2018 Year in Review: Top Image
2018 Year in Review: Question 1
2018 Year in Review: Question 2
2018 Year in Review: Question 3
2018 Year in Review: Question 4
2018 Year in Review: Question 5
2018 Year in Review: Intro
2018 Year in Review: Jump Link 1
2018 Year in Review: Topic 1 Headline
2018 Year in Review: Topic 1 (a)
Philadelphia audiences experienced 24 hours of a monumental performance featuring hundreds of popular songs from 1776 to the present, as artist Taylor Mac brought Pulitzer Prize-nominated A 24-Decade History of Popular Music to the Kimmel Center’s Philadelphia International Festival of the Arts. Mac incorporated local histories and more than 100 Philadelphia artists into this dazzling and immersive work about the complicated nature of American identity.
2018 Year in Review: Topic 1 (b)
In the heart of Philadelphia, on a municipal plaza, thousands of residents, visitors, and city workers connected around the vital role of urban agriculture in strengthening communities through Pennsylvania Horticultural Society’s Farm for the City. The working farm served as a hub for free talks, readings, and gardening workshops, and harvested more than 1,200 pounds of fresh produce, which was donated to Broad Street Ministry to provide over 8,000 meals to those in need.
2018 Year in Review: Topic 1 (c)
Composer and guitarist Nels Cline on creating "Lovers (for Philadelphia)." Filmed at Tired Hands Brewing Company on March 14, 2018.
Philadelphia’s rich musical heritage was the inspiration for Lovers (for Philadelphia), an exclusive, one-night-only concert created by composer and Wilco lead guitarist Nels Cline. Presented by Ars Nova Workshop, the evening featured a 17-piece ensemble performing new interpretations of material composed or performed by Philadelphia-based musical pioneers such as McCoy Tyner, Benny Golson, Paul Motian, Ethel Waters, and The Delfonics.
2018 Year in Review: Topic 1 (d)
2018 Year in Review: Topic 1 (e)
One of the nation’s most significant historic sites—Philadelphia’s Christ Church—became the venue for the world premiere of a specially commissioned composition as it inaugurated a custom-built pipe organ. Composed by Phyllis Chen and Nathan Davis, and performed by fellow members of the International Contemporary Ensemble and Parker Kitterman (the church’s director of music), In Plain Air sonically explored the nearly 300-year history of the site’s instruments, buildings, and grounds.
In Plain Air, world–premiere performances with International Contemporary Ensemble, September 22–23, 2018.
2018 Year in Review: Topic 1 (f)
Philadelphia’s historic sites and distinctive public spaces also inspire the work of Pew Fellows like choreographer and dancer Leah Stein, who has created dances in unexpected places such as Bartram's Garden, Fairmount Water Works, and Eastern State Penitentiary. “The space is the partner…the movement [is] generated from the experience of being in a place,” Stein told South Philly Review earlier this year.
2018 Year in Review: Jump Link 2
2018 Year in Review: Topic 2 Headline
2018 Year in Review: Topic 2 (a)
“I think about audiences as performing the work…They form a certain image that creates the piece and activates it,” Tania El Khoury told The Philadelphia Inquirer. The Lebanese artist’s immersive installations and performances illuminated the voices of refugees and highlighted issues of displacement and justice in the survey exhibition ear-whispered: works by Tania El Khoury—presented across several city and suburban locations by Bryn Mawr College.
2018 Year in Review: Topic 2 (b)
2018 Year in Review: Topic 2 (c)
South African photographer Zanele Muholi told us how her work uses “visuals as a means of articulation” to address issues of human rights. For her first major US-based project, the Women's Mobile Museum—developed during a residency with Philadelphia Photo Arts Center—Muholi reimagined the museum as a mobile exhibition space in a year-long collaboration with ten Philadelphia women and artist Lindeka Qampi. The culminating exhibition and inaugural issue of Women's Mobile Museum Magazine launch this January.
South African photographer Zanele Muholi describes how visuals are a “means of articulation” on issues of representation and human rights. Filmed on June 7, 2018.
2018 Year in Review: Topic 2 (d)
2018 Year in Review: Topic 2 (e)
2018 Pew Fellow and filmmaker Jonathan Olshefski documents intimate portraits of contemporary America, rooted in the long-term relationships he develops with his subjects. His award-winning debut feature film about a North Philadelphia family, QUEST, was lauded by The New York Times for its “quiet eloquence” and was broadcast on PBS this summer.
2018 Year in Review: Topic 2 (f)
“I’m interested in pre-enactments,” says filmmaker Yael Bartana, “something that did not happen. We are creating a possible future.” Bartana’s site-specific performance Bury Our Weapons, Not Our Bodies!—commissioned by the Philadelphia Museum of Art to accompany an exhibition of the Israeli artist’s celebrated film trilogy And Europe Will Be Stunned—formed a “living monument” to the end of violence in a public procession outside of the museum’s walls.
2018 Year in Review: Jump Link 3
2018 Year in Review: Topic 3 Headline
2018 Year in Review: Topic 3 (a)
How does the body serve as a repository for knowledge? Our newest publication, The Sentient Archive: Bodies, Performance, and Memory, gathers the work of leading artists and cultural scholars in performance, architecture, science, and the visual arts with essays that consider the nature of physicality.
2018 Year in Review: Topic 3 (b)
2018 Year in Review: Topic 3 (c)
Poet and performer Tracie Morris on “serving her muse.” Filmed on May 3, 2017.
2018 Year in Review: Topic 3 (d)
How do we approach common terms across artistic disciplines? Brooklyn Academy of Music transformed our web-based keywords anthology, In Terms of Performance, into an exhibition through interactive displays, text, and video, highlighting entries on curating, documentation, improvisation, and more from contributors such as curator Simon Dove, composer Lisa Bielawa, and writer and artist Malik Gaines.
2018 Year in Review: Topic 3 (e)
How is cultural practice evolving? As a hub for the exchange of ideas, we engage with colleagues to deepen conversations on issues critical to the field today. This year, we invited Dr. Suse Anderson to serve as our Visiting Technologist, leading an examination of forward-thinking technology work in cultural spaces, both physical and virtual. Concurrently, award-winning writer, director, and actor Ain Gordon is acting as the Center’s Visiting Artist, engaging in a creative exchange among the Center’s staff, constituents, and communities.
2018 Year in Review: Jump Link 4
2018 Year in Review: Topic 4 Headline
2018 Year in Review: Topic 4 (a)
WXPN’s Gospel Roots of Rock and Soul explored gospel’s central role within the history and evolution of American popular music, through a year of live performances and a media-rich website. A forthcoming radio documentary, narrated by singer CeCe Winans, will spotlight the genre’s vital influence on rock and roll, R&B, soul, and hip-hop.
2018 Year in Review: Topic 4 (b)
2018 Year in Review: Topic 4 (c)
What can classical music teach us about contemporary art-making and society? We spoke with Pulitzer Prize- and Grammy Award-winning composer David Lang around the premiere of Symphony for a Broken Orchestra, his work for 400 professional, amateur, and student musicians who played broken instruments gathered from Philadelphia public schools.
Composer David Lang on classical music. Filmed on November 30, 2017 at Temple Contemporary.
2018 Year in Review: Topic 4 (d)
Through the classical Indian dance form of Sattriya, Madhusmita Bora’s Threads of History: Resurrection of a Textile vividly brought to life the stories embedded in a 17th-century Indian cloth held in the collection of the Philadelphia Museum of Art. Bora collaborated with choreographer Bhabananda Barbayan and the Dancing Monks of Assam in their first US appearances and an accompanying short film.
2018 Year in Review: Topic 4 (e)
Three generations of women brought contemporary relevance to an Eastern European, Jewish folk music tradition in the exuberant concert Soul Songs: Inspiring Women of Klezmer. Presented by Philadelphia Folklore Project and led by musician and Pew Fellow Susan Lankin-Watts, the evening featured new compositions, poetry, and text reflecting on the ensemble’s experiences as women and musicians.
2018 Year in Review: Jump Link 5
2018 Year in Review: Topic 5 Headline
2018 Year in Review: Topic 5 (a)
“Is it possible to create a theater piece without any people?” That was the inquiry behind Stifters Dinge, one of two works from acclaimed German composer and theater artist Heiner Goebbels, presented by FringeArts. Goebbels’ hybrid blend of theater, installation, and experimental composition—brought to Philadelphia audiences for the first time—intertwines musical composition, text, mechanized props, and dynamic set designs to craft multisensory experiences.
2018 Year in Review: Topic 5 (b)
In what The Philadelphia Inquirer called a “delight” and “a singular experience,” Bowerbird presented the US premiere of Mauricio Kagel’s Zwei Mann Orchester, a large-scale kinetic sound sculpture that playfully explores the relationship between the visual and the sonic. “I am interested in exploring what another discipline can help me learn about my home discipline, music,” says Bowerbird director Dustin Hurt. “I believe that the best projects do this for the audience as well, by bringing a new perspective.”
2018 Year in Review: Topic 5 (c)
“I have always questioned everything,” says Pew Fellow Ken Lum, speaking on the motivation behind his multidisciplinary art practice. “In that questioning, I wanted to know more about art, particularly art as defined and practiced in other places in the world.” That curiosity has led Lum to explore mediums ranging from painting, sculpture, and photography to writing and curatorial projects around the globe.