ballet The Firebird, featuring The Philadelphia Orchestra, Grammy Award-winning South African vocal ensemble Ladysmith Black Mambazo, and larger-than-life puppets by Janni Younge of South Africa's renowned Handspring Puppet Company.

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